Mark Knopfler is now using Kemper Profiling Amps onstage

Best of 2019: John Mayer sent the electric guitar world into a frenzy when he was spotted using an Axe Fx live, and now another notorious tonehound has been caught using digital amps onstage - none other than Dire Straits legend Mark Knopfler.

In a blog by Knopfler’s keyboard player and co-producer Guy Fletcher, he revealed that the iconic player had turned to Kemper for his latest tour in support of new album, Down The Road Wherever.

“Many people have commented or asked about what we are using for amplifiers for the guitars since the stage is devoid of such things, largely to accommodate the huge band. Some have guessed correctly, we are using Kemper profiling amps,” Fletcher revealed.

Now we are up and running and more than two weeks into the tour, we are all on board with them... The sounds are amazingly responsive and malleable

Guy Fletcher

“Mark’s long-serving guitar tech, Glenn Saggers along with Mark (when he wasn’t in Edinburgh with me preparing the Local Hero musical) has devoted much of his time in the past 6 months to recreating Mark’s unique sounds [and] has done an amazing job.

“This switch from ‘real’ amps to digital devices is not for the f[a]int-hearted and it wasn’t without its doubters. Now we are up and running and more than two weeks into the tour, we are all on board with them. They certainly allow for incredible separation in both in-ear monitors and front of house system. The sounds are amazingly responsive and malleable.”

Although it hasn’t come from straight from the Knopf’s mouth, that’s one hell of an endorsement, given his status as one of guitar’s most instantly recognisable players and tonesmiths.

Following this latest revelation and Mayer’s recent foray into the digital realm, any sonic criticisms levelled against digital modelling can arguably be put to bed - provided you’ve got the time, of course. We wouldn’t mind having a guitar tech to spend six months tweaking our tone to perfection, either...

Michael Astley-Brown

Mike is Editor-in-Chief of, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.

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