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VST/AU plug-in instrument/effect round-up: Week 4

News
By Ben Rogerson published 16 March 2011

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An instrument and two audio processors

An instrument and two audio processors

If you’re looking for a new software organ, spoken word processing or virtual analogue console plug-in, this is your lucky week. Keep reading and you’ll see what we mean.

If you've got a new PC or Mac plug-in, make sure you let us know about it by emailing musicradar.pressreleases@futurenet.com with all the details.

NEXT: WaveArts Dialog

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Page 1 of 4
WaveArts Dialog

WaveArts Dialog

We’re used to seeing plug-ins that are designed to clean-up vocal recordings, but this one differs from the crowd by being particular suited to dealing with spoken-word recordings. Features include brickwall filters, de-hum and de-buzz processing, broadband noise reduction, de-ploding, de-essing, 10-band equalization, compression and limiting.

Buy or download demo of WaveArts Dialog

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Page 2 of 4
Wild Noise Wild Organ

Wild Noise Wild Organ

This new organ plug-in promises to emulate analogue and digital instruments (there are four models to choose from). The sound can be tweaked with a selection of familiar organ parameters, and there are effects, too. Low CPU usage is also a selling point.

Buy or download demo of Wild Noise Wild Organ

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Page 3 of 4
Slate Digital Virtual Console Collection

Slate Digital Virtual Console Collection

Details of this one have been floating around for a while, but it’s only just been released. VCC models four analogue consoles and enables you to mix and match between them. There are actually two plug-ins in the package: one for individual channels and another for the master fader.

Buy or download demo of Slate Digital Virtual Console Collection

Liked this? Now read: Free music software: the best audio app and plug-in downloads on the net

Connect with MusicRadar: via Twitter, Facebook and YouTube

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Page 4 of 4
Ben Rogerson
Ben Rogerson
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Deputy Editor

I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it. 

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