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“She sang it once. From a vocal standpoint, no one has that much courage”: How Alanis Morissette made You Oughta Know
"I thought maybe ten people would hear this song,” she said
"Kurt kissed me and said, 'now I don't have to be the only songwriter!'”: Dave Grohl's evolution as a songwriter
“I was in a band with one of the greatest songwriters of our generation, so I didn’t really want to rock the boat”
“We could have been as big as Led Zeppelin”: The heavy rock innovators whose drummer was a star before John Bonham
“There was always friction – but it all worked for the creation of what we had"
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Neil Diamond on his classic hits and the art of songwriting
“There’s no great difference between me and Metallica”
I’m so obsessed with Olivia Rodrigo’s Drop Dead trance bass sound that I remade it in my DAW
We create our own transient-heavy synth bass with leanings towards the trance-heavy sounds of the 90s. ‘Drop Dead’ you exclaim? No way! We were Born Slippy!
Oliver Ackermann on the break-stuff tone philosophy behind guitar's most unorthodox pedal brand
Frontman/guitarist of NYC's A Place To Bury Strangers, pedal designer, noise enthusiast, renaissance man... Ackermann explains why all bets are off in his search for new sounds and tones
“It became a wedding song. ‘Hey, did you listen to the lyrics?’”: The hit with a sting in its tail
And with the money it made, the band bought an oil well!
The story of Wichita Lineman. the song Bob Dylan called the greatest ever written
“When I heard it I cried”
