Universal Audio UAD-2 is ten times more powerful than UAD-1

The UAD-2 is available in three versions: Solo, Duo and Quad.
The UAD-2 is available in three versions: Solo, Duo and Quad.

Universal Audio has announced the UAD-2, the successor to its highly regarded UAD-1 powered plug-in system. This is a PCIe card that comes in three configurations - Solo, Duo and Quad.

All the UAD-2 cards are powered by the same Analog Devices 21369 SHARC floating-point DSP - the difference lies in how many chips each one features. Even the Solo model is said to offer two and a half times the power of the UAD-1, though, while the Duo and Quad versions deliver five and ten times more processing grunt.

Commenting on the launch, Universal Audio's VP of Marketing Mike Barnes said: "The UAD-2 is set to shake up the audio industry even more radically than UAD-1 did. We listened hard to the power, feature and plug-in requests from our loyal UAD-1 user base.

"Then we designed the new potent UAD-2 DSP platform for DAWs to be 'the one' that delivers all the sound and channel counts of large-format analog consoles plus all the authentic tone of classic outboard FX inside the box."

Third party support

As well as Universal Audio's own plug-ins, the UAD-2 will also run processors from Neve, Roland, SPL, Valley People and Empirical Labs, who previously developed for the UAD-1. What's more, Harrison, Moog and Little Labs have signed up to develop new UAD-2 plug-ins, too.

The UAD-2 is available now in nine different bundles, with prices ranging from $500 to $2000. It's Mac- and PC-compatible and supports the VST and AU plug-in standards (RTAS support will follow in a software update).

Full details are available on the Universal Audio website.

Ben Rogerson
Deputy Editor

I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it.