The best new guitar effects pedals of NAMM 2016
Top stompboxes heading your way this year

Intro
While 2016 may not be remembered as the year of guitar effects pedal innovation, it will be heralded as the year of refinement: DigiTech expanded the 2015 best-in-show-winning Trio, Boss brought back a classic and Dunlop shrunk a load more stompers.
We’re seeing more high-end amp manufacturers – including Friedman, Morgan and Supro – wade into the pedal waters, too. Whatever the background, we can’t wait to get our hands on this lot this year…

Ibanez Mini pedals
The Tube Screamer Mini was a huge success, and we can’t wait to get our hands on the latest classy-looking trio from the Japanese guitar giant: the classic Analog Delay, Chorus and Super Metal all get the shrinking treatment
Of particular note is the Super Metal’s stacked knobs – now, that’s space efficient.

Keeley Workstations
2016 looks set to be a monster year for Keeley, with four multi-function pedals, which combine existing pedals – first up is the Tone Workstation (Compressor, Red Dirt, 1962 Overdrive, Katana Clean Boost).
Mod Workstation fuses the 1962 Overdrive, Oxblood Overdrive plus eight modulation effects, including chorus, harmonic tremolo, flanger and rotary.
The Super Mod Workstation focuses on modulation exclusively, serving up double tracking, phase, rotary, chorus, reverb, delay, tremolo, auto filter and more.
Finally, the Delay Workstation features two delay and reverb engines, with eight sounds apiece – tap tempo rounds of the feature set.

More Keeley!
Also on the way is the Compressor Mini, which comes in at a cool $99 and features a blend control and treble boost.
The Gold Star Reverb offers three studio-grade reverbs, which promise Wall of Sound-style effects.
The 30ms V2 updates the 30ms Double Tracker with dual outputs for mixed signal operation.
Finally, the Seafoam Plus provides unmodulated chorus and three modes, each with a dedicated bass mode.

Mooer Mini Wahs/Expressions
We can expect three new mini wahs and expression pedals from Mooer this year, each with pull-out feet supports – the Lemwah delivers a smooth, mellow wah tone for funk and blues.
As you might expect, the Leveline gives full control over your volume, with no signal loss.
The oddly named Redkid aims to replicate talking, vocal effects – this will not be your ordinary wah.

Stone Deaf Warp Drive & Kilptonite
One of many new Stone Deaf releases, the Warp Drive claims to articulate high gain like a proper high-gain amp, with parametric EQ control over the full frequency range, from 35Hz to 6kHz, plus a built-in noise gate.
The Kliptonite, on the other hand, is a dual fuzz and overdrive pedal with Mirror Mix control that adjusts the mix of the two sounds from 50/50, 75/25 or 25/75, and can be flipped over using the footswitch.
Mike has been Editor-in-Chief of GuitarWorld.com since 2019, and an offset fiend and recovering pedal addict for far longer. He has a master's degree in journalism from Cardiff University, and 15 years' experience writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as 20 years of recording and live experience in original and function bands. During his career, he has interviewed the likes of John Frusciante, Chris Cornell, Tom Morello, Matt Bellamy, Kirk Hammett, Jerry Cantrell, Joe Satriani, Tom DeLonge, Radiohead's Ed O'Brien, Polyphia, Tosin Abasi, Yvette Young and many more. His writing also appears in the The Cambridge Companion to the Electric Guitar. In his free time, you'll find him making progressive instrumental rock as Maebe.















































