“The idea that singing with deliberate Auto-Tune makes you a fraud or that not having a traditional band means you must not be a ‘real artist’ is like, the most boring take ever”: Charli XCX addresses "boomer vibe" criticism of her Glastonbury performance
“The best art is divisive and confrontational," she believes

Charli XCX has reacted to social media criticism of her performance at the Glastonbury Festival on Saturday night.
“Really enjoying these boomer vibe comments on my Glastonbury performance,” she wrote on X the following day (29 June). “It’s super fascinating to me.”
In a further post, she added: “To be honest… I enjoy the discourse. IMO the best art is divisive and confrontational and often evolves into truly interesting culture rather than being, like, kind of OK, easily understood and sort of forgettable.”
Charli XCX performed on the festival’s Other Stage at the same time as Neil Young on the Pyramid Stage and Doechii on the West Holts Stage. Despite facing this considerable competition for fans’ attention, she still managed to draw a huge crowd, and there was a sense that she was Saturday night’s headliner in all but name.
This, allied to the ongoing cultural impact of her 2024 album, Brat, meant that she was always going to be a lightning rod for criticism from fans who think that Glastonbury should be about bands with guitars. But despite welcoming their hot takes - particularly on the fact that she performed on her own with heavily effected vocals - Charli also suggested that she’s heard it all before.
“Like the idea that singing with deliberate Auto-Tune makes you a fraud or that not having a traditional band suddenly means you must not be a ‘real artist’ is like, the most boring take ever,” she wrote. “Yawn sorry just fell asleep xx”
Whether the brickbats (brickbrats?) thrown at her hit a nerve or not, Charli can be satisfied that her performance was a hit both on the festival site and with the critics. “PS, thanks for the 5-star reviews hehe,” she said in another message, indicating that she’s very much had the last laugh.
Want all the hottest music and gear news, reviews, deals, features and more, direct to your inbox? Sign up here.
A post shared by Charli (@charli_xcx)
A photo posted by on

I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it.
You must confirm your public display name before commenting
Please logout and then login again, you will then be prompted to enter your display name.