Skip to main content
MusicRadar MusicRadar The No.1 website for musicians
UK EditionUK US EditionUS AU EditionAustralia SG EditionSingapore
Sign in
  • View Profile
  • Sign out
  • Plugin Week 2026
  • Artist news
  • Guitars
  • Controllers
  • Drums
  • Keyboards & Pianos
  • Guitar Amps
  • Music Gear Reviews
  • Synths
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About us
More
  • Eloise's guitar journey
  • Keef's greatest hit
  • 95k+ free music samples
  • Led Zep's Rain Song
  1. Guitars

Live rigs revealed: The Gaslight Anthem's Brian Fallon

News
By Total Guitar magazine published 28 April 2011

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Live rigs revealed: The Gaslight Anthem's Brian Fallon

Live rigs revealed: The Gaslight Anthem's Brian Fallon

Total Guitar caught up with The Gaslight Anthem on their most recent UK tour and persuaded frontman Brian Fallon to talk through his stripped-down, all-killer live setup.

Click onwards to find out what he uses to get that signature raw rock 'n' roll sound...

Page 1 of 7
Page 1 of 7
Gibson Custom 1956 Les Paul Goldtop VOS

Gibson Custom 1956 Les Paul Goldtop VOS

“The main guitar that I use is a ’56 VOS Goldtop Gibson Les Paul. I flip the volume knobs, so that the bridge volume is closer to my finger – then I can grab it with my pinky and do volume swells.”

Page 2 of 7
Page 2 of 7
Dr Z Remedy head

Dr Z Remedy head

“You just get the perfect amp. I’ve got four of them and they all sound the same. It’s essentially all the things you like about old Marshalls and Fenders, but without all the high-end and with no squishy bottom end.

"The bass and the trebles are right around nine o’clock and the mid is around 11. A guitar is essentially a mid-frequency instrument, so I boost the mids and it helps me cut through the sound, but it doesn’t get in the way of Alex [Rosamilia, guitar and backing vocals].”

Page 3 of 7
Page 3 of 7
Luther Lee P-90 pickups

Luther Lee P-90 pickups

“I use these pickups that I get custom made in New Jersey. They’re called Luther Lee Pickups. He takes old magnets and re-winds them exactly the way that they were and by hand so you get that actual '50s sound."

Page 4 of 7
Page 4 of 7
Orange PPC 412 speaker cabinet

Orange PPC 412 speaker cabinet

“I use Orange cabs when I’m in Europe, but usually I use Dr Z 2 x 12 Z Best cabinets. There aren’t a lot of 2 x 12 cabinets in Europe, but I think if you’re going to use a 4 x 12 cabinet then Orange makes probably the best.”

Page 5 of 7
Page 5 of 7
Mad Professor Sweet Honey Overdrive

Mad Professor Sweet Honey Overdrive

“I use this on a lot of the older, faster stuff. They’re amazing because you can leave the pedal on all the time and control what’s going on through the volume. It doesn’t mess up your sound, though; it just adds a little bit of a ‘chime’.”

Read the review

Page 6 of 7
Page 6 of 7
T-Rex Replica Delay

T-Rex Replica Delay

“I use a T-Rex Replica delay pedal, mostly for a solo or a volume swell or something like that. I use it like a slapback Elvis Presley kind of sound. It just kind of goes on once in a while.”

Liked this? Check out more of the same in Live Rigs Of The Rich & Famous or watch The Gaslight Anthem: Three Riffs In Three Minutes video lesson

Connect with MusicRadar: via Twitter, Facebook and YouTube

Get MusicRadar straight to your inbox: Sign up for the free weekly newsletter

Page 7 of 7
Page 7 of 7
Total Guitar magazine
Read more
Brian Fallon of the Gaslight Anthem demoes his signature '59 Telecaster Custom, a new for 2026 limited edition model from the Fender Custom Shop.
Artists Fender releases the Brian Fallon ’59 Telecaster Custom, a high-end replica of the guitar that built the Gaslight Anthem sound
 
 
Jared James Nichols plays his Gibson Futura on a stage lit up in red-pink.
Artists “I felt like I was levitating off the ground. I felt like I was in Cream in 1968”: Jared James Nichols on why he switched to Marshall amps
 
 
Ozzy Osbourne and Tony Iommi perform as Earth, just before the band was renamed Black Sabbath
Artists How Tony Iommi found the secret to his Black Sabbath tone (and how he lost it)
 
 
Jake Kiszka plays his '61 SG live onstage during Tons of Rock 2025
Artists How Greta Van Fleet's Jake Kiszka met the Beloved – the ’61 SG Les Paul that became his talisman
 
 
Jake Kiszka of Greta Van Fleet rips a solo on his '61 SG.
Artists Jake Kiszka on the time he went shopping for the world’s most expensive guitar amp in Japan
 
 
Oliver Ackermann of A Place to Bury Strangers throws it down live in Texas
Guitars Oliver Ackermann on the break-stuff tone philosophy behind guitar's most unorthodox pedal brand
 
 
Latest in Guitars
The Gibson Custom Historic Reissue 1959 and 1962 ES-330
Guitars Gibson unveils exquisite Custom Shop Historic Reissues of the 1959 and ’62 ES-330s
 
 
Jim Adkins of Jimmy Eat World plays his signature JA-90 Telecaster Thinline onstage.
Artists How Jim Adkins nailed his solo to Jimmy Eat World’s The Middle
 
 
Johnny Marr in his studio with some of the guitars that are heading to auction on September 17, 2026.
Artists Johnny Marr is auctioning off his most-famous guitars
 
 
The Fender American Original 60s Strat leaning against an amp
Guitars Thomann is taking legal action against Fender in cease-and-desist dispute
 
 
The Fender American Original 60s Strat leaning against an amp
Guitars “Fender is not suing anybody”: CEO pushes back on the cease-and-desist controversy
 
 
Ozzy Osbourne and Tony Iommi perform as Earth, just before the band was renamed Black Sabbath
Artists How Tony Iommi found the secret to his Black Sabbath tone (and how he lost it)
 
 
Latest in News
The Gibson Custom Historic Reissue 1959 and 1962 ES-330
Guitars Gibson unveils exquisite Custom Shop Historic Reissues of the 1959 and ’62 ES-330s
 
 
John Mayer takes a solo on his signature PRS Silver Sky at the 2025 Pilgrimage Music & Cultural Festival.
Artists John Mayer says he has already used his signature Neural DSP plugin on record – but on which songs?
 
 
An Apple MacBook Neo on a studio desk with MIDI controller, audio interface, studio monitors, and studio headphones. The MusicRadar deals logo is in the top right corner.
Computers I stress-tested the MacBook Neo for music production and failed to topple it - now, with £50 off for Prime Day it’s the only budget laptop I’m recommending to musicians
 
 
audioroute
Tech This time-saving tool can sample YouTube, Spotify or any other app with a single keyboard shortcut
 
 
Image of a recording studio with wood panels in the backround
Gear & Gadgets Amazon Prime Day has over 100 sound treatment deals. I run my own studio – these are the only 5 products that will actually work in your space
 
 
Andrew Farriss
Artists “We experimented for our whole career as INXS, which is insane from a commercial point of view”
 
 

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

Add as a preferred source on Google Add as a preferred source on Google
  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...