Skip to main content
MusicRadar MusicRadar The No.1 website for musicians
Sign in
  • View Profile
  • Sign out
  • Drums Week 25
  • Synths
  • Guitars
  • Guitar Pedals
  • Guitar Amps
  • Keyboards & Pianos
  • Controllers
  • Artist news
  • Drums
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About Us
More
  • Santana on Beck
  • Friday, I'm in Love
  • Knopfler's 4-note secret
  • 95k+ free music samples
Don't miss these
Peel
Producers & Engineers "On every laptop you have access to every sound you could ever want. That can make creativity hard": Peel
rival
Artists “You end up doing different things with a plugin versus a hardware synth”: Rival Consoles on why he still uses a Prophet emulation – even though he owns the real thing
Nadia Struiwigh
Artists Tresor resident Nadia Struiwigh on why she avoids tutorials and keeps things 'loose' in the studio
maria somerville
Artists “Ableton's more creatively fulfilling than Logic”: Maria Somerville on the DAWs, uilleann pipes and vintage gear behind Luster
loukeman
Artists Loukeman reveals his favourite plugins and unusual production techniques
disiniblud
Artists “It creates a tone that you can't find in Guitar Center”: Disiniblud on the self-built instruments behind their debut LP
ARMNHMR
Djs ARMNHMR on their tools of the trade
Joe Armon-Jones
Artists Ezra Collective’s Joe Armon-Jones on the imagined musical apocalypse that inspired All The Quiet
Silva Bumpa
Tech Breakout producer Silva Bumpa on the secret to creating sub bass and UKG rhythms
Hot Chip 2006
Tech “There’s joy in doing something again and again”: Hot Chip show how one of their best loved tracks was created
brian eno
Artists “Due to digital, music now has a terrible sort of housewifely tidiness”: Brian Eno on sonic perfectionism, Bowie and his new collaborative double album
Ray Cooper
Artists Percussionist Ray Cooper tells the story of his ‘lost’ live collaboration with Elton John
soundthread
Tech Try out this free modular sound design playground used by Aphex Twin
adam beyer
Artists "It feels like there’s a blueprint for electronic music - it's boring”: Adam Beyer on the evolution of modern dance music
Lifeguard's Kai Slater, Isaac Lowenstein and Asher Case
Artists Lifeguard on abstract noise and pop hooks – and the creative epiphanies behind their stellar debut
  1. Tech
  2. Recording
  3. Studios

Me in my studio: Mice Parade

News
By Chris Barker ( Future Music ) published 25 April 2013

Mice Parade's Adam Pierce takes us on a tour of his studio

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Intro

Intro

"Hi, I'm Adam Pierce from Mice Parade and this is my good friend Jeremy Backofen. My studio is in upstate NY, about an hour north of Manhattan, at my house in the beautiful Hudson Valley region.

"When I moved upstate 6 years ago, I chose a place with a mountain view and a three-car garage at the back - a separate building which I converted into the studio. I've had a studio wherever I've lived since college; it’s simply evolved and now is more of a 'real' space, yet still small and cozy.

"I've never had a proper name for my studio, it’s changed with each location. Frightened Rabbit called it ‘Adam's bit’ and our resident engineer Jeremy calls it ‘The Scooberdome’, which was what we called my old studio space 20 years ago. What I like most about the current space is its seclusion within natural surroundings. I'm in the middle of a state forest here, and I find it much more enjoyable than recording in a big city. The wooden sound diffusers came from the vocal booth at the old Bearsville Studio, so they might very well have absorbed saliva from Michael Stype, James Hettfield, Janice Joplin, who knows!"

Page 1 of 7
Page 1 of 7
Piano

Piano

"The living room of my house holds a bunch of fun instruments, behind the piano lies a cimbalom, a koto harp, a Balinese gamelan, an old living room organ, and some other knick knacks. High ceilings in this room make for good recordings…"

Page 2 of 7
Page 2 of 7
Tape machine

Tape machine

"What a terrible picture of our lovely two-inch tape machine… I think tracking stuff to a computer should be avoided at all costs…"

Page 3 of 7
Page 3 of 7
Synths

Synths

"Casio SK-5 on top, the best Casio model in my opinion. Fender Rhodes on the bottom, and then that digital Korg thing that everyone has nowadays is in the middle.

"I also have a SC Pro One keyboard from the late 70s or very early 80s, which is the wooden case the others synths are resting on, but it's seen better days."

Page 4 of 7
Page 4 of 7
Chandler TG-1 compressor

Chandler TG-1 compressor

"Studio life improved a lot when I finally got the Chandler TG-1 compressor, the perfect crunch for drums and a great energy addition for vocals.

"I'd wanted one for a while but boy do they cost a pretty penny. It's the recently made version of the classic Abbey Road-style compression.

"Plus, no studio is complete without a Roland Space Echo. Meanwhile this Roland Chorus Echo is the more badass, version which I prefer."

Page 5 of 7
Page 5 of 7
Korg BX-3 Organ

Korg BX-3 Organ

"The almighty Korg BX-3, a mid-80s analog and more portable version of a Hammond Organ.

"I might even like it better than a real Hammond since it actually has a distortion knob."

Page 6 of 7
Page 6 of 7
Avalon mix chain

Avalon mix chain

"My Avalon stereo mix-chain and the nicest EQs that I have. Most mixes go through these two racks. On top sits the Radam unit, a quirky VCF that a friend handmade for me as a gift."

Candela, the new album by Mice Parade is out now on FatCat records

Page 7 of 7
Page 7 of 7
Chris Barker
All-access artist interviews, in-depth gear reviews, essential production tutorials and much more. image
All-access artist interviews, in-depth gear reviews, essential production tutorials and much more.
Get the latest issue now!
More Info
Read more
Peel
"On every laptop you have access to every sound you could ever want. That can make creativity hard": Peel
rival
“You end up doing different things with a plugin versus a hardware synth”: Rival Consoles on why he still uses a Prophet emulation – even though he owns the real thing
Nadia Struiwigh
Tresor resident Nadia Struiwigh on why she avoids tutorials and keeps things 'loose' in the studio
maria somerville
“Ableton's more creatively fulfilling than Logic”: Maria Somerville on the DAWs, uilleann pipes and vintage gear behind Luster
loukeman
Loukeman reveals his favourite plugins and unusual production techniques
disiniblud
“It creates a tone that you can't find in Guitar Center”: Disiniblud on the self-built instruments behind their debut LP
Latest in Studios
Adam Audio H200
“A good all round headphone suited to recording, mixing and mastering”: Adam Audio H200 Headphones review
An Arturia KeyLab 88 MkII synthesizer on a blue background
I’ve looked through all 372 deals in the Thomann Easter Sale - these are the 5 deals I’d grab right now
Universal Audio Standard SD-1
“A versatile and durable dynamic microphone suitable for a range of applications”: Universal Audio SD-1 review
Universal Audio Standard SC-1
“Its robust construction, low self-noise, and ability to emulate a range of classic microphones make it a valuable asset”: Universal Audio SC-1 review
Abbey Road Studio One
Refurbished Abbey Road Studio One reopens with evening of "boundary-pushing expressive dance"
Billie Eilish
Billie Eilish’s mix engineers reveal the star's “favourite part” of her smash hit, Birds Of A Feather
Latest in News
Josh Freese performs onstage with The Vandals during day 1 of Warped Tour at Shoreline Waterfront on July 26, 2025
“It wasn’t music that I really resonated with”: Josh Freese lifts the lid on his exit from the Foo Fighters
Boss PX-1 Plugout FX: the white compact series pedal has blue knobs, digital display, and is a platform for 16 digitally modelled Boss effects, one of which is available at a time.
A compact series stompbox you can turn into any one of 16 classic Boss effects? Meet the Plugout FX
Zak Starkey and Axl Rose composite
“C’mon bro... It could generate $2M for teen cancer”: Zak Starkey pleads with Axl Rose to give the go-ahead for charity cover of Bolan classic
Don Felder plays his iconic white Gibson doubleneck electric guitar onstage. Note the double jack: that mod is crucial when playing Hotel California, which he surely is in this picture.
Don Felder on why he had to mod his white Gibson doubleneck to play the Eagles’ biggest hit – and how he got the idea from Chet Atkins
Marek "Ashok" Šmerda wears corpsepaint that makes him look a little like Hellraiser's Pinhead as he performs live with Cradle of Filth.
Cradle of Filth guitarist Ashok fired mid-tour, days after keyboardist wife quits citing low pay and “toxic” atmosphere
Burning man in 2023
“Crazy winds” wreak havoc at Nevada’s Burning Man festival

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...