MusicRadar Verdict
Taking a premium brand into a lower pricepoint can be tricky - get it wrong and the prestige of the name could be permanently undermined. However, DW seems to have got the Performance Series spot on. The kit is located firmly in pro territory; the standard of the shells and components is unquestionably high and the usual DW details abound. While being distinctive enough to stand alone from other DW products they are clearly DW drums. Without testing the drums alongside a custom DW kit it's hard to say how they differ tonally, but the sheer quality of the sound they produce is on the money.
Pros
- +
Standard of shells, components and detail are unquestionably high. Produces a quality sound in a variety of settings. While being distinctive enough to stand alone from other DW products they are clearly DW drums.
Cons
- -
The DW brand does not comc cheap - even the production drums.
MusicRadar's got your back
DW Performance Series kit
DW Performance Series kit
DW Performance Series kit
DW's reputation has been built on manufacturing high-end hardware and custom drums. In recent years new ranges of pedals have broadened the company's presence in the hardware market, but until now DW's drums have only been available on a made-to-order basis.
The Performance Series represents a new era for the company as it is the first range of DW production drums and drum kits.
Build
Launched in October 2010 by a mass gathering of A-list DW endorsees, the Performance Series spent over two years in development. From the outset, DW didn't want to produce lesser versions of Custom Shop DW drums; the new range had to have its own sound and look.
There are obvious design clues that signal the drums' status. Most prominent among these are the Quarter Turret lugs which are smaller versions of DW's classic lug. Also scaled down are the bass drum claws, which resemble Collector's Series' claws in every detail except size. DW's iconic logo, which is found on the bass drum front head and the individual drums' badges, has been subtly tweaked to distinguish the Performance Series from other DW ranges.
The shells are made from the same stocks of North American maple used for DW custom drums. A new shell construction method - designated HVX - has been devised by John Good and is exclusive to the Performance Series. HVX shells utilise knowledge gained through DW's existing custom shell options such as VLT and X-Shell and incorporates elements of them into the design. The majority of the available drums (10"-16" toms and all bass drums) have 8-ply shells - the exceptions being the 8" tom (7-ply) and snares (10-ply).
John Good reckons HVX shells deliver low fundamentals with plenty of natural resonance. The review kit was made at DW/PDP's facility in Ensenada, Mexico and the bearing edges are precisely cut at DW's standard 45°. A choice of five lacquer finishes are available; the stunning Cherry Stain of the review kit is without a doubt equal to any custom DW finishes that we've encountered.
Hands On
DW has announced that production of the Performance Series is to be transferred to the company's HQ in California, so by the time you read this the first US-made Performance Series kits should be on their way to dealers. This will no doubt add to the Series' kudos (being both DW and American-made); nonetheless the drums on review were expertly constructed in Mexico.
Performance Series drums are marketed as two tom and snare pack options with bass drums and additional toms being bought separately. The supplied kit comprises the second tom/snare option - 12"x9" rack tom, 16"x14" floor tom and 14"x6½" snare with a 22"x18" bass drum and an extra 10"x8" tom.
We've always found DW bass drums particularly impressive and the Performance Series' kick didn't disappoint. From the moment we attached a pedal, the drum produced deep, saturated slabs of low end. The only tuning that was required was the tightening out of a wrinkle in the front head. Like all DW bass drums, this drum has a pillow fitted inside which keeps the sound tight and focused without completely smothering its natural presence.
In acoustic settings it powered through solidly against the usual grind of amplified guitars and bass. Miked up in a live situation it conveyed low frequencies with warmth and aggression. The snare fell in step with the bass drum perfectly, blending sharp attack with a thick woody note. Its physical depth translated into a full, throaty response that verged on the belligerent when required and was still suffused with natural authority at lower dynamics. Each stroke was clearly enunciated, the response remaining faithful right into the edges.
A common observation at the drumstar-studded launch was that Performance Series drums 'sing'. This is particularly true of the toms, which combine the sweetest of notes with exceptional clarity and smooth decay. In fact, this particular trio of toms and their spread of frequencies seemed versatile enough to cover any conceivable situation.
“Meticulously crafted analogue and digital circuits all curated from the ground up for bass-centric tonal expansion”: Fender unveils the Bassman effects line – 5 pedalboard essentials for bassists
“A full range of controls for instruments and DAWs, along with a semi-weighted keyboard that’ll please the players”: Novation Launchkey 49 and 61 MK4 review
“It's not quite as dark, but it explores other subjects a little bit more”: Robert Smith confirms existence of ‘companion’ album to Songs Of A Lost World