Skip to main content
MusicRadar MusicRadar The No.1 website for musicians
UK EditionUK US EditionUS AU EditionAustralia SG EditionSingapore
Sign in
  • View Profile
  • Sign out
  • Artist news
  • Guitars
  • Controllers
  • Drums
  • Keyboards & Pianos
  • Guitar Amps
  • Music Gear Reviews
  • Synths
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About us
More
  • Bridge Over Troubled Water
  • World in Motion
  • 95k+ free music samples
  • The genius of Clive Davis
  1. Artists
  2. Gigs & Festivals

X's John Doe: my best and worst gigs ever

News
By Joe Bosso
Published 18 August 2014

"This is hard – I could think of 10 shows right now that might be our best"

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

X's John Doe on his best and worst gigs ever

X's John Doe on his best and worst gigs ever

Continuing our series My Best And Worst Gigs Ever, X singer and bassist John Doe talks about two shows that stands out in his mind as being particularly memorable – and one that went tragically wrong.

“This is hard – I could think of 10 shows right now that might be our best. But I'm going to go with two as being the greatest, both for their own reasons. I kind of put them in ‘then and now’ categories. The first one goes back to 1981, after we had released the album Wild Gift. It was a pretty important time for the band. We had really established ourselves in LA and had, I think, firmly planted a flag in the ground for West Coast punk rock.

“Up to this point, everybody thought you couldn’t have punk rock in LA: ‘It’s too nice and sunny Everybody’s got a Porsche and a Mercedes and a swimming pool. What can you be bummed about?’ People didn’t realize that downtown LA was one of the scariest places in the world.

“So we released Wild Gift, we did a US tour, and we came back to LA to play the Greek Theatre – six or seven thousand seats. And we sold the place out! We sold out the Greek. To do that and not even be on a major label – we were just this scrappy punk rock band – that was pretty great.

“We were in the open air, which made the sound a little strange for us at first – we were only used to playing little clubs. And we played our hearts out, too. It wasn’t one of those gigs that played itself. We were very conscious of what we were doing the whole time, but in the end, it was exalting. Things went exactly as they should.

“More than just a great gig, though, it was kind of a benchmark moment. I actually felt as if we achieved something. We had arrived and reached some sort of higher level as a band. Maybe we all felt like that… or maybe I just did. [Laughs] I thought we had proved a point, but not in a mean way – in a very cool and meaningful way.

“And hey, even my mom was there. [Laughs] I made mom proud. That’s what we all wanna do, right?”

Page 1 of 3
Page 1 of 3
X's John Doe on his best and worst gigs ever

X's John Doe on his best and worst gigs ever

“The more recent ‘best’ gig would be when [guitarist] Billy [Zoom] rejoined the band. We played at the Hollywood Palladium, and the thing I remember most about it is everyone was singing along with us. This was pretty impressive because we’re not known for being a quiet band – we play pretty loud. So to hear the audience singing our songs over us, that knocked me out.

“Quite honestly, the show was at a point at which we didn’t know if we were going to continue. Elektra had just put out the compilation, Beyond And Back, so there was a lot of intensive listening and hard work, a lot of ‘Can this work?’ and ‘What are we doing?’ I probably listened to about 200 hours of live tapes, trying to pick out a few live songs. But I think it was then that we all had the realization of ‘Oh, I see why people were making such a fuss about our band – we're pretty fucking good! [Laughs] Well, I’ll be damned.’ Sometimes it takes 25 years to get perspective on things.

“So we got together with Billy for the first rehearsal, and everything just clicked. It was something like 15 years since we’d played together, but it was as if we’d never stopped. You always hear about that happening, and it happened for us in just that way. It was immediate and undeniable, and that’s why we thought, ‘Yep. That’s why we were in this band in the first place.’ And the show itself at the Palladium was incredible. It validated everything we had been thinking. The good feelings were widespread that night.”

Page 2 of 3
Page 2 of 3
X's John Doe on his best and worst gigs ever

X's John Doe on his best and worst gigs ever

“This was a really bad gig, but unlike a lot of other bad gig stories that you hear from people that are humorous and involve things going wrong on stage and what not, this is a tragic bad gig.

“It was 1980, and we were playing the Whisky A Go Go in LA; it was two shows on the same night. Exene’s sister was coming to the second show, and she was killed in a car crash. We found out between shows, and for some reason, because we thought that’s just what people do, we played the second show.

“At first, we didn’t know she had been killed. Somebody came in and told us there had been an accident. She was being taken to the hospital, but it didn’t look good. And then very soon after, we were told that she was dead.

“Nobody in the audience knew what had happened – Exene didn’t make any kind of announcement. But I remember the people looking at us like, ‘Wow, what’s going on?’ They could tell that something was up. I don’t know how we got through it. Exene could barely stand up, could barely sing, as you can imagine. We were all in a state of shock, in total survival mode. There was no way we could get around it.

“It was a gig we never should have played. Not because it was bad musically, but because we should have honored the situation. It was just one of those nights. The show was sold out, everybody’s there – ‘We’ve gotta play, right? Isn’t that what we do?’ And sometimes the answer is no. No, you don’t have to.”

X's current East Coast US tour starts tonight (August 18) in Atlanta. Click here for dates and tickets.

Page 3 of 3
Page 3 of 3
Joe Bosso
Joe Bosso

Joe is a freelance journalist who has, over the past few decades, interviewed hundreds of guitarists for Guitar World, Guitar Player, MusicRadar and Classic Rock. He is also a former editor of Guitar World, contributing writer for Guitar Aficionado and VP of A&R for Island Records. He’s an enthusiastic guitarist, but he’s nowhere near the likes of the people he interviews. Surprisingly, his skills are more suited to the drums. If you need a drummer for your Beatles tribute band, look him up.

Read more
Dokken
Artists “Metallica are killing us!”: How a hair metal band’s dream gig turned into a nightmare
 
 
Oliver Ackermann [left] playing on a red-lit stage and Richard Fortus playing his White Falcon live with Guns N' Roses
Artists Death By Audio’s Oliver Ackermann on the time he sold a pedal to Richard Fortus and disaster struck
 
 
Guns N' Roses in 1987
Artists “He said, ‘There’s this band from America called Guns N’ Roses. We should take them on tour with us’”
 
 
Thin Lizzy live in 1978, Brian Robertson in white, playing his Les Paul, Phil Lynott in the middle on bass and vocals, and Scott Gorham in red trousers and an open blue shirt playing a tomato burst Les Paul
Artists “This big black guy with an Irish accent says, ‘Hey, I’m Phil!’ I thought, ‘This is gonna be interesting’”
 
 
John Lydon and Steve Vai composite image
Singles And Albums "I related it to my own background": John Lydon and Bill Laswell remember the making of Rise
 
 
Oliver Ackermann of A Place to Bury Strangers throws it down live in Texas
Guitars Oliver Ackermann on the break-stuff tone philosophy behind guitar's most unorthodox pedal brand
 
 
Latest in Gigs & Festivals
NEW YORK, NY - JUNE 4: Madonna performs at TSX Stage in Times Square on June 4, 2026 in New York City.  (Photo by XNY/Star Max/GC Images)
Artists Producer Stuart Price discusses his working relationship with Madonna
 
 
Fred Schneider of The B-52s performs at The O2 Arena on June 20, 2026
Gigs & Festivals “He knew a dangerous storm was brewing”: B-52s claim French promoter put band and crew at risk
 
 
GLAS-2
Gigs & Festivals There's no Glastonbury this year, but this movie is here to show you what it looked and sounded like in 1993
 
 
Rod Stewart performs at Mortgage Matchup Center on June 08, 2026 in Phoenix, Arizona
Gigs & Festivals “I nearly f***in’ fainted up there”: Rod Stewart has to steady himself with oxygen during show in Utah
 
 
Money
Gigs & Festivals “Be transparent on costs or risk CMA action”: Watchdog body force StubHub to refund 50,000 of their customers
 
 
Harry Styles plays piano with the Jules Buckley orchestra
Gigs & Festivals Harry Styles reinterprets his back catalogue with help from Jules Buckley Orchestra and Gospel House Choir
 
 
Latest in News
Morrissey performs at The SSE Arena, Wembley on March 14, 2020 in London, England
Singles And Albums "Diversity is a lie": Morrissey launches bizarre tirade against BBC
 
 
Taylor Swift attends the SongWriters' Hall of Fame induction ceremony 2026
Singles And Albums "Absurd, frivolous and harassing": Taylor Swift wins landmark copyright lawsuit over her lyrics
 
 
Walrus Audio Lüm Texture Engine
Guitars Walrus Audio’s Lüm is a feature-packed “Texture Machine” for when your guitar tone feels predictable
 
 
james blake
Artists "His son actually cleared the sample": James Blake on sampling Leonard Cohen for Death of Love
 
 
Explicit Music
Streaming New data reveals that explicit lyrics are in decline - but why?
 
 
Dokken
Artists “Metallica are killing us!”: How a hair metal band’s dream gig turned into a nightmare
 
 

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

Add as a preferred source on Google Add as a preferred source on Google
  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...