Trailblazing guitarist Robert Fripp has announced he will be releasing a weekly series of soundscapes called Music For Quiet Moments, starting on Friday (1 May).
The King Crimson founder is working with David Singleton on the releases that will be available on DGMLive, YouTube, Spotify, Apple Music and other online music platforms.
"Hopefully something that will nourish us," says producer Singleton of the music, "and help us through these Uncertain Times. I have certainly enjoyed the peace that comes with editing and mastering them.
"Turning a seeming disadvantage to our advantage, a year at home without touring offers the chance to listen for the first time in many cases to existing live recordings. And there are treasures to be found!"
Fripp has released the following statement regarding the forthcoming series:
Music For Quiet Moments…
A Quiet Moment is how we experience a moment: the moment which is here, now and available.
Quiet moments are when we put time aside to be quiet;
and also where we find them.
Sometimes quiet moments find us.
Some places have an indwelling spirit, where quiet is a feature of the space:
perhaps natural features in the landscape;
perhaps intentionally created, as in a garden;
perhaps where a spirit of place has come into being over time, as in an English country churchyard.
Quiet may be experienced with sound, and also through sound;
in a place we hold to be sacred, maybe on a crowded subway train hurtling towards Piccadilly or Times Square.
A Quiet Moment is more to do with how we experience time than how we experience sound.
A Quiet Moment prepares the space where Silence may enter.
Silence is timeless.
My own quiet moments, over fifty-one years of being a touring player, have been mostly in public places where, increasingly, a layer of noise has intentionally overlaid and saturated the sonic environment.
Quiet Moments of my musical life, expressed in Soundscapes, are deeply personal; yet utterly impersonal: they address the concerns we share within our common humanity.
Paradoxically, they have mostly taken place in public contexts inimical and unsupportive of quiet.
Some of these Soundscapes are inward-looking, reflective.
Some move outwards, with affirmation.
Some go nowhere, simply being where they are.
Tuesday 28th. April, 2020;
Bredonborough, Middle England.