Skip to main content
MusicRadar MusicRadar The No.1 website for musicians
UK EditionUK US EditionUS AU EditionAustralia SG EditionSingapore
Sign in
  • View Profile
  • Sign out
  • Artist news
  • Music Gear Reviews
  • Synths
  • Guitars
  • Controllers
  • Drums
  • Keyboards & Pianos
  • Guitar Amps
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About us
Don't miss these
More
  • "The most expensive bit of drumming in history”
  • JoBo x Fuchs
  • Radiohead Daydreaming
  • Vanilla Fudge
  • 95k+ free music samples
  1. Drums
  2. Snare Drums

12 steps to building a British Drum Company snare

News
By Geoff Nicholls published 13 October 2016

We build our very own BDC snare!

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Building a BDC snare

Building a BDC snare

The British Drum Company was launched late last year by a crack team of industry professionals.

Amongst this A-Team of drums and percussion are Kasabian’s Ian Matthews, master drum builder Keith Keough comedian (and accomplished sticksman) Al Murray, marching and expert Stu Warmington and engineer Alan Kitching.

So, when we received an invite to head up to the firm’s HQ, meet the team and make our own snare drum, well, we couldn’t say no.

What you see on the pages that follow is the making of that very snare, as we present the 12 steps to creating a British Drum Company Merlin snare drum.

Page 1 of 13
Page 1 of 13
Cutting the shell

Cutting the shell

Lengths of plywood are cut down to roughly the depth of the finished drum (around 6" for the 51⁄2" drum) using the impressive table saw.

Page 2 of 13
Page 2 of 13
Measuring

Measuring

Each individual 3-ply or 2-ply length of birch or maple (or final veneer) is placed on the measuring bench and using a fixed steel edge ruler set to give a 5° diagonal seam is sliced off using a craft knife, which gives the cleanest of cuts.

Page 3 of 13
Page 3 of 13
Steel moulds

Steel moulds

Keith demonstrates the tricky technique of slipping the individual plies into the super-heavy steel mould.

This involves getting the sheet the right way up, holding one end in place while the other is bent in an ‘S’ then snapped into place.

Page 4 of 13
Page 4 of 13
Slicing the ply

Slicing the ply

The amount of ply to be sliced off is marked in pencil on the inside of the overlap.

The length of the sheet is deliberately fractionally oversized and may need shaving one more time for a super-tight fit. Overlaps are inserted at 90° to each other each time, ensuring joins are staggered around the shell.

Page 5 of 13
Page 5 of 13
Adhesive

Adhesive

Overseen by shell-specialist Duncan Hawse, Geoff now rolls on the adhesive ready for the ply sheet to be placed back in the mould.

Once all the plies are in place an air bag is inserted and inflated and the shell left over night to settle.

Page 6 of 13
Page 6 of 13
Layout mats

Layout mats

BDC design engineer Alan Kitching has made a complete set of marking-out templates from stainless steel, one for each size and type of drum. He has also made circular stainless steel layout mats.

Page 7 of 13
Page 7 of 13
Drilling

Drilling

Six permanently mounted drill presses are each fitted with the correct-sized bits for making lug mounting holes, air vents, badge screw holes, etc. Again, this is done by hand. No room for mistakes or a shell will be ruined!

Page 8 of 13
Page 8 of 13
Bearing edges

Bearing edges

The 1.8mm deep and 63mm wide dips for the snare beds are cut into the bottom of the shell on both sides. The snare beds are smoothed to a continuous shallow dip using a flat metal file held horizontally.

Page 9 of 13
Page 9 of 13
Snare beds

Snare beds

The 1.8mm deep and 63mm wide dips for the snare beds are cut into the bottom of the shell on both sides. The snare beds are smoothed to a continuous shallow dip using a flat metal file held horizontally.

Page 10 of 13
Page 10 of 13
Sanding

Sanding

The shell is sanded using a random orbital sander. A glass-smooth finish is achieved using progressively 180, 240 and 1200 grit sanding discs. Shell is sealed with BDC’s secret concoction of environmentally friendly oils, protecting and bringing out the unusual wood grain.

Page 11 of 13
Page 11 of 13
Hardware

Hardware

All the metal hardware parts, including the 10 solid brass tube lugs, strainer, air vent, etc, are fixed to the shell, and the British Drum Company stencil badge is mounted.

Page 12 of 13
Page 12 of 13
The finished product

The finished product

The finished Merlin 20-ply birch and maple snare with its Sweet Spalted Gum outer veneer
finish is ready. She's a beauty, right?!

Page 13 of 13
Page 13 of 13
Geoff Nicholls
Geoff Nicholls
Freelance Gear Reviewer, MusicRadar

Geoff Nicholls is a musician, journalist, author and lecturer based in London. He co-wrote, co-presented and played drums on both series of ‘Rockschool’ for BBC2 in the 1980s. Before that he was a member of original bands signed by Decca, RCA, EMI and more. ‘Rockschool’ led to a parallel career writing articles for many publications, from the Guardian to Mojo, but most notably Rhythm magazine, for which he was the longest serving and most diverse contributor.

Latest in Snare Drums
Drumcraft Bell Brass Snare
“An excellent entry point into the world of cast-shell drums”: DrumCraft Bell Brass Snare review
 
 
DrumCraft Bell Brass 14"x6.5" snare
DrumCraft reintroduces its Bell Brass snare drum, offering you the snare sound of Metallica, Nirvana, RATM and more for under £800!
 
 
Paramore
YouTuber recreates Paramore’s iconic Misery Business snare drum sound from scratch without using samples, "Drum production was not the same post-Misery Business"
 
 
DrumCraft Vanguard
"The aluminium model is, frankly, a stone-cold bargain": DrumCraft Vanguard snare drums review
 
 
DrumCraft Vanguard snare drums
DrumCraft launches seven-strong Vanguard Snare Series, “Developed for drummers who work both live and in the studio.”
 
 
Tama 50th anniversary releases
NAMM 2024: Tama’s 50th anniversary releases include an acrylic Starclassic Mirage, marble-finished Iron Cobras and Mastercraft snares
 
 
Latest in News
Dijon
The 'secret sauce' that creates Dijon’s distinctive vocal sound isn't what you thought it was
 
 
amenbreak
AmenBreak VST is a break-slicing, sample-mangling junglist powerhouse - and there’s a free version
 
 
Keeley Electronics Nocturne: this new stereo reverb is the latest signature pedal for Andy Timmons and has a dark metallic blue enclosure with a similar control surface to his Halo Core pedal.
“I turn this thing on, I don’t want to stop playing”: Keeley Electronics has made Andy Timmons fall in love with reverb with his new signature Nocturne pedal
 
 
Money
“They represent rent paid, instruments bought and careers sustained”: PRS has distributed nearly £275 million in 2025
 
 
Paul McCartney points to the crowd and raises an eyebrow as he performs with his iconic Höfner Violin Bass
Paul McCartney's favourite bass company is in trouble – Höfner's future uncertain as it files provisional insolvency proceedings
 
 
Jane's Addiction
“We have come together one last time to resolve our differences”: Peace breaks out between Perry Farrell and Jane's Addiction
 
 

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

Add as a preferred source on Google
  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...