MusicRadar

The secret of good comedy, they say, is timing, but that maxim could easily be applied to music, too.

It's all too easy to slip into a 4/4 rut and never get out of it, but if you open your mind to other timing and rhythmic possibilities and start to vary things a bit, your compositions will become all the more interesting.

Here are eight things to try if you want to slip your rhythmic shackles; for more tricks with time, check out the June issue of Computer Music (CM152) which is on sale now.

1. Combine multiple forms of syncopation

Create rhythmically adventurous synth, bass and percussion lines by applying multiple forms of syncopation to simple sequences. Bringing in a lead synth line with before-the-beat phrasing can give it the effect of jumping out at the listener, while backbeat transformation can add weight and energy to dance tunes.

2. Work in different time signatures by breaking bars down

If you're used to working in 4/4, it can sometimes be difficult to adapt to alternative time signatures. When working in less common time signatures, such as 5/4 and 7/4, it can help to think of the beat as being broken up into shorter sections of two, three or four beats. A 7/4 beat might be broken down into a bar of 4/4 followed by a bar of 3/4, for example.

3. Skip beats to emphasise different beats

Sometimes a missed note can have more impact than a played one. Missed beat syncopation creates tension by giving us a rest when we expect to hear a note. It can also be used to emphasise other beats in a rhythm. Try unexpectedly missing out the first note of a bassline and notice how the second note now feels stronger.

4. Stack loops of multiple lengths

DAWs like Ableton Live make it easy to build up complex, evolving arrangements by layering beats of varying lengths on top of each other. Rather than sticking to beats and loops of lengths that divide down to four beats, try adding a few parts of unusual length, such as nine beats, 15 beats or even 90 beats, and notice how the arrangement changes as different parts of the mix go in and out of phase.

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