Skip to main content
Music Radar MusicRadar The No.1 website for musicians
(opens in new tab) (opens in new tab) (opens in new tab) (opens in new tab) (opens in new tab)
  • Guitars
  • Amps
  • Pedals
  • Drums
  • Synths
  • Software
  • Pianos
  • Controllers
  • Recording
  • Buyer’s guides
  • Live
  • DJ
  • Advice
  • Acoustic
  • Bass
  • About us
  • More
    • Reviews
Magazines
  • Computer Music
  • Electronic Musician
  • Future Music
  • Keyboard Magazine
  • Guitarist (opens in new tab)
  • Guitar Techniques (opens in new tab)
  • Total Guitar (opens in new tab)
  • Bass Player (opens in new tab)
More
  • Lennon on Eleanor Rigby
  • Jimmy Page demos classic Led Zep gear
  • Classic rock riffs for beginners
  • Omnichord @ 70
  • SampleRadar: 163 tape loops samples

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

  1. Home
  2. News

6 career defining records of ELO's Bev Bevan

By Geoff Nicholls
published 20 October 2009

ELO/The Move drummer picks his finest

  • (opens in new tab)
  • (opens in new tab)
  • (opens in new tab)
  • (opens in new tab)
Bev Bevan
English rock sticksman chooses his six best
(Image credit: Themovelive.com)

Bev Bevan

Not many drummers can boast backing two successful bands, let alone being a founding a member of both! Bev Bevan, on the other had, can: The Move and ELO.

Here, Bevan shares the six records which have most defined his career, telling Rhythm Magazine why they mattered so much along the way.

Next page: Roy Wood, singalong psychedelia and David Bowie

Page 1 of 7
Page 1 of 7
The Move (1968)
The Move

The Move (1968)

The eponymous first album highlights the band’s trademark vocal harmonies, tight, strong arrangements and the first of Roy Wood’s clever rock’n’roll pastiche, singalong psychedelic hits.

Bev Bevan says:

“The Move really came about when David Jones’s (later, Bowie) Lower Third played Birmingham Cedar Club. Trevor Burton (guitar) and Ace Kefford (bass) got talking to him and he said they should find the best players in Brum, get together and come down to London.”

“The idea for the first album was to write new material but Woody was never that prolific. I Can Hear The Grass Grow was our second single, not actually on the original album, and the drums sounded so much ballsier than on our first, Night Of Fear.”

“Denny Cordell produced and Tony Visconti engineered. It’s almost three different things – military-like in the middle eight, fairly straight in the choruses and wild toms in the verses.”

-----------------------------------------------

Buy The Move here: Amazon UK | Play.com | HMV

Page 2 of 7
Page 2 of 7
Something Else From The move (1968)
The Move

Something Else From The move (1968)

This live EP was recorded at London’s Marquee where The Move had taken over residency from The Who. Keith Moon’s influence is heard in Bev’s spirited drums.

Bev Bevan says:

“It’s all covers, but really tight. The old Jerry Lewis song It’ll Be Me had so much energy, I’m really pleased with the drumming. It’s also featured on the new boxed set as well.”

“The kit that I was using was a double bass drum Premier. That was the thing in Birmingham; we were all really loud bastards. Me, Johnny Bonham, Cozy Powell and Bill Ward.”

“Bonham used to watch me play and then steal my ideas. Then by the ’70s I was watching Led Zeppelin and trying to do what he was doing, because he was so good. But we were great mates. I’d go round to his house and he’d have two kits set up and a tiny kit for his son Jason and the three of us would all play together.”

Buy Something Else From The Move here: Amazon UK

Page 3 of 7
Page 3 of 7
Shazam (1970)
The Move

Shazam (1970)

The Move’s chaotic career was spiralling and fans’ favourite Ace Kefford had left: “We were just fading out to be honest,” says Bev. But Shazam still remains a crucial ’60s album and one of his favourites.

Bev Bevan says:

“My favourite Move album, I like everything on there, particularly for the drum sound. There’s some complicated stuff with tasty fills. On Fields Of People there are really fast rolls and listening to it again I think ‘wow, that’s good!’ [laughs] Don’t Make My Baby Blue was me playing hard and heavy, which I really love.”

“We did our only trip to America with the Move and I bought a Slingerland kit from Manny’s in New York. I was a big Buddy Rich fan and he played Slingerlands then. A couple of years later, when ELO made it, I got sponsored by Slingerland. The beautiful white pearl Slingerland kit I have now was made for ELO Part II.”

Buy Shazam here: Amazon UK | Play.com | HMV

Page 4 of 7
Page 4 of 7
ELO 2 (1973)
ELO

ELO 2 (1973)

With the original Move down to just Woody and Bev, fellow Brum star Jeff Lynne is enlisted for the grandiose ELO project which would see Bev’s career go ballistic.

Bev Bevan says:

“After Shazam me and Woody really enjoyed getting heavy again, but back in England the best money was in cabaret. We hated it but Carl Wayne loved it. Roy knew Jeff Lynne and so he joined. I thought they would write songs together but that never worked out.”

“Although not a big hit, Roll Over Beethoven got masses of air play on every American FM station and we went to America on the back of that song. Again, I’m proud of the drumming, it still sounds good.”

“We opened for Deep Purple, did all the stadiums in 1973 for the first time. That put us in great stead for when we headlined for them a couple of years later.”

Buy ELO 2 here: Amazon UK | Play.com | HMV

Page 5 of 7
Page 5 of 7
Face The Music (1975)
ELO

Face The Music (1975)

As Roy Wood goes off to enjoy top 10 British acclaim with Wizzard, Jeff Lynne drives ELO to international success. Bev later finds out that playing with orchestras can be a double-edged sword…

Bev Bevan says:

“My favourite ELO albums were Face The Music and New World Record. Out Of The Blue is not too shabby either. There’s an instrumental on Face called Fire On High and the drumming is really good.

On Evil Woman we had girl backing singers, I’m playing an almost Ray Charles, soulful vibe. I had lots of freedom on Face and New World, but as the lush orchestrations got more complicated I had to keep it pretty simple.”

“With ELO Part II, through the ‘90s, we played with loads of orchestras - the Sydney and Moscow Symphonies. But it was so controlled, with 80 people relying on you. If you mess up everything collapses. Not very enjoyable from the drumming angle.”

Buy Face The Music here: Amazon UK | Play.com | HMV

Page 6 of 7
Page 6 of 7
Twang!: A Tribute To Hank Marvin And The Shadows (1996)
Various Artists
(Image credit: Hulton-Deutsch Collection/Corbis)

Twang!: A Tribute To Hank Marvin And The Shadows (1996)

During a sabbatical from ELO, Bev is invited by Tony Iommi to tour with Black Sabbath. Later Bev cuts a track with Iommi on this homage to Hank Marvin.

Bev Bevan says:

“My drumming progressed all through The Move and ELO and then in the late ’70s when ELO stopped touring and started using drum machines it stagnated. I joined Black Sabbath in the early ’80s and started playing really loud and hard again. But unfortunately I never got to record an album with them.

“Tony Iommi is my best music business mate and I was with Tony, Gordon Giltrap on acoustic and Neil Murray on bass. There are some great guitarists on this album, like Jeff Beck and Mark Knopfler. They each did one track. We did ‘Wonderful Land’, and it’s kind of a spooky arrangement, a bit like Black Sabbath doing the Shadows – weird and wonderful!”

Buy Twang!: A Tribute To Hank Marvin And The Shadows here: Amazon UK

For the latest drummer interviews, check out Rhythm Magazine.

Page 7 of 7
Page 7 of 7
  • (opens in new tab)
  • (opens in new tab)
  • (opens in new tab)
  • (opens in new tab)
Geoff Nicholls
Social Links Navigation
  1. Shot in 2019 for The Met’s Play It Loud exhibition, Page gets some DADGAD Kashmir action going on his Danelectro, gets the Led out with the ‘Burst he got from Joe Walsh, and more
    1
    Watch Jimmy Page demo some of the most iconic guitars and amps in Led Zeppelin history
  2. 2
    John Lennon on completing Eleanor Rigby's lyrics for Paul McCartney: "It's his first verse, and the rest of the verses are basically mine"
  3. 3
    Martin Miller: “Guitar players need to talk about intonation a lot more. We don’t tune our ears towards it because it is never a topic that is brought up in tuition”
  4. 4
    Best Epiphone guitars 2023: our budget spanning picks of the greatest Epiphone guitars available right now
  5. 5
    “I do not hate the EDM community,” confirms M83, but says he wishes DJs would ask permission before using his music
  1. Paul McCartney and John Lennon in 1966
    1
    John Lennon on completing Eleanor Rigby's lyrics for Paul McCartney: "It's his first verse, and the rest of the verses are basically mine"
  2. 2
    Watch Jimmy Page demo some of the most iconic guitars and amps in Led Zeppelin history
  3. 3
    How to optimize your PC for music production
  4. 4
    "How do you tune a B string? You can't." What Blur’s Graham Coxon learned – and didn't learn – from folk legend Bert Jansch
  5. 5
    Sheryl Crow joins John Mayer onstage for a duet on "one of his favourite songs of all time" in Nashville

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site (opens in new tab).

  • About Us (opens in new tab)
  • Terms and conditions (opens in new tab)
  • Privacy policy (opens in new tab)
  • Cookies policy (opens in new tab)
  • Accessibility Statement
  • Careers (opens in new tab)

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.