
Roland Schmidt
Roland Schmidt is a professional programmer, sound designer and producer, who has worked in collaboration with a number of successful production teams over the last 25 years. He can also be found delivering regular and key-note lectures on the use of hardware/software synthesisers and production, at various higher educational institutions throughout the UK
Latest articles by Roland Schmidt

The true meaning and dense theory of one of Gary Numan’s most beloved tracks
By Roland Schmidt published
The true meaning and dense theory of one of Gary Numan’s most beloved tracks

The music theory behind a Depeche Mode classic
By Roland Schmidt published
Dissecting one of Depeche Mode’s most cherished and universally beloved songs reveals some compelling inner-workings

“A fine example of modelling software, providing some really engaging sounds, particularly for the contemporary domain”: Expressive E Soliste review
By Roland Schmidt published
Expressive E adds MPE to the physically-modelled world of solo strings. We pick up a bow and apply some virtual rosin

“An excellent build and pretty formidable soundset make it a desirable studio-based keyboard”: Arturia AstroLab 88 review
By Roland Schmidt published
Arturia brings us a galactic-sized update to the AstroLab series, with a full 88 notes, more sounds and extended functionality

When sampling ruled the world - and drummers didn’t get paid!
By Roland Schmidt published
Believe it or not, there was a time when drummers weren't paid properly for their samples, in fact they weren't paid at all!

“At certain points in music history it became fashionable to place accents on certain beats”: How to score a drum part
By Roland Schmidt published
We explore the theory behind beats, and how we score kicks, snares, hats and percussion

Exploring the genius of Jeff Porcaro's Rosanna Shuffle
By Roland Schmidt published
Having a groove named after you is possibly the highest accolade a drummer could ask for, so join us as we dissect the Porcaro Shuffle

How to make virtual acoustic drum performances sound like the real thing
By Roland Schmidt published
If you find that your MIDI recreations of acoustic drum parts are sounding a little robotic, we've got some tips and tricks to bring them to life, along with some great suggestions for acoustic drum plugin suites.

How the drum machine grew into a viable alternative to real drummers
By Roland Schmidt published
There's not much early-80s tech that still influences modern creativity, but the dominance of electronic drum sounds stems right back to 1980, and a bizarre series of unfortunate events…

“A classic Stage Rhodes, which plays like a dream and sounds every bit as classy as its timeless heritage would suggest”: Rhodes Stage 61 review
By Roland Schmidt published
Owning a brand new Rhodes electric piano just became a viable alternative to the used market. We find out more, as we head for the Stage!

“Its authenticity is beguiling, as is its playability”: Rhodes Wurli review
By Roland Schmidt published
If you prefer the sound of a Wurlitzer to a Rhodes, you’re in luck, because Rhodes now bring us a Wurli, in plugin form. Confused? We’ll explain!

The surprising origins and intricate musical theory behind an iconic Police masterpiece
By Roland Schmidt published
We take one giant leap toward a song with one of the most recognisable bass lines of all time

Exploring the quirky production and music theory choices of Grace Jones’ classic Slave to the Rhythm
By Roland Schmidt published
We take a closer look at one of the most iconoclastic songs of the mid-80s era; Slave to the Rhythm

How modulation effects work and how to use them
By Roland Schmidt published
Phasing and flanging are often confused. We ask why - and demystify!

"It’s simple enough to create the perfect hard-tuned and harmonised effects within our DAW, providing you have the right software": How to harness hard-tuned vocals
By Roland Schmidt published
That hard-tuned, robot-like sound, first popularised by Cher, has now become something of a staple in modern pop

How to humanise your virtual acoustic instruments in your DAW projects
By Roland Schmidt published
Duff notes, timing errors and quirky performance choices are often the elements that underline the humanity of acoustic performances.

How to master virtually any software synth
By Roland Schmidt published
Don't let your software arsenal overwhelm you - sometimes the best route to creative success is to mine just one instrument

Our go-to plugins for adding flavour to our sounds
By Roland Schmidt published
With so much processing available in modern DAWs, we take a look at some of the more left-field plugins and approaches for maximising the colour of your audio signal

How to record virtual and live instruments more smoothly by taking stock of your sample buffer
By Roland Schmidt published
Latency on your plugins and audio recordings can derail a developing musical idea - but if you get a handle on managing your sample buffer you’ll have a much smoother ride

The lesser-heard theory tricks that lay behind the magic of the Beatles' Yesterday
By Roland Schmidt published
We take a deep-dive into a much-beloved classic that still sounds like it was recorded only yesterday…

“We’ll push the boat out here and say that this could be its finest synth plugin to date”: Cherry Audio ODC 2800 review
By Roland Schmidt published

“One of the most iconic synthesizers of all time, in a highly usable and great sounding piece of software”: GForce Software Oberheim TVS Pro review
By Roland Schmidt published
Introducing a software rebirth, based on a hardware reissue. GForce presents two seminal voices in a single legendary Oberheim

“The big take-home is the overall playability of this wonderful keyboard, we simply got lost for hours in the enjoyment of playing”: Nord Piano 6 review
By Roland Schmidt published
The Nord Piano reaches its sixth generation, with some sizeable upgrades. We sit on a stool and take notes!
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