6 ways to avoid cliches with your chord and lead guitar playing
Freshen up your rock, soul and blues playing with this lesson
Guitar lessons: It’s all too easy to default to everyday chords and licks. Here we’re looking at a few ways to give your playing a lift. A handful of blues shapes provide an authentic bed for some slick solos. Two- and three-note shapes sound great in soul music. Finally, we’re looking at a prog style riff in 7/8 time.
1. Blues rhythm
This slow blues uses 9ths and 13ths to add colour to the more common 7ths found in blues. Keep pressure on the neck as you slide to keep the notes ringing.
2. Blues lead
For an authentic blues vibe we’re making sure to target notes from the backing chords here. Bar 1 finishes on a long A note over the A13 chord; bar 2 targets the 14th fret – the major 3rd F# note in the D13 chord.
Bar 1 also includes the blues trick of targeting both the major and minor 3rd intervals (C and C# in A13).
3. Soul rhythm
Chord voicings played on the top three strings provide a snap to accent the backbeats. They also don’t muddy things as full barre chords do.
4. Soul lead
Soul lead is more about melody than slick licks. This example shows how you can use chord shapes to create a melody that follows the progression.
5. Progressive rock rhythm
Odd time signatures help you break away from clichéd 4/4 riffs. This line is in 7/8, so split the music into groups of four and three and count ‘1 2 3 4 1 2 3’ to keep time.
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6. Progressive rock lead
Playing in 7/8 is challenging, so start by using sustained notes while you count the rhythm. As you get more comfortable add a few embellishments.
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“Designed as the ultimate ‘stage guitars’”: Faith launches the all-new Eclipse series – a trio of all-solid cutaway acoustic electric guitars with a maple forearm rest for comfort and Fishman electronics
“The playing experience of both the SLO-100 amplifier’s legendary channels in a powerful, compact new pedal”: Soldano doubles down on the Super Lead Overdrive tones with the SLO Plus