
Do we call him Nic Cage IV or simply use symbols? © Jens Kalaene/dpa/Corbis
Who wouldn't want to be compared to Led Zeppelin? Well, Nicolas Cage sure doesn't mind, and while promoting his latest film, Ghost Rider: Spirit Of Vengeance, the Oscar-winning actor found a way to note similarities between himself and the iconic rock band.
"I would like to find a way to embrace what Led Zeppelin did, in filmmaking," Cage told the Huffington Post. "Right now, what I'm excited about is trying to create a [pauses] kind of a cultural understanding through my muse that is part of the zeitgeist that isn't motivated by vanity or magazine covers or awards. It's more, not countercultural, but counter-critical.
"[Led Zeppelin] were the biggest band in the world and they remained intimately mysterious - because they just went about it their own way, or against what the advice might have been or what the council might have been.
"And I admire that. And I would like to tap into more exploration of horror films and just everything that I shouldn't be doing, according to representation."
Get the MusicRadar Newsletter
Want all the hottest music and gear news, reviews, deals, features and more, direct to your inbox? Sign up here.
Joe is a freelance journalist who has, over the past few decades, interviewed hundreds of guitarists for Guitar World, Guitar Player, MusicRadar and Classic Rock. He is also a former editor of Guitar World, contributing writer for Guitar Aficionado and VP of A&R for Island Records. He’s an enthusiastic guitarist, but he’s nowhere near the likes of the people he interviews. Surprisingly, his skills are more suited to the drums. If you need a drummer for your Beatles tribute band, look him up.
“If it’s not all samples, what did those people do to get that credit on the song?”: Diane Warren on the trend for hit songs having multiple writers, and why she prefers to work alone
“We could see John begin smiling. At the end of the first verse, he gave an exuberant thumbs-up and McCartney and Harrison began slapping each other on the back”: How one Beatles track spawned a recording technique revolution