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  1. Guitars
  2. Acoustic Guitars

Summer NAMM 2016: Martin lifts the lid on 9 new acoustic guitars, including Dreadnought Junior Sapele

News
By Michael Astley-Brown published 6 June 2016

Road Series and affordable X Series also expanded

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Introduction

Introduction

SUMMER NAMM 2016: There's just no stopping Martin. The dust had barely settled on the acoustic guitar juggernaut's last batch of announcements before a whopping nine more models landed in our inbox.

As opposed to last week's high-end offerings, this latest batch lies in the mid-priced range, with new additions to the popular Junior line and Road Series, plus seven new X Series models. We've got a lot to get through, so head on through the gallery for all the goss…

Page 1 of 10
Page 1 of 10
Martin Dreadnought Junior 2 Sapele

Martin Dreadnought Junior 2 Sapele

Offering a tonal tweak to last year's hugely popular - and very well-reviewed - Dreadnought Junior, this sequel of sorts features a sapele top, back and sides, while retaining the original's big bass and easy playability.

A Richlite fingerboard and bridge, plus hand-rubbed body and neck finish, round off the spec, while an electro version with Fishman Sonitone electronics is available for £599/$799.

Page 2 of 10
Page 2 of 10
Martin Road Series DRSG

Martin Road Series DRSG

Offering a Sitka spruce top with siris back and sides, this dreadnought promises to be a great-sounding instrument.

Elsewhere, Richlite is the material of choice for fingerboard and bridge, while a gloss body, hand-rubbed neck finish and Fishman Sonitone electronics should make for a road-ready instrument.

Page 3 of 10
Page 3 of 10
Martin X Series DCXAE Black

Martin X Series DCXAE Black

This dreadnought cutaway pairs a Jett black high-pressure laminate top, back and sides with a Richlite fingerboard and bridge. Fishman's Sonitone electronics are onboard, too.

Page 4 of 10
Page 4 of 10
Martin X Series DCX1RAE

Martin X Series DCX1RAE

A 14-fret dreadnought cutaway, this acoustic is made from a Sitka spruce top and rosewood-patterned high pressure laminate back and sides.

A hand-rubbed top and neck finish is accompanied by - you guessed it - Fishman's Sonitone electronics.

Page 5 of 10
Page 5 of 10
Martin DCX1AE

Martin DCX1AE

Like the DCX1RAE, the DCX1AE packs a Sitka spruce top, but this time, it's paired with a mahogany-patterned high-pressure laminate for the back and sides.

The hand-rubbed top and neck finish are also present and correct, as are the Richlite fingerboard and bridge, plus Fishman Sonitone electronics.

Page 6 of 10
Page 6 of 10
Martin X Series GPCXAE Black

Martin X Series GPCXAE Black

This Grand Performance cutaway model is an all-Jett black high-pressure laminate affair, while the Richlite fingerboard and bridge, and Fishman Sonitone VT electronics make for a durable, playable acoustic.

Page 7 of 10
Page 7 of 10
Martin X Series GPCX1RAE

Martin X Series GPCX1RAE

Similar to the GPCXAE, the GPCX1RAE is a Grand Performance shape, but this time offers a Sitka spruce top with rosewood-patterned high-pressure laminate back and sides.

As you'd expect by now, it has a Richlite fingerboard and bridge, plus Fishman Sonitone electronics.

Page 8 of 10
Page 8 of 10
Martin X Series GPCX1AE

Martin X Series GPCX1AE

This one's the same as the GPCX1RAE, but instead delivers mahogany-patterned high-pressure laminate back and sides along with its Sitka spruce top. The rest of the specs remain as per the GPCX1RAE.

Page 9 of 10
Page 9 of 10
Martin X Series OMCXAE Black

Martin X Series OMCXAE Black

The OMCXAE's 000-14 fret cutaway shape is complemented by all-Jett black high-pressure laminate construction, while the Fishman Sonitone VT electronics make it an electro contender, too.

Page 10 of 10
Page 10 of 10
Michael Astley-Brown
Michael Astley-Brown
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Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.

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