Death By Audio unleashes the Evil Fuzz pedal

News
By ( Total Guitar, Guitarist ) published

Limited-edition stompbox shrinks Evil Filter fuzz circuits

Death By Audio Evil Fuzz pedal
(Image credit: Death By Audio)

Death By Audio has announced the Evil Fuzz pedal, limited to just 200 units worldwide.

The Evil Fuzz shrinks both the Evil Filter’s fuzz circuits into a single compact pedal - there’s a gentle, driving fuzz/overdrive and altogether splattier, nastier side.

Controls are for fuzz output and switching modes - both promise to be highly responsive to instrument volume and tone controls.

The Evil Fuzz is available now for $160 - see Death By Audio for more info.

Stay up to date with the latest gear and tuition. image
Stay up to date with the latest gear and tuition.
Subscribe and save today!
More Info
Michael Astley-Brown
Michael Astley-Brown

Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.

More about guitar pedals

"The Rehearsal is compact, does its one job well, and is easy to navigate without needing instructions": Walrus Audio Canvas Rehearsal review

“The EP635 delivers the unmistakable high-gain aggression and clarity that Engl fans love”: Engl packs its iconic Fireball head into a compact dual-channel stompbox with onboard noise gate and IR support

“If this was real, it would be really impressive. But since it’s not real, it’s really impressive": Watch the bonkers four-note piano
See more latest
Most Popular
Fake magic piano
“If this was real, it would be really impressive. But since it’s not real, it’s really impressive": Watch the bonkers four-note piano
Lawrence Hart
Watch UK electronic artist Lawrence Hart build a track from scratch in his hardware-stuffed studio
Joe Bonamassa plays a vintage Gibson Les Paul SG equipped with a Maestro Vibrola. He wears a gray patterned suit and sunglasses.
“He seems to access a different part of his vast library of music genre from the jukebox-in-his-head! This album is a round-the-world musical trip”: Joe Bonamassa announces new album, Breakthrough – listen to the title-track now
ENGL EP635 Fireball IR Pedal: This fire engine red preamp pedal presents two channels, heaps of features, monster gain.
“The EP635 delivers the unmistakable high-gain aggression and clarity that Engl fans love”: Engl packs its iconic Fireball head into a compact dual-channel stompbox with onboard noise gate and IR support
Terence Trent D'Arby
"I said, ‘What’s that?!’ He looked at me strange and said, ‘We’re line checking. We’ll be gone in five minutes’. I said, ‘You won’t - meet me in that room in 10 minutes’": How a happy synth accident inspired a US number 1 single for Terence Trent D’Arby
Sammy and Eddie in 1986
“This was 100% a communication from the beyond": Listen to the song that Sammy Hagar claims to have written with Eddie Van Halen in a dream
A still from Pink Floyd at Pompeii MCMLXXII featuring David Gilmour on the left, Nick Mason on drums at the centre of the frame, with bassist Roger Waters and keys player Richard Wright to the right.
“I’m imagining it was a very dry, kind of arid, close sound”: Steven Wilson on the challenges of mixing Pink Floyd At Pompeii – MCMLXXII, how the movie captures a band in transition, and why it is “pure Floyd”
godin
“Thank God I was French and my voice was terrible, so I couldn’t write songs - otherwise I would be like any other musician”: Air's Nicolas Godin reflects on the success of Moon Safari
Deals of the week
MusicRadar deals of the week: Score £900 off a Gibson Les Paul Standard, £350 off the Adam Jones Epiphone Les Paul Custom and hundreds off Fender, Squier and EVH
Red Witch Apothecary Series Pedals: these beautifully crafted stompboxes have colour-coded aluminium dials, floral designs and some unique analogue circuits.
“I wanted to design a pedal range that’ll last 10, 20, 30, 40 years... It could be something you could bequeath to those you love”: Exquisite stompboxes, built to last a lifetime, meet Red Witch’s Apothecary Series