Music Theory And Songwriting
Latest about Music Theory And Songwriting

How Aphex Twin fought the temptation to continually refine, and how we can learn from his example
By Andy Price published
It’s easy to carry on fiddling with our tracks, but as Richard D. James knows all too well, that urge to keep going can prove a problem

"They inhabited the future of their time, but they sound historical to me now": A music professor breaks down the theory behind Kraftwerk's Autobahn
By Ethan Hein published
Following the landmark album's 50th birthday, we pop the hood on Kraftwerk's breakout release to inspect its musical mechanics

“Maybe I’ll write out five or six chords, then discipline myself to write something only with those chords involved”: Why David Bowie’s restrictive songwriting strategies provide a lesson for us all
By Andy Price published
Sometimes imposing rules can force us out of our creative comfort zones. It's a tactic David Bowie used to birth some of his most celebrated songs.

“It’s a favourite with jazz and funk players, but it's just at home in hits by artists such as Jessie Ware”: Expand your chordal colours with 9ths
By Roland Schmidt published
Building an extension to a chord doesn’t require planning permission, but it might require a degree of design. We add 9ths to our extension palette

“The net result of this process is a progression which sounds smoother, calmer and more musical”: The value of adding chord inversions
By Roland Schmidt published
If your chord progressions sound a little clunky, try approaching your harmony in an inverse way.

“Technology is cool, but you’ve got to use it as opposed to letting it use you”: Why Prince never allowed gear to lead the way and how we can take back control of our tech
By Andy Price published
It’s pretty easy to be daunted by the sheer quantity of music technology at your disposal, but always remember - it's there to serve you

“When used in conjunction with other unextended chords, it will sound amazing”: How to enhance your songwriting with major sevenths
By Roland Schmidt published
From bossanovas to Carole King and even James Bond villains, the major seventh can completely change your song’s mood.

Why Paul McCartney’s intuition-led attitude to songwriting is worth taking onboard
By Andy Price published
The Beatles’ legend has long been open about how his songwriting workflow is guided by ideas and not a rigid format
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