Latest about Guitars
Hold the Floyd: EVH reimagines Wolfgang Standard as a high-performance shredder with a TOM bridge
Shipping in Gloss Block, Cream White and Sea Foam Pearl Metallic, this a stripped-down speedster for those who can’t be fussed with a Floyd
“The soul – and snarl – of the original”: Jam Pedals resurrects the Octaurus octave-fuzz
Available in Standard and NOS editions, the Octaurus has switchable clipping and voicings, a super defined octave and wide-open dynamics
GAK is gone: UK music store giant GAK just got bought by Gear4music for £2.4 million
However, its famous bright yellow store in Brighton will be closing its doors
Darkglass unveils multi-effects for bass with neural amp model support and 7” touchscreen
Anagram has a hexacore DSP engine, Neural Amp Modeler (NAM) integration, dozens of onboard effects and preamps and offers comprehensive control of your signal chain
Blood Incantation on cosmic sounds, a near studio meltdown and the making of Absolute Elsewhere
Paul Riedl and Morris Kolontyrsky takes us back to “the craziest summer ever“, when the cosmic expansion of their sound yielded a landmark of prog death and an air con outage near destroyed it all
Serj Tankian and Gibson team up for limited edition Foundations Les Paul Modern Sublimation
They're only making 25 of these, each of them signed, and they come with a signed LP, signed art print, a copy of Tankian's memoir, plus VIP tickets to an upcoming System Of A Down show
The Fortin Meshuggah head is the amp every metal player wants – now you can get its crushing tones in a pedal
Designed by Mike Fortin, US-made, featuring an active 3-band EQ and noise gate, the Meshuggah preamp/distortion pedal could be the gain monster you need to destroy, erase, improve your tone
“I feel like that song had everything we needed to come back with”: Bring Me The Horizon’s Lee Malia on Shadow Moses, its riff and the secrets behind its tone, and why it was the right anthem at the right time
How Terry Date, a killer riff and a videogame helped bring BMTH's major label debut into focus with a track that officially opened a new chapter – and the pit – for the Sheffield metal frontiersmen
