Skip to main content
Music Radar MusicRadar The No.1 website for musicians
Sign in
  • View Profile
  • Sign out
  • Guitar Amps
  • Plugin Week 25
  • Guitar Pedals
  • Synths
  • Guitars
  • Artist news
  • Keyboards & Pianos
  • Controllers
  • Software & Apps
  • Drums
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About Us
More
  • Plugin Week A-Z
  • You Oughta Know
  • Fake AI band
  • 95k+ free music samples
  • Wrecking Crew
Recommended reading
Lawrence Hart
Artists Watch UK electronic artist Lawrence Hart build a track from scratch in his hardware-stuffed studio
romesh
Producers & Engineers “Your work, your mix, your production: that’s your business card": Motörhead producer Romesh Dodangoda
dr dubplate
Artists “If you've got one follower or 10 million, that doesn't matter”: Dr Dubplate on "gatekeeper mentality"
danny l harle in the studio with headphones on
Artists “I had a fantasy of being this hired-gun-style producer who could do any genre”: Danny L Harle on success and self-discovery
Kane Hibberd, the photographer behind the Scale exhibition in London, poses in front of his photographs – guitars features will include Kerry King of Slayer's BC Rich and Tom Morello's Arm The Homeless S-style.
Guitars Exhibition featuring life-sized photos of 100 legendary artists' guitars to open in London
dan nigro in the studio
Artists "That's what it takes to make music that's gonna last forever": Olivia Rodrigo and Chappell Roan producer Daniel Nigro on crafting timeless tracks
Djrum
Artists "I have a very emotional relationship with my machines”: How Djrum made one of 2025’s best electronic albums
  1. Artists
  2. Djs

In pictures: Dom Kane's Cardiff studio

News
By Future Music ( Future Music ) published 23 April 2012

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Intro

Intro

Since the early ’90s, Dom Kane has been obsessed with music production and DJing. He started out playing illegal raves at the age of 14, and quickly made a name for himself both as a DJ, with a residency at Ministry ofSound, and as a producer – he’s one of the original sample content creators.

Having seen his booth morph from vinyl, through CDJs to laptop DJing, and his studio grow from basic MIDI software to the endless options of Ableton Live, Dom has witnessed 20 years of technical trends. After testing software for FXpansion and Steve Duda, he’s now set up his own sample company and is about to launch his debut album. So, there couldn’t be a better time to have a nosey around his music making facility.

Page 1 of 9
Page 1 of 9
The studio

The studio

“Back in the day I used to go to friends’ houses who had small setups. I had my own computer and a couple of bits of software and some MIDI keyboards and Yamaha PSRs, but that was it.

“I always wanted to get into production before I got into DJing, but DJing came first because it was more accessible at the time – you needed some outboard gear, synths, a decent soundcard. There was some basic MIDI arrangement software for computers but it wasn’t until Cubase VST that all of a sudden you could make good quality sounds on a computer.”

Page 2 of 9
Page 2 of 9
Samson D-1500

Samson D-1500

“This has room-testing capabilities but I’ve never used it for that. It’s great to have a visual reference though – you might notice a bassline is protruding too much, or not enough or you might not notice it, but this will tell you.”

Page 3 of 9
Page 3 of 9
NI's Maschine

NI's Maschine

“I use this more for live stuff, but it’s a great studio tool too, and it comes with a great library.”

Page 4 of 9
Page 4 of 9
Apple iPad

Apple iPad

“I have used this in the studio in the past, but it’s more of a live thing too.”

Page 5 of 9
Page 5 of 9
Mackie Big Knob

Mackie Big Knob

“Essentially a volume control but the Mono button is really useful. You want your track to sound almost as good in mono as it does in stereo and the button helps me pick up on phase problems.”

Page 6 of 9
Page 6 of 9
The rack

The rack

“The E-MU Proteus 1000 is a classic synth and a stunning bit of kit. It’s the Faithless Insomnia sound, but it’s still really relevant today with the Vintage Expansion pack. The Orchestra Expansion pack is good too.”

“Below that is the Roland JV-1080. This is similar to the E-MU in that they’re both sample-based digital synths, but they give a real classic sound and are fun to play around with.”

Page 7 of 9
Page 7 of 9
Moog Little Phatty

Moog Little Phatty

“The name says it all really – it’s little, it’s phat. It’s a stunning bit of kit. The signal is 100% analogue flow so you’ve got a genuine analogue sound with digital control.

“It’s got the classic Moog ladder filter that gives it a great sound.”

Page 8 of 9
Page 8 of 9
Focal CMS45

Focal CMS45

“Focal make some of the best speakers in the world, they’ve got an unbelievable dynamic and a fascinating range.

“They use Beryllium tweeters so they can reach 40kHz, which we can’t hear but it means they’ll have no problem reaching 20kHz accurately.”

Page 9 of 9
Page 9 of 9
Future Music
Future Music

Future Music is the number one magazine for today's producers. Packed with technique and technology we'll help you make great new music. All-access artist interviews, in-depth gear reviews, essential production tutorials and much more. Every marvellous monthly edition features reliable reviews of the latest and greatest hardware and software technology and techniques, unparalleled advice, in-depth interviews, sensational free samples and so much more to improve the experience and outcome of your music-making.

All-access artist interviews, in-depth gear reviews, essential production tutorials and much more. image
All-access artist interviews, in-depth gear reviews, essential production tutorials and much more.
Get the latest issue now!
More Info
Read more
Lawrence Hart
Watch UK electronic artist Lawrence Hart build a track from scratch in his hardware-stuffed studio
romesh
“Your work, your mix, your production: that’s your business card": Motörhead producer Romesh Dodangoda
dr dubplate
“If you've got one follower or 10 million, that doesn't matter”: Dr Dubplate on "gatekeeper mentality"
danny l harle in the studio with headphones on
“I had a fantasy of being this hired-gun-style producer who could do any genre”: Danny L Harle on success and self-discovery
Kane Hibberd, the photographer behind the Scale exhibition in London, poses in front of his photographs – guitars features will include Kerry King of Slayer's BC Rich and Tom Morello's Arm The Homeless S-style.
Exhibition featuring life-sized photos of 100 legendary artists' guitars to open in London
dan nigro in the studio
"That's what it takes to make music that's gonna last forever": Olivia Rodrigo and Chappell Roan producer Daniel Nigro on crafting timeless tracks
Latest in Djs
TAKKUUK
“Everyone comes back changed”: Bicep on their new collaborative project with Inuit musicians
Lawrence Hart
Lawrence Hart on the mixed blessings of classical training and being ‘scrappy’ in the studio
Nadia Struiwigh
Tresor resident Nadia Struiwigh on why she avoids tutorials and keeps things 'loose' in the studio
 Deadmau5 Performs At The Seaport District's Pier 17 Rooftop on September 8, 2018 in New York City
“Your passport to deep vibes and low-altitude cruising”: Deadmau5 launches his own 24/7 Youtube stream
Daft Punk
“We are the inventors of electro”: Emmanuel Macron wants French house to be added to UNESCO heritage list
ARMNHMR
ARMNHMR on their tools of the trade
Latest in News
Joe Perry and Steven Tyler of Aerosmith
“I know there’s going to be at least another Aerosmith gig”: Joe Perry is convinced that band will play again
[Left] Richie Faulkner plays his custom Les Paul Custom while Rob Halford looks on; [right] Late-stage Ozzy-era Sabbath the first time around, with Ozzy cheering on guitarist Tony Iommi
Judas Priest salute the OG metal gods with a cover of Black Sabbath's War Pigs
Foo Fighters
Foo Fighters mark their 30th anniversary with a new song
Doja Cat
"I could not sing”: Doja Cat says that she now knows how to use her voice “as an instrument”
Fender Chris Shiflett Cleaver Telecaster Deluxe
Meet the guitarist who’s worked his dad’s ashes into his Telecaster
MXR MB301 Bass Synth: the six-knob pedal is pictured in use against a petrol-blue background.
“Thunderous sub-octave, expressive envelope, and lush modulation effects with killer tracking and sustain”: MXR unveils the MB301 Bass Synth – instant funk for your pedalboard

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...