10 rock stars' first guitars
Slash, Hendrix and Keef's early instruments

Mick Thomson
WORLD GUITAR DAY 2019: We've all got to start somewhere, so if you're fed up of strumming away on a no-name acoustic guitar - take heart - many of the world's greatest guitar heroes began their musical careers in exactly the same way. First up, Slipknot's Mick Thomson...
“I had to have it,” recalls Slipknot’s bogie man of the Hohner Tele copy in his local mall. “So I delivered papers for a month and a half. I stupidly thought it sucked, and let it go for like $40, convinced that it was dog-s**t, because all the other neighbourhood kids had much better guitars than me, with whammy bars - and I just had a fake Tele.”

Slash
Post-Appetite For Destruction, we’d imagine a shipment of hand-buffed Les Pauls has arrived each month at Slash Towers with a silk bow around the crate.
As a broke LA urchin, though, he’d settle for anything. “I asked my grandmother for help,” Slash recalls, “and she gave me an old flamenco guitar with one string on it that she had packed away in a closet.”

Keith Richards
Long before his iconic butterscotch ’53 ‘Micawber’ Telecaster arrived in the rack, 15-year-old Keef was plunking on a Rosetti gut-string acoustic.
“If you want to get to the top,” he writes in Life, “you’ve got to start at the bottom. Same with anything. Same with running a whorehouse. I took it everywhere and I went to sleep with my arm laid across it.”

Joe Satriani
Before the Ibanez Custom Shop came knocking, Satch settled for a Hagström III. “It was just such an odd-sounding thing,” he says.
“The only thing it had going for it was it was light, and it had a great vibrato. So I knew how to do divebombs, squeals and make a fool of myself in front of my friends.”

Billie Joe Armstrong
The Green Day man’s cherished Fernandes Strat copy (aka ‘Blue’) was bought from his guitar teacher.
The original appeared in classic videos including Longview and Basket Case and while BJ’s latter-day Gibsons are technically ‘better’, Blue replicas still see action on stage. “Every single guitar has its purpose,” he says. “Even the ones that sound like s**t have something they do that’s cool.”
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