MusicRadar Verdict
If the EQ could be used to scoop the tone that'd be something, but the tone is too rounded for a genuinely fulfilling metal experience.
Pros
- +
Exceedingly dirty tone…
Cons
- -
…but not a particularly great one.
MusicRadar's got your back
No selection of tone generators would be complete without one dedicated to metal.
The secret is to marry crushing amounts of gain with ferocious highs, fat, expressive lows, and not too much in the middle.
Sounds
However, with anything less than full gain the tone is too middly and flabby: winding up the gain only increases the fizz. Consider Dimebag's solid-state rhythm crunch, yet without any real depth or definition. Palm-muted chords bark rather than crush and despite plenty of gain on tap, it's not a patch on the Vox Metal AmPlug.
Simon Bradley is a guitar and especially rock guitar expert who worked for Guitarist magazine and has in the past contributed to world-leading music and guitar titles like MusicRadar (obviously), Guitarist, Guitar World and Louder. What he doesn't know about Brian May's playing and, especially, the Red Special, isn't worth knowing.
“You could take everything away from me but leave the laptop and I'm confident I could make interesting music quite happily for the rest of my life”: Lone on the gear behind his technicolour, rave-adjacent electronica
“One of the concepts we are exploring is whether an artist could continue to create work after they have passed away”: The groundbreaking tech that will shape the future of music production
“If you messed something up on a production, admit it, fix it, and move on”: 8 cost-free tips to improve as a producer in 2025