10 questions for Screaming Females’ Marissa Paternoster: “After playing 1,000+ shows, I've come to terms that gear breaking is just par for the course”
First guitars, essential gear and lessons learned
A double-LP isn't necessarily something you'd expect from a band of indie-punks, but Screaming Females have never been ones to play by the rules, as evidenced on sprawling new album All At Once.
Recorded by Pearl Jam/Mastodon producer Matt Bayles in Seattle, AAO is a potent combination of no-bullshit grunge guitar stabs, solo wig-outs and punk-informed vocal assaults, led by G&L-toting vocalist/guitarist Marissa Paternoster.
Ahead of the album’s release, we got Marissa’s thoughts on the guitars and pedals that power the band’s outspoken sonic approach, and the life and gear lessons she’s learned over the years…
1. What was your first guitar and when did you get it?
“My first guitar was a Fender Musicmaster. It's actually my father’s, but that's the first one I played regularly.”
2. The building’s burning down - what one guitar do you save?
“I would absolutely save my G&L S-500 that was graciously given to me by a cousin when I was 16. It's probably the only possession of mine I would mourn the loss of.”
Get the MusicRadar Newsletter
Want all the hottest music and gear news, reviews, deals, features and more, direct to your inbox? Sign up here.
3. What's the one effects pedal you couldn't do without, and why?
“I rely very heavily on a Boss DD-6 Digital Delay, because I like the warp function on it. It operates like a sustain pedal, but holds the delay signal indefinitely until you remove your foot. It adds a lot of texture to our live performance and is fun to improvise with.”
4. Is there a guitar, or piece of gear, that you regret letting go?
“Not really.”
5. And what's the next piece of gear you’d like to acquire?
“I'm pretty happy with what I have. I don’t often seek out gear. I haven't the budget nor the space to have a lot of things.”
6. What’s your favourite chord, and why?
“D! Always D! D major always sounded triumphant to me. I'm trying to steer clear of that one, though... I might be moving onto A minor in my older age.”
7. Is there an aspect of guitar playing that you'd like to be better at?
“Sure, I mean, I'd like to be better at all of it! I'd really like to be more adept at fingerpicking, but I don't often have time to sit down with an acoustic guitar.”
8. If you could have a guitar lesson from one guitarist, dead or alive, who would it be, and why?
“John Fahey! Because he probably would teach me one amazing thing, smoke a pack of cigarettes, and then we'd just hang out and drink beer.”
9. What’s the worst thing that’s ever happened to you onstage?
“I used to have total nervous breakdowns on stage when my equipment shit the bed. After playing 1,000+ shows, I've come to terms that gear breaking is just par for the course and to remain calm.”
10. What advice would you give your younger self about playing the guitar?
“Relax.”
All At Once is out on 23 February via Don Giovanni Records.
Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.
“One of the best guitar solos ever conceived - captured live on stage!”: Uncovering the truth about the Clapton classic that he called "wrong" but Eddie Van Halen loved
“This one is a prototype. We’re getting close to the finish line tho!”: Abasi Concepts set introduce an extended-range nylon-string to its lineup and Tosin Abasi got so excited with it he spilled his coffee