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How Christina Aguilera ended up recording a Linda Perry song that its writer has now reclaimed
By Ben Rogerson published
"Christina, she’s not me, you know? And I’m not Christina"

How Depeche Mode launched their career with one of the most important synth-pop records ever released
By Andy Jones published
One of the band's biggest tunes marked the end of their first chapter, but became a springboard that would propel both them and its writer to legendary status

“Shows those incredible men and women": New U2 video features footage taken from behind the frontline in Ukraine
By Will Simpson published
But new album contains “more songs of celebration than lamentation”

“I don’t think we’ll have to take peyote and puke like we did”: How Don Henley and Glenn Frey remembered the Eagles’ wild years
By Paul Elliott published
“Certainly, we don’t want to fail. We’ve never really known much failure”

"There's nothing quite like it": The singular genius of Laurie Spiegel's Music Mouse, with Eventide's Tony Agnello
By Clovis McEvoy published
40 years ago an idiosyncratic piece of software opened new doors for electronic music. Now Eventide has revitalised Spiegel’s classic Music Mouse instrument for a new generation

“I don't see it as a sad thing”: Mike Patton on feeling closure at the end of Faith No More
By Will Simpson published
Band haven’t played live since 2016

Audiomodern's Soundbox is a new kind of instrument ecosystem – and it's free for developers
By Advertorial feature published
Sponsor Content Created With Audiomodern
With Soundbox, third-party developers can create, publish, and distribute virtual instruments with no contracts, no fees, and no coding required

Baz Luhrmann says that Paul McCartney convinced Austin Butler to sing an Elvis song with him on a train
By Ben Rogerson published
They both had a ticket to ride, presumably (but we don't care)
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