Skip to main content
MusicRadar MusicRadar The No.1 website for musicians
UK EditionUK US EditionUS AU EditionAustralia SG EditionSingapore
Sign in
  • View Profile
  • Sign out
  • Artist news
  • Music Gear Reviews
  • Synths
  • Guitars
  • Controllers
  • Drums
  • Keyboards & Pianos
  • Guitar Amps
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About us
Don't miss these
Keith Richards, Mick Jagger, Bill Wyman and Charlie Watts at the Kensington Gore Hotel, where they staged a mock-medieval banquet for the launch of their new album 'Beggars Banquet', 5th December 1968
Singles And Albums “This is where we had to pull out our good stuff. And we did”: Beggars Banquet – the album that made the Rolling Stones
The Spice Girls
Artists Greg Lester on how he crafted the classic nylon-string guitar solo in the Spice Girls’ 2 Become 1
Elton John and Davey Johnstone perform at the piano during their 2012 tour, with Johnstone playing the Les Paul Custom 'Black Beauty' that John originally bought for himself, but gave it to Johnstone after the band had all their gear stolen.
Artists Davey Johnstone on guitar shopping with Elton John – and how he ended up with his iconic Les Paul Custom
A Cort G200SE on a dirty white floor
Electric Guitars "Just as good as many affordable Squier, Epiphone, or Yamaha guitars I’ve played": Cort G200SE review
Fender has made an exacting replica of Tom Morello's 'Arm The Homeless' guitar, the mongrel S-style made from parts that became the cornerstone of the Rage Against The Machine guitarist's sound.
Artists Tom Morello’s favourite 'Arm the Homeless' electric guitar has just been recreated by Fender
Brian May performs live with his Red Special, and on the right, his old pal, Black Sabbath guitarist Tony Iommi, plays the custom-built Red Special replica that Iommi got him as a festive gift.
Artists Brian May just got Tony Iommi the best Christmas present ever
Justin Hawkins
Artists “He wanted it to sound tinny, so he literally put the mic in a tin”: When The Darkness teamed up with Queen’s producer
An Epiphone Dave Gorhl DG-335 semi-hollow guitar lying on a guitar case
Electric Guitars Who needs the £10,499 Gibson Dave Grohl signature DG-335 when the excellent Epiphone version is just £777 today?
Adrian Belew with the Fender Stratocaster that he and Seymour Duncan relic'd in the back garden
Artists Adrian Belew on how he and Seymour Duncan made one of the first relic’d guitars
Fender and Jackson's Iron Maiden 50th Anniversary Collection: FMIC has unveiled a signature guitar and bass collection to celebrate 50 years of the British metal institution.
Artists Fender and Jackson celebrate 50 years of Iron Maiden with limited run signature collection
Gretsch Electromatic CVT Double-Cut in Wychwood greenburst finish
Electric Guitars "For garage, punk, and rock styles, it’s got the tonal firepower on offer": Gretsch Electromatic CVT Double-Cut review
Jeff Beck in 1969
Artists “Mickie says, ‘Jeff – where's your guitar?’ ‘Oh, it's on its way to Leeds!’”: When Donovan and Jeff Beck made magic
Mesa/Boogie Mark IIC+ HRG: the reissued high-headroom tube amp is a cult classic that returns here with a heritage finish.
Guitars Mesa/Boogie reissues a cult classic with a design that takes the amp brand back to the beginning
Steve morse and Jon Lord play onstage together during a 1996 Deep Purple show in Amsterdam.
Artists Steve Morse on why he loved writing with Jon Lord and the Deep Purple track that started with a cup of tea
Greg Mackintosh of Paradise Lost plays his custom 7-string V live onstage with red and white stagelights behind him.
Artists Greg Mackintosh on the secrets behind the Paradise Lost sound and why he is still trying to learn Trouble’s tone tricks
More
  • "The most expensive bit of drumming in history”
  • JoBo x Fuchs
  • Radiohead Daydreaming
  • Vanilla Fudge
  • 95k+ free music samples
  1. Guitars

Gibson unveils SG Baritone

News
By Rob Power last updated 8 February 2021

A bit of all white

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Gibson unveils SG Baritone

Gibson unveils SG Baritone

Gibson has unveiled the all-white SG Baritone guitar.

Featuring a re-sized body and all-white finish and detailing, it's a pretty striking addition to the ranks of Gibson's current SG offering.

The Alpine White finish isn't the only eyebrow raising detail either: there are no markers on the fret board in favour of subtle neck dots, and the 27" scale neck measures 0.850” at the 1st fret and 0.920” at the 12th.

For all the angelic looks, this is quite clearly a beast of a guitar, and it's currently carrying an SRP of $2,498 (approximately £1560).

For more information visit the official Gibson website.

Gibson press release

The SG has been a rock and blues legend ever since its introduction in 1961. With such power and versatility in a lightweight and comfortable package, coupled with timeless and iconic styling, it’s a natural fit to transform this classic into a new format that has regained popularity in recent years. Introducing the SG Baritone from Gibson USA, a guitar primed to make a major impact on the lower register.

The SG Baritone plays just like a standard electric guitar, but injects some serious rumble into your six-string riffing thanks to being tuned down two and a half steps to B-E-A-D-F#-B. Popular with rock and metal players as an extension of “down tuning,” the baritone has also long been a favorite of country and Americana styles, and likewise makes a great alternative in the blues and jazz arsenal.

With a fully proportional SG look and feel, thanks to the oversized body scaled to fit the elongated neck and 27" scale, the SG Baritone is instantly familiar, yet something entirely different. Gibson’s innovative hardware includes Grover™ keystone tuners and a pair of Gibson USA’s powerful contemporary humbuckers with ceramic magnets offering hotter tones and a more diverse sonic vocabulary, further enhanced by push-pull coil splitting. To top it all off, the SG Baritone’s Alpine White finish in hand-sprayed, high-gloss nitrocellulose lacquer, with unique white plastic appointments (other than the traditional black “bell” truss-rod cover), looks absolutely stunning.

Body and Neck

The SG Baritone is styled like the original SG Standard, but with a proportionally larger body to suit its 27” scale length. The body is crafted from solid mahogany, with a glued-in neck made from quarter-sawn mahogany that highlights a rich, dark Richlite fingerboard. The rounded oversized-SG profile measures 0.850” at the 1st fret and 0.920” at the 12th, and the fingerboard—stylishly free from any position markers other than side dots—carries 24 medium-jumbo frets. The nut is made from Corian™ and cut on Gibson’s PLEK for optimum precision.

Pickups and Electronics

Two humbuckers from Gibson’s Modern Classics series provide the formidable firepower for the SG Baritone. Both are made with powerful ceramic magnets, and extra turns of wire for hot, grinding tones that still clean up beautifully when you wind down the guitar’s volume controls. A 496R in the neck position provides warmth, depth, and thundering lows with impressive clarity, while a hotter 500T in the bridge position transitions smoothly from articulate crunch to wailing leads with unfathomable sustain. To extend the guitar’s sonic range, each pickup splits independently via push-pull pots on its volume control, for brighter single-coil tones. The traditional complement of four control knobs and three-way selector switch offer the perfect marriage of familiarity and versatility.

Hardware

Gibson’s innovative Tune-o-matic bridge was unveiled in the mid ’50s, and remains a classic for solidity and sustain, along with precision intonation adjustment, to this very day. Partnered with a stopbar tailpiece, this setup keeps the SG Baritone locked and loaded for optimum resonance and sustain, while a set of Grover™ keystone tuners make restringing and tuning up a breeze. White speed knobs, white pickup rings, and a white switch tip complement the SG Baritone’s Alpine White finish, while a traditional black truss-rod cover and black crown headstock inlay and logo offer stunning contrast.

Page 1 of 4
Page 1 of 4
SG Baritone profile

SG Baritone profile

Gibson has unveiled the all-white SG Baritone.

Featuring a re-sized body and all-white finish and detailing, it's a pretty striking addition to the ranks of Gibson's current SG offering.

The Alpine White finish isn't the only eyebrow raising detail either: there are no markers on the fret board in favour of subtle neck dots, and the 27" scale neck measures 0.850” at the 1st fret and 0.920” at the 12th.

For all the angelic looks, this is quite clearly a beast of a guitar, and it's currently carrying an SRP of $2,498 (approximately £1560).

For more information visit the official Gibson website.

Gibson press release

The SG has been a rock and blues legend ever since its introduction in 1961. With such power and versatility in a lightweight and comfortable package, coupled with timeless and iconic styling, it’s a natural fit to transform this classic into a new format that has regained popularity in recent years. Introducing the SG Baritone from Gibson USA, a guitar primed to make a major impact on the lower register.

The SG Baritone plays just like a standard electric guitar, but injects some serious rumble into your six-string riffing thanks to being tuned down two and a half steps to B-E-A-D-F#-B. Popular with rock and metal players as an extension of “down tuning,” the baritone has also long been a favorite of country and Americana styles, and likewise makes a great alternative in the blues and jazz arsenal.

With a fully proportional SG look and feel, thanks to the oversized body scaled to fit the elongated neck and 27" scale, the SG Baritone is instantly familiar, yet something entirely different. Gibson’s innovative hardware includes Grover™ keystone tuners and a pair of Gibson USA’s powerful contemporary humbuckers with ceramic magnets offering hotter tones and a more diverse sonic vocabulary, further enhanced by push-pull coil splitting. To top it all off, the SG Baritone’s Alpine White finish in hand-sprayed, high-gloss nitrocellulose lacquer, with unique white plastic appointments (other than the traditional black “bell” truss-rod cover), looks absolutely stunning.

Body and Neck

The SG Baritone is styled like the original SG Standard, but with a proportionally larger body to suit its 27” scale length. The body is crafted from solid mahogany, with a glued-in neck made from quarter-sawn mahogany that highlights a rich, dark Richlite fingerboard. The rounded oversized-SG profile measures 0.850” at the 1st fret and 0.920” at the 12th, and the fingerboard—stylishly free from any position markers other than side dots—carries 24 medium-jumbo frets. The nut is made from Corian™ and cut on Gibson’s PLEK for optimum precision.

Pickups and Electronics

Two humbuckers from Gibson’s Modern Classics series provide the formidable firepower for the SG Baritone. Both are made with powerful ceramic magnets, and extra turns of wire for hot, grinding tones that still clean up beautifully when you wind down the guitar’s volume controls. A 496R in the neck position provides warmth, depth, and thundering lows with impressive clarity, while a hotter 500T in the bridge position transitions smoothly from articulate crunch to wailing leads with unfathomable sustain. To extend the guitar’s sonic range, each pickup splits independently via push-pull pots on its volume control, for brighter single-coil tones. The traditional complement of four control knobs and three-way selector switch offer the perfect marriage of familiarity and versatility.

Hardware

Gibson’s innovative Tune-o-matic bridge was unveiled in the mid ’50s, and remains a classic for solidity and sustain, along with precision intonation adjustment, to this very day. Partnered with a stopbar tailpiece, this setup keeps the SG Baritone locked and loaded for optimum resonance and sustain, while a set of Grover™ keystone tuners make restringing and tuning up a breeze. White speed knobs, white pickup rings, and a white switch tip complement the SG Baritone’s Alpine White finish, while a traditional black truss-rod cover and black crown headstock inlay and logo offer stunning contrast.

Page 2 of 4
Page 2 of 4
SG Baritone rear

SG Baritone rear

Gibson has unveiled the all-white SG Baritone.

Featuring a re-sized body and all-white finish and detailing, it's a pretty striking addition to the ranks of Gibson's current SG offering.

The Alpine White finish isn't the only eyebrow raising detail: there are no markers on the fret board in favour of subtle neck dots, and the 27" scale neck measures 0.850” at the 1st fret and 0.920” at the 12th.

For all the angelic looks, this is quite clearly a beast of a guitar, and it's currently carrying an SRP of $2,498 (approximately £1560).

For more information visit the official Gibson website.

Gibson press release

The SG has been a rock and blues legend ever since its introduction in 1961. With such power and versatility in a lightweight and comfortable package, coupled with timeless and iconic styling, it’s a natural fit to transform this classic into a new format that has regained popularity in recent years. Introducing the SG Baritone from Gibson USA, a guitar primed to make a major impact on the lower register.

The SG Baritone plays just like a standard electric guitar, but injects some serious rumble into your six-string riffing thanks to being tuned down two and a half steps to B-E-A-D-F#-B. Popular with rock and metal players as an extension of “down tuning,” the baritone has also long been a favorite of country and Americana styles, and likewise makes a great alternative in the blues and jazz arsenal.

With a fully proportional SG look and feel, thanks to the oversized body scaled to fit the elongated neck and 27" scale, the SG Baritone is instantly familiar, yet something entirely different. Gibson’s innovative hardware includes Grover™ keystone tuners and a pair of Gibson USA’s powerful contemporary humbuckers with ceramic magnets offering hotter tones and a more diverse sonic vocabulary, further enhanced by push-pull coil splitting. To top it all off, the SG Baritone’s Alpine White finish in hand-sprayed, high-gloss nitrocellulose lacquer, with unique white plastic appointments (other than the traditional black “bell” truss-rod cover), looks absolutely stunning.

Body and Neck

The SG Baritone is styled like the original SG Standard, but with a proportionally larger body to suit its 27” scale length. The body is crafted from solid mahogany, with a glued-in neck made from quarter-sawn mahogany that highlights a rich, dark Richlite fingerboard. The rounded oversized-SG profile measures 0.850” at the 1st fret and 0.920” at the 12th, and the fingerboard—stylishly free from any position markers other than side dots—carries 24 medium-jumbo frets. The nut is made from Corian™ and cut on Gibson’s PLEK for optimum precision.

Pickups and Electronics

Two humbuckers from Gibson’s Modern Classics series provide the formidable firepower for the SG Baritone. Both are made with powerful ceramic magnets, and extra turns of wire for hot, grinding tones that still clean up beautifully when you wind down the guitar’s volume controls. A 496R in the neck position provides warmth, depth, and thundering lows with impressive clarity, while a hotter 500T in the bridge position transitions smoothly from articulate crunch to wailing leads with unfathomable sustain. To extend the guitar’s sonic range, each pickup splits independently via push-pull pots on its volume control, for brighter single-coil tones. The traditional complement of four control knobs and three-way selector switch offer the perfect marriage of familiarity and versatility.

Hardware

Gibson’s innovative Tune-o-matic bridge was unveiled in the mid ’50s, and remains a classic for solidity and sustain, along with precision intonation adjustment, to this very day. Partnered with a stopbar tailpiece, this setup keeps the SG Baritone locked and loaded for optimum resonance and sustain, while a set of Grover™ keystone tuners make restringing and tuning up a breeze. White speed knobs, white pickup rings, and a white switch tip complement the SG Baritone’s Alpine White finish, while a traditional black truss-rod cover and black crown headstock inlay and logo offer stunning contrast.

Page 3 of 4
Page 3 of 4
SG Baritone front

SG Baritone front

Gibson has unveiled the all-white SG Baritone.

Featuring a re-sized body and all-white finish and detailing, it's a pretty striking addition to the ranks of Gibson's current SG offering.

The Alpine White finish isn't the only eyebrow raising detail either: there are no markers on the fret board in favour of subtle neck dots, and the 27" scale neck measures 0.850” at the 1st fret and 0.920” at the 12th.

For all the angelic looks, this is quite clearly a beast of a guitar, and it's currently carrying an SRP of $2,498 (approximately £1560).

For more information visit the official Gibson website.

Gibson press release

The SG has been a rock and blues legend ever since its introduction in 1961. With such power and versatility in a lightweight and comfortable package, coupled with timeless and iconic styling, it’s a natural fit to transform this classic into a new format that has regained popularity in recent years. Introducing the SG Baritone from Gibson USA, a guitar primed to make a major impact on the lower register.

The SG Baritone plays just like a standard electric guitar, but injects some serious rumble into your six-string riffing thanks to being tuned down two and a half steps to B-E-A-D-F#-B. Popular with rock and metal players as an extension of “down tuning,” the baritone has also long been a favorite of country and Americana styles, and likewise makes a great alternative in the blues and jazz arsenal.

With a fully proportional SG look and feel, thanks to the oversized body scaled to fit the elongated neck and 27" scale, the SG Baritone is instantly familiar, yet something entirely different. Gibson’s innovative hardware includes Grover™ keystone tuners and a pair of Gibson USA’s powerful contemporary humbuckers with ceramic magnets offering hotter tones and a more diverse sonic vocabulary, further enhanced by push-pull coil splitting. To top it all off, the SG Baritone’s Alpine White finish in hand-sprayed, high-gloss nitrocellulose lacquer, with unique white plastic appointments (other than the traditional black “bell” truss-rod cover), looks absolutely stunning.

Body and Neck

The SG Baritone is styled like the original SG Standard, but with a proportionally larger body to suit its 27” scale length. The body is crafted from solid mahogany, with a glued-in neck made from quarter-sawn mahogany that highlights a rich, dark Richlite fingerboard. The rounded oversized-SG profile measures 0.850” at the 1st fret and 0.920” at the 12th, and the fingerboard—stylishly free from any position markers other than side dots—carries 24 medium-jumbo frets. The nut is made from Corian™ and cut on Gibson’s PLEK for optimum precision.

Pickups and Electronics

Two humbuckers from Gibson’s Modern Classics series provide the formidable firepower for the SG Baritone. Both are made with powerful ceramic magnets, and extra turns of wire for hot, grinding tones that still clean up beautifully when you wind down the guitar’s volume controls. A 496R in the neck position provides warmth, depth, and thundering lows with impressive clarity, while a hotter 500T in the bridge position transitions smoothly from articulate crunch to wailing leads with unfathomable sustain. To extend the guitar’s sonic range, each pickup splits independently via push-pull pots on its volume control, for brighter single-coil tones. The traditional complement of four control knobs and three-way selector switch offer the perfect marriage of familiarity and versatility.

Hardware

Gibson’s innovative Tune-o-matic bridge was unveiled in the mid ’50s, and remains a classic for solidity and sustain, along with precision intonation adjustment, to this very day. Partnered with a stopbar tailpiece, this setup keeps the SG Baritone locked and loaded for optimum resonance and sustain, while a set of Grover™ keystone tuners make restringing and tuning up a breeze. White speed knobs, white pickup rings, and a white switch tip complement the SG Baritone’s Alpine White finish, while a traditional black truss-rod cover and black crown headstock inlay and logo offer stunning contrast.

Page 4 of 4
Page 4 of 4
Rob Power
Read more
The Noel Gallagher Les Paul Standard enters the Gibson mainline range, sporting the same ebony finish and dual-P-90 configuration that made it the electric guitar of 2025.
Gibson celebrates the 30th anniversary of Oasis’ Wonderwall by releasing the most talked-about electric guitar of 2025
 
 
Epiphone Joe Bonamassa 1959 Les Paul Custom: a the dual-pickup Custom was a lesser-spotted model in the Gibson catalogue in the '50s – they didn't make many of them. But Bonamassa presents us with one and this 'Black Beauty' is equipped with a Bigsby.
Epiphone raids Joe Bonamassa’s Nerdville archive for another reproduction of a vintage unicorn
 
 
Dusty Hill and Billy Gibbons tear it up as ZZ Top play the Aragon Ballroom at Chicago in 1980, with Gibbons playing his legendary Les Paul Standard, Pearly Gates
“"There is something magic in that instrument”: Billy Gibbons on why Pearly Gates is one of the greatest Les Pauls ever
 
 
Paul "Bonehead" Arthurs plays his signature Epiphone Riviera [left], while Gem Archer plays his new Masterbilt Sheraton: Epiphone released the two signature Oasis guitars simultaneously—coincidentally or not, on the 30th anniversary of Wonderwall.
Epiphone goes 'madferit' as it rolls out signature semi-hollows for Oasis's Bonehead and Gem Archer
 
 
Gretsch Limited Edition Abbey Road RS201 Studiomatic: the hollowbody electric is finished in
Gretsch teams up with Abbey Road for the Studiomatic – a hollowbody with a filter circuit inspired by actual tech from the studio
 
 
Phil X of the Drills and Bon Jovi performs at a Leslie West Tribute concert and plays a Cherry Red Gibson SG.
Bon Jovi guitarist Phil X shares details about upcoming signature Gibson – an SG like no other?
 
 
Latest in Guitars
JHS Pedals x Electro-Harmonix Big Muff 2: This limited edition fuzz pedal was created from a long-lost blueprint that was unearthed while researching the upcoming book about the NYC pedal brand.
Electro-Harmonix and JHS Pedals team up for a Big Muff based on schematic that had been lying forgotten for 50 years
 
 
Seymour Duncan Dino Cazares Machete: the new pickup looks passive, but it's a fully active design, with bite, clarity and nice cleans too.
Seymour Duncan teams up with Dino Cazares for signature Machete humbuckers – and their versatility might surprise you
 
 
Crazy Tube Circuits Orama: the orange/peach coloured pedal combines classic preamp and fuzz circuits and promises a wide range of sounds
Crazy Tube Circuits squeezes out another sweet twofer with the Orama preamp/fuzz pedal
 
 
Brian May performs live with his Red Special, and on the right, his old pal, Black Sabbath guitarist Tony Iommi, plays the custom-built Red Special replica that Iommi got him as a festive gift.
Brian May just got Tony Iommi the best Christmas present ever
 
 
Strymon Fairfax Class A Output Drive: the first in the Series A range, this is an all-analogue pedal inspired by the Herzog unit made famous by Randy Bachman
Strymon debuts Series A analogue pedals range with the Fairfax – a “chameleon” drive that can “breathe fire”
 
 
The DOD Badder Monkey is a redux take on the DigiTech Bad Monkey overdrive, but it adds two all-new circuits, plus a wooden barrel knob for blending them. It is painted green and has an illustration of a chimpanzee on the front of the pedal, which is an ape, not a monkey.
DOD reimagines a Gary Moore overdrive favourite as the Badder Monkey – think the DigiTech Green Monkey, only badder
 
 
Latest in News
Ed Sheeran in front of guitars
Council gives go-ahead for Ed Sheeran to convert pig farm into private recording studio
 
 
Liam Gallagher (L) and Noel Gallagher (R) of Oasis perform during the opening night of their Live 25' Tour at Principality Stadium on July 04, 2025 in Cardiff, Wales
“Noel has said, ‘No rest for the immensely talented'”: Gem Archer on the chances about future Oasis activity
 
 
Taylor Swift
Taylor Swift names her favourite Taylor Swift song… but she’s going to need some time to come up with her top 5
 
 
Lily Allen
“I’m definitely having some conversations about it”: Lily Allen’s West End Girl album could end up… in the West End
 
 
Guitarist and vocalist Stu Mackenzie of King Gizzard & The Lizard Wizard performs live on stage kicking up his leg and sticking out his tongue during Primavera Sound 2022
“Seriously wtf – we are truly doomed”: King Gizzard leave Spotify to be replaced by AI clones
 
 
Spotify djay
Just in time for the party season, Spotify is finally back in iOS and Android DJing apps
 
 

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

Add as a preferred source on Google
  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...