MusicRadar Verdict
A reasonable plug-in bundle that doesn't do enough to really stand out.
Pros
- +
Packs a decent level of depth and warmth…
Cons
- -
…without having the range or grit to wow us.
MusicRadar's got your back
Despite its longstanding place at the commercial leading-edge of digital sound technology, Yamaha is viewed primarily as a hardware company.
The reality of course is that inside all its digital synths, mixers and effects is a considerable amount of signal processing software. It shouldn't be forgotten that Yamaha also owns Steinberg, makers of Cubase, Wavelab and range of software instruments.
This brings us to the Yamaha Vintage Plug-in Collection - a series of plug-in bundles consisting of the Vintage Channel Strip, Vintage Open Deck and Vintage Stomp Pack - which comes hot on the heels of the Steinberg RND Portico products endorsed by audio legend Rupert Neve (and with premium prices to match).
All of these are based on Yamaha's Virtual Circuit Modelling (VCM) technology and come in both VST2, VST3 and AU flavours. A USB e-Licenser dongle is required (but not included).
VCM and the 'Vintage' Sound
Yamaha developed 'Virtual Circuit Modelling' (VCM) technology as an offshoot of its research into physical modelling nearly 20 years ago. The principle behind VCM is that the circuit - rather than just the resulting sound - is modelled in order to emulate a given hardware device.
Interestingly, this isn't the first time these Yamaha plug-ins have seen the light of day. In 2005 Yamaha offered users of their DM-range of mixers the ability to update the onboard processing with the AE011 Channel Strip, AE021 Master Strip and AE051 Vintage Stomp Box packages - all looking very similar to those under review.
We weren't able to do a side-by-side comparison of the old and new, but Yamaha have made no play of suggesting that the current plugs are any better than those on their digital mixers. This could lead to confusion, but does explain the pricing - and raises questions about the nature of 'vintage' plugs, the quality of their emulation, and what we should expect in visual, sonic and functional terms.
Step on
The Vintage Stomp Pack is a collection of three different phasers, a flanger, and a wah - all effects with a strong guitar-based following, though equally useful on other sources. All of these owe a debt to MXR and Electro-Harmonix pedals of the past, providing a range of decent modulation flavours.
These effects have a certain warmth and depth, though arguably they do lack the outright grit and nuance of some competing products. A wider range of effects would have made this bundle a more ballsy and coherent 'stomp box' plug collection, with chorus and distortion being particular omissions.
Plug and play?
Ultimately, Yamaha's new plug-ins are all competent, without offering anything radically different from other more interesting competing products.
We might feel differently if they were half the price, but the truth is that both Universal Audio and Waves, to name but two, provide Yamaha with some very strong competition. Surprisingly also, there appear to be no built-in factory presets. If only to get you started, presets are a useful inclusion, and this only reinforces the impression that little effort has gone into the 'added-value' aspect of these plug-ins.
On the plus side, however, no additional hardware is required and the CPU load in general is quite low, enabling you to use many plug-ins concurrently. We'd encourage you try out the downloadable demos on the Steinberg website and decide for yourself if they help resurrect the 'vintage sound'.
Future Music is the number one magazine for today's producers. Packed with technique and technology we'll help you make great new music. All-access artist interviews, in-depth gear reviews, essential production tutorials and much more. Every marvellous monthly edition features reliable reviews of the latest and greatest hardware and software technology and techniques, unparalleled advice, in-depth interviews, sensational free samples and so much more to improve the experience and outcome of your music-making.
“A pro-quality tool for hard-working musicians who like the guitar to do the heavy lifting”: Fender American Ultra II Stratocaster HSS
“He claims to find me completely indigestible, but whenever he walks on stage he sings my lyrics, vocal melodies and song titles - is this hypocrisy or self-deception?”: Morrissey hits out at Johnny Marr
“You never know what will happen. You’re on a bus with pythons”: Orianthi on her Orange Oriverb amp, how soloing is like rapping and why confetti cannons are just one of the risks on an Alice Cooper tour