1. (It's Not War) Just The End Of Love
Acoustic track: Gibson J-45.
Main rhythm: White 1990 Gibson Les Paul Custom into a Fender Twin and Marshall JCM900 with Fryer Treble Boost.
Riffs: Gretsch White Falcon into Vox AC30 and Blackstar Artisan combos.
Solo: Burns Brian May guitar into two Vox AC30s with the tones down, with Fryer box in the chain and BOSS Hyper Fuzz (using the gain setting only).
2. Postcards From A Young Man
Main rhythm: Gretsch White Falcon into Marshall 900 and Orange.
Intro lead: Burns Brian May guitar into Amp Farm with MXR Full Bore metal pedal.
Solo: White 1990 Gibson Les Paul Custom into Vox AC30 with BOSS Hyper Fuzz (gain setting).
3. Some Kind Of Nothingness
Verse guitar: Schecter [unspecified model] , through a BOSS Compressor into a Fender Twin.
Middle eight guitar: Gretsch White Falcon into Fender Twin.
End guitar: Gibson Les Paul (1990 three-pickup) into Marshall JCM900 and Reverb Rocket amps.
4. The Descent (Pages 1 & 2)
Acoustic track: Gibson J-45 and Fylde.
Verse arpeggios: Burns Brian May into Fender Deville.
Main rhythm: White 1990 Gibson Les Paul Custom into Blackstar Artisan.
Solo: Fender Strat 12-string into Blackstar Artisan and [unspecified] Orange amps.
Extra guitar licks: '62 Strat into Fender Deville and Orange.
5. Hazelton Avenue
Low lead: White 1990 Gibson Les Paul Custom into Watkins Westminster and Blackstar Artisan.
High lead: 1980s Gibson Explorer into BOSS Hyper Fuzz into Marshall JCM900 and Watkins Westminster.
Main rhythm: White '79 (I think)) Fender Thinline Telecaster into [Line 6] Amp Farm and Jerry Jones electric sitar guitar into Vox AC30.
6. Auto Intoxication
Verse: 1982 black Gibson Les Paul with Angus Young pickup into Marshall JMP Bass Master.
Chorus: Rhythm 1: 1990 white three pickup Les Paul into Marshall 900 combo and JMP.
Chorus: Rhythm 2: '62 Fender Strat into Diezel and Selmer amps with Ibanez Tube Screamer.
Re intro lead: Gibson Les Paul Special (TV white), Amp Farm and Reverb Rocket with Fryer 'V' booster.
7. Golden Platitudes
Acoustic track: Gibson J45.
Electric: '65 Gibson ES-335 into AC30, JCM900 and Watkins Westminster.
8. I Think I Found It
Main guitar: '65 Gibson ES-335 into Fender Twin.
Acoustic: Gibson J-45 and Pro Natura Mandola.
9. A Billion Balconies Facing The Sun
Verse: '62 Strat into Fender Twin and Watkins Westminster.
Chorus: Fender John 5 Tele into Fender Twin with Switchblade pedal and Burns Brian May into Blackstar Artisan with Swollen Pickle pedal.
Solo: White Gibson Les Paul into… can't remember, or won't tell!
End licks: Richey's Fender Thinline Tele into Fender Twin with Fryer 'V' Booster.
10. All We Make Is Entertainment
Acoustic: Gibson J-45 and Fylde.
Main riff: White 1990 Gibson Les Paul Custom into Marshall 900 and Burman combo.
Bridge: 1969 Gibson ES-330 into Reverb Rocket and Fender Twin.
Main rhythm guitar: John 5 Tele into Orange.
Solo 1: Brian May Burns into two Vox AC30s with Fryer box – tones down.
Solo 2: White 1990 Gibson Les Paul into Marshall 900 with BOSS Hyper Fuzz (gain setting).
11. The Future Has Been Here 4 Ever
Main rhythm: 1960 Fender Jazzmaster into BOSS Compressor into Blackstar Artisan in forgotten tuning.
Lead guitar: Richey's Thinline Tele into Fender Twin with Screaming Tree pedal with tone rolled off all the way on the guitar.
12. Don't Be Evil
Verse: 1969 Gibson ES-330 into Mesa Lonestar.
Chorus: '79 (I think) white Fender Thinline Tele into Burman combo.
Solo: Gibson 330 into JMP Marshall with MXR Full Bore metal pedal.
Pedal Power
A selection from James' effects armoury.
Pedalboard
The pedals on this board have already seen gig action on tour. The welsh flag-emblazoned pedal is a secret weapon and his trademark BOSS Hyperfuzz also features.
Guitarist is the longest established UK guitar magazine, offering gear reviews, artist interviews, techniques lessons and loads more, in print, on tablet and on smartphones Digital: http://bit.ly/GuitaristiOS If you love guitars, you'll love Guitarist. Find us in print, on Newsstand for iPad, iPhone and other digital readers
"It's a job many of us guitarists and bassists put off – or even avoid entirely – but it's surprising how much of a difference it makes": How to clean your guitar better
“A complete all-in-one solution for the gigging musician requiring a powerful, compact ampless rig”: Amp modeller and profiler market heats up as IK Multimedia celebrates one year of TONEX with huge (and free) effects upgrade