The studio
Nick Douwma’s in a good place right now - his second album Torus has ridden high in the UK charts, while he’s recently completed a spectacular UK tour, showcasing exciting live gizmos including motion sensor technology.
Initially a stalwart of the Jungle scene, with Torus Douwma has expanded his scope by incorporating elements of Deep House, Dubstep and Electronica into what is a pristine collection of up-tempo dance tracks, bolstered by a diverse range of vocal contributions.
Inside the studio, the forward-thinking Douwma has an infectious enthusiasm and technical inclination to work fully in the box, helping him to stay one step ahead of dance music’s generic limitations.
Here Douwma talks us through the gear and gizmos behind Torus. For more on the album, read our track-by-track interview with Douwma from earlier this year.
Ableton Live and plugins
“I’ve got very used to working with a set of plugins. Sylenth has got an amazing detune on it with a great analogue sound. Then there’s Native Instrument’s Massive which lots of producers are using.
“On the more unusual front there’s Glitch which is a good chopper for rearranging sounds and Shimmer by Valhalla which I really got into recently. It’s very good for long reverbs with this effect where the feedback on the reverb is pitch shifted. Brian Eno uses it a lot.
“Then there’s PaulStretch which is a great emulation of the old Akai time-stretch which is good for those old badly stretched vocals.”
M-Audio Axiom 25
“This bit is a mini version of what I use in my live sets. I’ve got my M-Audio Axiom keyboard and two iPads running bespoke patches for Lemur.
“This patch is a version of Ambivalent Beats which I’ve had slightly modified for my use, and this is a basic controller for the buffer shuffler in Ableton Max for Live.”
Spirit Absolute Zero
“These are my ‘normal’ monitors and are really old and cheap and I’ve just got really used to them. And I’ve got used to this odd configuration where they’re really close to my head, so I’ve tried to keep that constant all the way through so I know I can get the kind of sound on mixdown that I’m after.
“The temptation is always to buy bigger and newer speakers when you move to different places but I think a lot of the time that’s counterproductive as it’s all about what you’re used to.”
