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Ed Sheeran on his introduction to looper pedals and why he often writes songs with Rihanna in mind
By Ben Rogerson published
“I promise you, there'll be so many songwriters out there that their best song came from trying to write a Rihanna song,” he reckons

“It’s too pop, y’know?": Róisín Murphy on why she couldn’t get onboard with Charli XCX’s Brat summer
By Ben Rogerson published
It seems that the hyperpop sound isn't to her taste

Dolly Parton explains that Sabrina Carpenter lyric change on Please Please Please
By Ben Rogerson published
Fortunately, embarrassment was saved for all concerned

“I got a feeling about this one…": Travis Barker reveals his production tricks in a new studio tour
By Daniel Griffiths published
The Blink 182 drummer-turned-producer just gave fans a surprising reveal of his favourite gear and how he uses it

Former Huey Lewis and the News guitarist Chris Hayes on that Ghostbusters plagiarism dispute
By Ben Rogerson published
“Ivan Reitman, he came to us and said, ‘Hey, we want to use I Want a New Drug for our movie, Ghostbusters’”

Dreams, red wine and the desire to explode - Robert Smith’s songwriting approach in his own words
By Andy Price published
The Cure’s godfather of goth remains one of music’s key figureheads, yet his attitude to songwriting is anything but orthodox

George Harrison’s songwriting brilliance deconstructed in his own words
By Andy Price published
The quiet one’s songwriting gifts fully flourished during the latter half of the Beatles’ reign, and we’ve collected his own insights into his craft

How Adele's songwriting cleverly grabs our emotions
By Andy Price published
You might think the perfect pop song is built on vibrant production choices and bouncy positivity, but an analysis of the output of one of the biggest selling artists of all time would suggest otherwise
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