Skip to main content
Music Radar MusicRadar The No.1 website for musicians
Sign in
  • View Profile
  • Sign out
  • Drums Week 25
  • Synths
  • Guitars
  • Guitar Pedals
  • Guitar Amps
  • Keyboards & Pianos
  • Controllers
  • Artist news
  • Drums
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About Us
More
  • Santana on Beck
  • Friday, I'm in Love
  • Knopfler's 4-note secret
  • 95k+ free music samples
Recommended reading
Steven Tyler
Artists “Love in an elevator? Yeah, I've done it!”: Steven Tyler and Joe Perry on the making of the Aerosmith classic Pump
Steven Tyler at Steven Tyler's Jam for Janie GRAMMY Awards Viewing Party held at The Hollywood Palladium on February 02, 2025
Gigs & Festivals “Steven just doesn’t want to tour, and he can’t tour”: Joe Perry confirms no more touring for Aerosmith
Brad Whitford, Tom Hamilton, Joey Kramer (drums), Steven Tyler and Joe Perry of Aerosmith on "Midnight Special" in Burbank, CA - June 1974. (Photo by Jeffrey Mayer/WireImage)
Gigs & Festivals Aerosmith’s Joe Perry and Brad Whitford on the support act who completely upstaged them
Joe Perry and Steven Tyler of Aerosmith
Gigs & Festivals “I know there’s going to be at least another Aerosmith gig”: Joe Perry is convinced that band will play again
Dickey Betts [left] and Warren Haynes trade licks onstage with the Allman Brothers Band at the 1993 New Orleans Jazz & Heritage Festival. Haynes's Strat would soon be stolen in New York.
Artists How Warren Haynes turned to Les Pauls after his favourite Strat was stolen
Fender Custom Shop Ariel Posen Stratocaster: Posen's new signature model was inspired by the Jazzmaster and has custom-wound AP-90 pickups. Check out those cupcake-style control knobs.
Artists Ariel Posen’s new Custom Shop signature Strat is A) stunning and B) inspired by a… Jazzmaster?
John McLaughlin
Artists “I’m not a collector. I get guitars, but I give them away”: Why John McLaughlin regrets gifting a '67 Strat to Jeff Beck
  1. Guitars

Joe Perry on a career in guitars

News
By Jeff Slate ( Guitarist ) published 13 January 2015

Six-string memories from the Aerosmith icon

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Introduction

Introduction

Over four decades in the making, Joe Perry’s memoir chronicles the life of a man known for his bluesy riffs and hard living as part of one of America’s most successful groups of all time.

Rocks: My Life In And Out Of Aerosmith offers a no-nonsense look at the rollercoaster ride of his band’s 45-year history. And after surviving the press blitz for Rocks, Perry is more than happy to oblige when we ask to dig into his love of guitars...

Page 1 of 9
Page 1 of 9
A life in guitars

A life in guitars

“The first time I heard a guitar was when my uncle played. He had a homemade instrument - it was shaped like a ukulele but sounded like a guitar - that I remember he used to pull out around the holidays to play Portuguese folk songs on it.

“That was my first exposure to that type of instrument. He let me play it and put my hands on it, and it just felt good. It felt comfortable. Then, later on, I got a Silvertone. The action on that was unbelievable. It had to be a half an inch across the neck. If there was ever a guitar designed to turn you off from playing guitar, it was that one. It hurt so much to play, to have to press down those heavy strings.

"When you have that calling, you do the best with what you’ve got"

“At that point, when you have that calling, you do the best with what you’ve got. That was when I first fell in love with it. Then hearing the teenagers play in their band in the kitchen next door, playing rockabilly stuff, that’s when I first started hearing rock ’n’ roll, hearing it on the radio, and realising that it was pretty much based on one guitar.

"When I started playing in a band, I was with a lot of guys better than I was, and it was a real learning experience. But those guys were seniors, and I was an underclassman, so when they graduated I stepped up. I became the leader of the band after starting out as the new guy.

"I was at Vermont Academy - a boarding school - and it was definitely a place where I could seek some refuge from the tie and sport jacket thing, and the whole regimen of being in a boarding school. Being able to play some rock ’n’ roll was a place to kill time. The rest, as they say, is history.”

Page 2 of 9
Page 2 of 9
Young Love

Young Love

“The first guitar I really lusted after was a Gretsch Country Gentleman, like George Harrison played on The Ed Sullivan Show.

"I eventually got a Duo Jet that I used when I played the solo for Dude Looks Like A Lady"

"I was playing these Japanese-styled guitars but my friend got a Country Gent. It took a while for him to get it, but when he first opened that thing up to show me... the smell, the sight, the touch. It was almost like that scene from Spinal Tap. ‘Don’t even look at it!’ I’ve gotten a couple of other Gretsches, but I never got a Country Gent exactly like that one.

“I eventually got a Duo Jet that I used when I played the solo for Dude Looks Like A Lady. I brought that one on the road and played it for at least 10 years. Then it just started to show too much wear. As hard as it is to play and keep in tune, it still has that sound. I play it a lot in the studio.

"Anyway, I think the next guitar that I really, really lusted for was the Les Paul, but before that I had a Starfire IV by Guild. A beautiful one. It’s a beast! I played that in the early days, and then I traded it in for my first Les Paul...”

Page 3 of 9
Page 3 of 9
Paul Bearer

Paul Bearer

“My first Gibson was a Les Paul, a ’68 reissue. I ended up scraping the finish off it to see if there was some kind of maple underneath, but obviously it wasn’t too exceptional. It definitely helped the sound a little bit.

"The Black Beauty and a few others were my main guitars for a long time"

"I really like the P-90 sound, so I gravitated toward Juniors. But the Black Beauty and a few others were my main guitars for a long time. Somewhere along the line there, somebody probably walked into the dressing room and said ‘Hey, listen to this’ and it blew me away, and I ended up using it pretty much exclusively through the 70s.

"I also remember borrowing a three-pickup SG. I really didn’t like it that much. I just didn’t like the balance of it. Once you get used to it, they sound great. Some people just love them, but for me, I didn’t like the way it felt as much as the Les Paul.”

Page 4 of 9
Page 4 of 9
Left Hand Man

Left Hand Man

“I wasn’t surrounded by a whole music scene. Learning guitar was really whatever I could find out from different people. I was in a very small town, and only a couple of people played guitar.

"If I had started out in a different place and different time, I might be playing the guitar left-handed today"

"I had an interesting conversation with Paul McCartney a couple of months ago, actually. I’m left-handed but I play right-handed because, basically, the instruction record that I had at the time said you fret with your left hand and put the pick in your right hand, so there you go.

"So I asked Paul how it was that he started from the beginning playing left-handed. And he named about three or four artists that were popular when he was starting out - like Slim Whitman - and he said that when he saw that, he felt like it was okay and that was how you did it if you were lefty.

"So, maybe if I had started out in a different place and different time, and seen someone play left-handed at that point, I might be playing the guitar left-handed today.”

Page 5 of 9
Page 5 of 9
A family affair

A family affair

“When I met my wife, we were determined not to make the same mistakes we’d both made in the past. We took our time and really became friends first. That was the most important thing, and I think that still remains the most important thing. But I think that the next thing is the importance of keeping your family together. For me, it’s the cost of doing business.

"When we asked the kids if they want to go to school or want to come on the road, they always wanted to go on the road!"

"When I have to go on the road, the most important question for me is how long am I going to be away from the kids, or what’s it going to take to bring them along? They have to be in school, of course. But I think the most important thing is physically being together. That’s always been the paradigm, from the beginning.

"So my wife and I have this foundation, which is the two of us, and then after that raising our kids is key. Really, it’s one of the most important things you can do. For anyone that’s been on the road, you know the cost of bringing extra people with you makes it really tough.

“When we asked the kids if they want to go to school or want to come on the road, they always wanted to go on the road! Our youngest kid wanted to spend the last two years of school near home with his friends, though, so we made whatever adjustments we had to make. And he just graduated from Boston University.

"But being physically close, so that you can see what’s going on, is key, I think, especially in the internet age. You’ve got to give your kids the tools to deal with whatever comes at them.”

Page 6 of 9
Page 6 of 9
Parental advisory

Parental advisory

“There’s a picture I have, when we were on the road with Mötley Crüe, and they’d bring in a stripper pole. They’d set up tents and all that and have strippers backstage every night, for an hour or so.

"There’s a great picture of my son with Mötley Crüe's strippers, and he’s got a cowboy hat with a big 16 on it!"

"So when our son Tony turned 16 we noticed he would disappear for a little while every night. I knew where he was, but we let him go and watch the show.

"It was a little bit more X-rated than we would have liked, but he was 16 and coming of age. And there’s a great picture of him with the strippers, and he’s got a cowboy hat with a big 16 on it. We have that on the wall somewhere in the house. Hey, it’s rock ’n’ roll.”

Page 7 of 9
Page 7 of 9
Burst brothers

Burst brothers

“After leaving the band [in 1979], cash was tight. I wasn’t using that Les Paul that much because I was using a Strat that I’d put together a lot. I’d put all my other guitars down and pretty much just played that.

"So I sold the Les Paul. It was, ‘goodbye, see you later.’ Then many people had it. And finally Slash had it. I suppose it could have gotten in the way of our friendship, because he used it in a lot of pictures, and I can see why it was hard for him to let go of it.

"It’s one of those rock ’n’ roll legends now. If you read it in a script and go, ‘Nah, that could never happen’"

“Totally by surprise, he gave it back to me. He showed up on my birthday with it. But really, the cool end to the story is that it had actually been stolen from Slash, and he said it showed up in the mail. I asked him about it; whether that really happened or not. Because I wanted to know. It’s just a really cool ending to the story. So the bottom line is that any time he wants to use it, he can use it.

"As it turns out, Gibson made a run of relics and copied the guitar right down to the tee, so I bring one of those on the road with me because that guitar is just too collectible to take any more damage. So the best thing was to have a duplicate made.

“Gibson is making great stuff out of their Custom Shop, but I was surprised how close they were able to replicate it. They got it right down to the feel and the tone. It’s one of those rock ’n’ roll legends now. If you read it in a script and go, ‘Nah, that could never happen’.”

Page 8 of 9
Page 8 of 9
Custom Shopping

Custom Shopping

Perry’s latest Gibson Custom creation looks simple, but has a few tricks under the hood...

When asked about his favourite guitar at the moment, Perry reveals he’s been working with Gibson to develop a new signature guitar and has fallen in love with a new prototype that the company has sent him: “I have a Les Paul right now that’s a prototype, because we’re talking about doing a signature thing, and I’ve got to say it’s the best of both worlds.

"I love the way a Les Paul feels, but I love the ergonomics of a Strat"

“It’s the best of the Stratocaster and the best of the Les Paul. Because I love the sound of the Les Paul and, ultimately, I love the way a Les Paul feels, but I love the ergonomics of a Strat. I love the whammy bar. So this new guitar I’m playing is a Les Paul from Gibson’s Custom Shop, with one pickup and a vibrato arm on it.

“It’s balanced and works great and stays in tune. And it’s got a [Chandler] Tone X for tone control - it has what looks like a tone knob, but actually when you pull it out it brings the Tone X into action [a 16dB boost with a midrange sweep - Ed]. So you can either set it to a cool tone or get a wah-wah thing out of it. Right now, that guitar gives me a lot of stuff to play with.”

Rocks: My Life In And Out Of Aerosmith by Joe Perry with David Ritz, is out now via Simon & Schuster

Page 9 of 9
Page 9 of 9
Jeff Slate
The magazine for serious players image
The magazine for serious players
Subscribe and save today!
More Info
Read more
Steven Tyler
“Love in an elevator? Yeah, I've done it!”: Steven Tyler and Joe Perry on the making of the Aerosmith classic Pump
Steven Tyler at Steven Tyler's Jam for Janie GRAMMY Awards Viewing Party held at The Hollywood Palladium on February 02, 2025
“Steven just doesn’t want to tour, and he can’t tour”: Joe Perry confirms no more touring for Aerosmith
Brad Whitford, Tom Hamilton, Joey Kramer (drums), Steven Tyler and Joe Perry of Aerosmith on "Midnight Special" in Burbank, CA - June 1974. (Photo by Jeffrey Mayer/WireImage)
Aerosmith’s Joe Perry and Brad Whitford on the support act who completely upstaged them
Joe Perry and Steven Tyler of Aerosmith
“I know there’s going to be at least another Aerosmith gig”: Joe Perry is convinced that band will play again
Dickey Betts [left] and Warren Haynes trade licks onstage with the Allman Brothers Band at the 1993 New Orleans Jazz & Heritage Festival. Haynes's Strat would soon be stolen in New York.
How Warren Haynes turned to Les Pauls after his favourite Strat was stolen
Fender Custom Shop Ariel Posen Stratocaster: Posen's new signature model was inspired by the Jazzmaster and has custom-wound AP-90 pickups. Check out those cupcake-style control knobs.
Ariel Posen’s new Custom Shop signature Strat is A) stunning and B) inspired by a… Jazzmaster?
Latest in Guitars
Deals of the week
MusicRadar deals of the week: Score a massive $1,000 off Roland V-Drums, up to $320 off a range of Fender guitars, and so much more
PRS Guitars' new limited edition Custom 24 Satin photographed at the brand's Maryland factory with wood blanks in the background.
PRS swaps maple for mango to give its “flagship” Custom 24 a 40th anniversary satin nitro makeover
Jimi and Billy in 1968
“I was playing the Fender Strat that Jimi Hendrix gave me”: Billy Gibbons on the making of ZZ Top's greatest blues song
Marty McFly (Michael J Fox) takes to the air with the Gibson ES-345 that has been missing since Back To The Future wrapped in 1985. On the right, a teaser of a forthcoming Gibson replica of the guitar.
Cesar Gueikian teases Gibson Custom Shop replica of Marty McFly’s “1955” Back To The Future ES-345
The newly refreshed Classic Series from Squier reworks vintage Fender-inspired electric and bass guitars for beginners and budget-conscious players.
Squier channels the Fender archive for 10 stunning yet affordable news Classic Vibe models
Harley Benton Head Switcher; this black single-footswitch pedal is an affordable switching solution for players with two amp heads sharing one speaker cabinet, and is here photographed against a blue gradient background.
Harley Benton unveils sub-$100 solution for players with two tube amps sharing same speaker cabinet
Latest in News
Beatie Wolfe and Brian Eno
“A strange new land with a human living and feeling its way through its mysterious spaces”: Welcome to Brian Eno and Beatie Wolfe’s new album
Josh Homme
What’s on Josh Homme’s to-do list when Queens Of The Stone Age play Sheffield next week?
Pino Palladino and Miley Cyrus
How Pino Palladino turned the demo bassline in Miley Cyrus’s End of the World into something "so much better"
Paul Mccartney Smoking A Cigarette At London In England On June 19Th 1967
“We decided that our audiences would come along with us”: Paul McCartney on how the avant garde influenced the Beatles
Roger Daltrey and Pete Townshend of The Who perform at Parco Della Musica on July 22, 2025 in Milan, Italy
The Who are forced to postpone Philly date on final US tour due to “illness”
Deals of the week
MusicRadar deals of the week: Score a massive $1,000 off Roland V-Drums, up to $320 off a range of Fender guitars, and so much more

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...