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The 30 most important guitar products of the last 30 years

By Guitarist
published 29 April 2014

Guitarist celebrates three decades of gear

The 30 most important guitar products of the last 30 years
Guitarist magazine celebrates three decades in print with a look at the most essential gear launched during its lifetime so far…

The 30 most important guitar products of the last 30 years

Since Guitarist magazine launched in 1984, the landscape of the musical instrument industry has changed immeasurably.

The arrival of the internet, the explosion in Far-Eastern manufacturing and the ebb and flow of musical trends all caused seismic shifts that have impacted on the way we all buy and play guitars in 2014.

That the times will continue a-changin’ is beyond question, but here, in no particular order, we look back over the last three decades and pick out 30 products that were genuine game-changers; not so much shaking the windows and rattling the walls as blowing the bloody doors off the guitar industry and birthing whole new product categories and trends. You’ve never had it so good…

Guitarist 381, the 30th anniversary issue, is on sale on 2 May in print and digital forms. Buy it here.

Page 1 of 31
Page 1 of 31
Orange Tiny Terror
2007

Orange Tiny Terror

Orange’s miniature 15-watt valve head kickstarted a lunchbox amp craze that saw almost every major amp manufacturer follow suit.

Page 2 of 31
Page 2 of 31
Klon Centaur
1994

Klon Centaur

The Dumble of the pedal world; originals now command comical secondhand prices and ‘Klones’ have become a mainstay of the stompbox industry.

Page 3 of 31
Page 3 of 31
Akai U4 Phrase Trainer
1988

Akai U4 Phrase Trainer

The first affordable desktop trainer made flurries of notes intelligible for fledgling shredders.

Page 4 of 31
Page 4 of 31
Apple iPad
2010

Apple iPad

Via numerous third party apps it’s perhaps the ultimate practice aid, tuition tool and mobile recording device. You can also read Guitarist on it too!

Page 5 of 31
Page 5 of 31
Epiphone Les Paul Standard
1988

Epiphone Les Paul Standard

If you’ve been anywhere near the gigging circuit in the last 25 years you’ll have seen and heard plenty of these affordable LPs. We’d wager many of you have owned them, too.

Page 6 of 31
Page 6 of 31
Marshall Valvestate
1991

Marshall Valvestate

The Milton Keynes amp giant sold shedloads of these hybrid amps to bedroom rockers and gigging players alike in the 1990s. An affordable ‘first proper amp’.

Page 7 of 31
Page 7 of 31
Fender Eric Clapton Stratocaster
1988

Fender Eric Clapton Stratocaster

Clapton’s replacement for the legendary ‘Blackie’ Strat kicked off a whole new era in artist signature models. So good, even Pete Townshend uses them.

Page 8 of 31
Page 8 of 31
Ibanez Universe
1990

Ibanez Universe

The first mass-produced seven-string electric, this Steve Vai signature instrument was central to the then-revolutionary nu-metal sound of Korn in the 1990s. Since then, whole genres have taken root and seven, eight and even nine-string guitars are more popular than ever.

Page 9 of 31
Page 9 of 31
DigiTech Whammy WH-1
1991

DigiTech Whammy WH-1

This treadle-controlled detuner quickly became a modern classic and found favour with sonic explorers such as Steve Vai and Tom Morello.

Page 10 of 31
Page 10 of 31
Jackson Soloist
1984

Jackson Soloist

This hard rock icon was born the same year as our beloved magazine and its modernistic lines were a hit with a multitude of million-selling stars.

Page 11 of 31
Page 11 of 31
Peavey 5150
1996

Peavey 5150

Eddie Van Halen’s original signature amp has been used on a staggering number of huge-selling heavy rock records by a wide variety of artists. Heavy metal tone par excellence.

Page 12 of 31
Page 12 of 31
Ibanez RG550
1987

Ibanez RG550

A high quality, affordable JEM-alternative for the everyday guitarist, the RG550 was a shred machine for the masses.

Page 13 of 31
Page 13 of 31
Line 6 POD
1997

Line 6 POD

While the brand unveiled its AxSys 212 modelling amp in 1996 to a reasonable ripple of enthusiasm, when the company crammed the combo's technology into this iconic red bean it changed the landscape of electric guitar recording forever.

Page 14 of 31
Page 14 of 31
Fender Nocaster Relic
1995

Fender Nocaster Relic

Still one of the most divisive trends ever to explode in the industry, artificial aging was popularised by the Fender Custom Shop but now extends as far as budget copy guitars, pedals and even capos!

Page 15 of 31
Page 15 of 31
PRS Custom 24
1985

PRS Custom 24

The Custom 24 was the first model that Paul Reed Smith brought to the public at the company’s first NAMM show in 1985, kickstarting the high-end, boutique electric guitar genre.

Page 16 of 31
Page 16 of 31
ADA MP-1
1988

ADA MP-1

When racks ruled, the MP-1 was king. Stars such as Paul Gilbert, Nuno Bettencourt and Billy Corgan used it to power their high gain histrionics while mere mortals dreamed of owning one.

Page 17 of 31
Page 17 of 31
Mesa/Boogie Dual Rectifier
1991

Mesa/Boogie Dual Rectifier

Before the Dual Rectifier, Mesa was a company known for its high-powered 1x12 combos, but this beast changed everything, rapidly becoming the sound of 1990s heavy rock music.

Page 18 of 31
Page 18 of 31
Matchless DC30
1993

Matchless DC30

Matchless did for the boutique amplifier industry what PRS did for high-end guitars. Using the Vox AC30 as a springboard, then-designer Mark Sampson created a modern classic as beautiful on the inside as it sounded when played in anger.

Page 19 of 31
Page 19 of 31
Fender American Standard Stratocaster
1987

Fender American Standard Stratocaster

The arrival of the American Standard Strat heralded the dawn of a new era for Fender and dragged the company into the modern age. They just keep getting better, too…

Page 20 of 31
Page 20 of 31
Fractal Audio Systems Axe-Fx
2006

Fractal Audio Systems Axe-Fx

With a list of users that includes Steve Vai, John Petrucci, Jeff Loomis, Periphery's Misha Mansoor and countless others, Fractal's amp and FX-loaded guitar preamp is one of the most talked up pieces of equipment in recent years, and with good reason. Essential kit for the modern pro or serious amateur heavy rock guitarist whether on the road or in the studio.

Page 21 of 31
Page 21 of 31
Takamine EN10C
1988

Takamine EN10C

When Takamine launched its N and EN models in 1988, it was the beginning of a new electro-acoustic world. Featuring new electronics with a parametric equaliser alongside ‘traditional acoustic’ specs, they quickly found favour among players who wanted the best of both electro and acoustic worlds.

Page 22 of 31
Page 22 of 31
Boss ME-5
1988

Boss ME-5

Eight compact effects squeezed into a single unit alongside a noise gate, with combinations thereof able to be programmed effortlessly and recalled in an instant. Maybe technology wasn’t going to be so bad for guitarists, after all…

Page 23 of 31
Page 23 of 31
Martin DXM
1998

Martin DXM

Martin was arguably the first major acoustic manufacturer to grasp the nettle of dwindling resource – an issue that impacts on us all. The DXM was made with high pressure laminates and while traditionalists shuddered, realists applauded.

Page 24 of 31
Page 24 of 31
Line 6 Variax
2002

Line 6 Variax

Neither the SynthAxe nor Roland’s GR707 caught on in the 1980s – the concepts were just too alien for guitarists. 2002 saw Line 6 make a truly credible stab at a digital guitar that looked enough like the real thing to persuade many of you to give it a go. Thanks to Line 6 and now Fender, Roland and Gibson too, the evolution of the digital electric guitar continues…

Page 25 of 31
Page 25 of 31
Parker Fly
1992

Parker Fly

Still too futuristic for some, the Fly, conceived by Ken Parker and Larry Fishman, brought a brilliant new vibrato design and pseudo-acoustic sounds to the table alongside numerous other innovations.

Page 26 of 31
Page 26 of 31
TC Electronic PolyTune
2009

TC Electronic PolyTune

A genuine game changer, since its arrival the TC PolyTune has displaced the Boss TU-2 as the go-to stompbox tuner for gigging musicians. There’s even a mini version now, too…

Page 27 of 31
Page 27 of 31
Squier Standard Stratocaster
1985

Squier Standard Stratocaster

Following the vintage-derived Japanese Squiers of 1982, 1985’s Standard emerged with an updated feature set and soon became the first affordable yet quality step on the ladder of classic guitar veneration for countless players.

Page 28 of 31
Page 28 of 31
Yamaha Pacifica 112
1993

Yamaha Pacifica 112

Yamaha’s guitar mag ad, which showed its all-solid wood Pacifica 112 up against a well-known plywood rival, turned a whole generation onto a brand that had hitherto seemed a little safe and, dare we say it, boring. The company’s attention to detail plus quality hardware and electrics have made the Pacifica a no-brainer choice for fledgling guitarists ever since.

Page 29 of 31
Page 29 of 31
Fender Hot Rod Deluxe
1995

Fender Hot Rod Deluxe

Now in its third incarnation, the HRD is arguably the most popular valve amp on the market for gigging guitarists and can be seen and heard everywhere from the biggest festival stages to your local boozer. A market leader for a reason.

Page 30 of 31
Page 30 of 31
Kemper Profiling Amp
2011

Kemper Profiling Amp

Since the SansAmp arrived in 1989, amp modelling, first analogue then later digital via hardware and software, sold the promise of access to a library of vintage and modern guitar sounds at a much lower cost and with considerably greater convenience than buying – and cranking up and mic’ing – the 'real thing'.

Our first studio experiences with the Kemper suggested that amp modelling – or profiling, in Kemper speak – had finally come of age and provided us with a genuine moment of disbelief at how vividly real it could sound in a mix. Create your own profiles, share them, download those created by others… the potential is limitless and the KPA is fast-becoming a must-have item for the serious recording guitarist.

Page 31 of 31
Page 31 of 31
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