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In pictures: Ibanez ES2 Echo Shifter unboxed

News
By Michael Brown published 4 February 2014

A do-all analogue delay

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Ibanez ES2 Echo Shifter

Ibanez ES2 Echo Shifter

There’s no getting around it: the Ibanez ES2 looks awesome. It’s loaded with weird and wonderful features, too, so since we have one in the TG office, we thought we’d take you on a tour of its retro delay charms.

For the full review of the Ibanez ES2 Echo Shifter, check out Total Guitar issue 251, on sale 17 February.

Get Total Guitar for iOS devices, Kindle Fire and Android

Page 1 of 6
Page 1 of 6
Ibanez ES2 Echo Shifter

Ibanez ES2 Echo Shifter

The ES2 is an old-school analogue delay that boasts a few modern additions, including tap tempo, plus modulation and oscillation switches

Get Total Guitar for iOS devices, Kindle Fire and Android

Page 2 of 6
Page 2 of 6
Ibanez ES2 Echo Shifter

Ibanez ES2 Echo Shifter

To turn the ES2 on, you hit the left footswitch, while the right switch allows you to tap in your desired tempo

Get Total Guitar for iOS devices, Kindle Fire and Android

Page 3 of 6
Page 3 of 6
Ibanez ES2 Echo Shifter

Ibanez ES2 Echo Shifter

So many lights! In among the LEDs, there are knobs for feedback, mix and modulation depth, plus a delay time slider, which you can adjust with your foot

Get Total Guitar for iOS devices, Kindle Fire and Android

Page 4 of 6
Page 4 of 6
Ibanez ES2 Echo Shifter

Ibanez ES2 Echo Shifter

The modulation switch adds a chorus-like shimmer to the repeats

Get Total Guitar for iOS devices, Kindle Fire and Android

Page 5 of 6
Page 5 of 6
Ibanez ES2 Echo Shifter

Ibanez ES2 Echo Shifter

Flicking the oscillation switch causes the pedal to – you guessed it– oscillate with ease, giving you access to all manner of crazy sounds in combination with the delay time slider

Get Total Guitar for iOS devices, Kindle Fire and Android

Page 6 of 6
Page 6 of 6
Michael Brown
Michael Brown
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Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.

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