The Dinosaur Jr. frontman is already synonymous with these silicon dirtboxes and is given a huge amount of credit for helping repopularise the classic EHX fuzz during the pre-grunge era and beyond.
"That's my sound. The Muff is always on," explains Mascis. "All distorted sounds begin with the Muff.
“That's what I grew up playing so it's kind of amazing to have my own signature one."
Commonly referred to as a fuzz pedal, Electro-Harmonix describes the Big Muff Pi as a “fuzz/distortion/sustainer”.
Transistorized fuzz pedals first hit the market in 1962 with the Maestro FZ-1 Fuzz-Tone and rapidly gained popularity in the mid-‘60s.
By the following year, Mike Matthews had taken over Foxey Lady production for Guild and formed Electro-Harmonix.
In ’69, EHX brought out the two-transistor Muff Fuzz, followed by the four-transistor Big Muff Pi.
Appearing in a metallic finish with black graphics, these early iterations are referred to as ‘triangle’ Big Muffs on account of their triangular knob layout.
“Jimi Hendrix used a Big Muff in 1969,” Matthews told Guitarist. “Manny’s [of New York] was the first store I sold Big Muffs to and he bought one of the first ones from there.”
The ‘rams head’ Big Muffs appeared in ’73 and feature red, blue, purple or black graphics (including the so-called ram's head in the bottom-right corner). The new J Mascis signature Big Muff Pi is based on this version.
The more common red/black graphics appeared in ’76 (as per the current production standard units).
Head on over to the EHX website for more information.