Boss unveils RV-500 Reverb and MD-500 Modulation pedals
Ultra-versatile stompboxes offer two sounds at once
Roland’s exhaustive series of product launches continues apace, and following the MS-3 Multi-Effects Switcher are the RV-500 Reverb and MD-500 Modulation.
Boss RV-500 Reverb
The RV-500 is Boss’s most powerful reverb pedal yet, offering 32-bit AD/DA and 12 all-new modes with 21 reverb types.
’verbs on offer span the usual suspects (room, hall, plate, spring), as well as pitch-shifted shimmer and Roland classics such as the SRV-2000 Reverb and RE-201 Space Echo.
An A/B Simul mode allows players to use two reverb patches at once, which can be divided via frequency range, while an independent digital delay with modulation is available to use with the reverb.
Connections include MIDI and USB-MIDI for connecting to the RV-500 Editor/Librarian or a DAW.
Boss MD-500 Modulation
Like the RV-500, the MD-500 is packing 32-bit AD/DA processing, but delivers a whopping 28 different modulation algorithms.
What sets the pedal apart from other multi-modulations is its “authentic sonic recreations” of vintage classics such as the CE-1 Chorus Ensemble and Roland Dimension D, as well as the likes of ’70s script phaser, ’80s tri-chorus.
Get the MusicRadar Newsletter
Want all the hottest music and gear news, reviews, deals, features and more, direct to your inbox? Sign up here.
Boss originals are also onboard, including Overtone and Slicer, the latter of which can now be programmed for custom rhythm patterns.
Again, A/B Simul mode allows two patches to be used at once, while an Insert Loop function means mod effects can be used before, after, or around drive pedals.
There are seriously impressive specs on both of these, but will they be able to take on the almighty Strymon?
Both pedals are available from August for £375 apiece. Head over to Boss for more info.
Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.
NAMM 2025: “The all-new Hypersonic Mode will kick that pitch shift straight into the stratosphere”: DigiTech and MonoNeon team up for a radical new Whammy Pedal for guitar and bass with three-octave range
NAMM 2025: “You place the wah, and leave it there, and that’s the tone”: With a little help from Bob Rock, Dunlop honours David Bowie’s maestro of the cocked wah, Mick Ronson, with signature Cry Baby