Skip to main content
MusicRadar MusicRadar The No.1 website for musicians
UK EditionUK US EditionUS AU EditionAustralia SG EditionSingapore
Sign in
  • View Profile
  • Sign out
  • Black Friday
  • Artist news
  • Music Gear Reviews
  • Synths
  • Guitars
  • Controllers
  • Drums
  • Keyboards & Pianos
  • Guitar Amps
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About us
Don't miss these
Craig 'Goonzi' Gowans and Steven Jones from Scottish metalcore heavyweights Bleed From Within pose with their weapons of choice: Goonzi [left] has an ESP LTD M1000, while Jones has a Caparison TAT Special
Artists Bleed From Within’s Craig ‘Goonzi’ Gowans and Steven Jones on the high-performance shred machines behind their heavyweight metalcore sound 
Paul Gilbert
Recording Four big-name guitarists spill their recording secrets
Orbit Culture's guitarists
Electric Guitars Orbit Culture show us their ESP guitars – and tell us why the EverTune bridge is a game-changer
Dusty Hill and Billy Gibbons tear it up as ZZ Top play the Aragon Ballroom at Chicago in 1980, with Gibbons playing his legendary Les Paul Standard, Pearly Gates
Artists “"There is something magic in that instrument”: Billy Gibbons on why Pearly Gates is one of the greatest Les Pauls ever
Wolfgang Van Halen
Artists “Sometimes it sounds like Liam thinks he’s in The Beatles, too!”: Wolfgang Van Halen talks Oasis and killer guitar tones
Jimi and Billy in 1968
Artists “I was playing the Fender Strat that Jimi Hendrix gave me”: Billy Gibbons on the making of ZZ Top's greatest blues song
Derek Trucks takes a slide solo on his Gibson SG as Tedeschi Trucks Band performs live at Madison Square Garden.
Artists Derek Trucks is one of the greatest slide players of all time – here’s how he decides when to use it
Greg Mackintosh of Paradise Lost plays his custom 7-string V live onstage with red and white stagelights behind him.
Artists Greg Mackintosh on the secrets behind the Paradise Lost sound and why he is still trying to learn Trouble’s tone tricks
NEW YORK - JULY 11: Mark Ronson performs at the High Line Ballroom on July 11, 2007 in New York City. (Photo by Donna Ward/Getty Images)
Artists Mark Ronson on having to come to terms with the fact that he would never be a great guitar player
Korn's Brian 'Head' Welch and James 'Munky' Shaffer show off their new Ibanez signature 7-strings
Artists Korn’s Head and Munky unveil new Ibanez 7-strings – and explain how it all comes back to Steve Vai
Jackson Pro Origins 1985 San Dimas: these retro S-styles take the high-performance electric guitar brand back to the '80s, offering single and dual-humbucker platforms for shred with the choice of rosewood or maple fingerboards – and what about that "Two-Face" black-and-white finish?
Guitars “These guitars empower metal artists with the authentic, crushing tone that built Jackson’s legendary reputation”: Jackson takes us back to the heyday of shred with the Pro Origins 1985 San Dimas series – and what about that Two Face finish?
Kirk Hammett plays his Mummy ESP onstage with Metallica. In the middle of this comp'd image is the Thinline custom Triplecaster Hammett commissioned then gifted to White. On the right, White plays his Fender Triplecaster with the yellow pickguard.
Artists Kirk Hammett orders up custom version of Jack White’s Triplecaster – and gets one for White, too
Jackson American Series Rhoads: the Rhoads is now officially being made in the USA again, and is offered with a choice of a hardtail or Floyd Rose, with the hardtail finished in Satin Black and Snow White, and the Floyd in Satin Black, Matte Army Drab and Snow White. Note the reverse headstock.
Guitars All Rhoads lead to California as Jackson brings one of its most-iconic metal guitars home for a high-end upgrade
Jason Isbell with his two new signature acoustics from Martin, the 0-17, a high-end replica of his 1940 model, and the 0-10E Retro, a more affordable version.
Artists Jason Isbell shares unorthodox tone tip for new acoustics as he reveals not one but two signature Martins – and a set of strings
Steve Morse plays his signature Ernie Ball Music Man electric guitar live with Dixie Dregs
Artists Steve Morse on playing through the pain barrier and how arthritis is forcing him to change the way he plays guitar
More
  • Pete Townshend on smashing - and fixing - his guitars
  • 95k+ free music samples
  • AI slop hits #1
  • The pain that birthed Don't Speak
  • Europe vs AI
  1. Artists
  2. Guitarists

21 pro guitarists reveal what they hate about playing guitar

News
By MusicRadar published 14 February 2017

Zakk Wylde, Joe Satriani, Billy Gibbons and more on their six-string gripes

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Let it all out

Let it all out

Most of the time, we love playing guitar (that's why you're here, right?), but on occasion, you just want to hurl the thing across the room - and you're not alone.

We quizzed 21 big-name guitarists on what grinds their six-string gears, and they didn't hold back: trust us, it doesn't get any easier when you go pro.

String changes, gear failures and travelling rank high on our guitarist pals' lists, but there's also the matter of nickel allergy, straps and, erm, STIs.

Read on for guitar pet peeves of the highest order…

Compiled by Amit Sharma, Rich Chamberlain and Michael Astley-Brown

Don't Miss

10 reasons why you suck at playing guitar

10 guitar heroes who cheated death

10 things your guitar teacher never told you

Page 1 of 22
Page 1 of 22
Ben Weinman, The Dillinger Escape Plan

Ben Weinman, The Dillinger Escape Plan

“You know, I would have to say my biggest gripe with playing guitar is putting my rig together on fly dates. I just really hate plugging and unplugging all my gear, night after night after night, when we are playing on rented gear that isn’t ours.

“Luckily, at least when we play or tour through the States, I have my own rig out with me, all tied into my rolling head case, so there is very little troubleshooting when something goes wrong!”

Page 2 of 22
Page 2 of 22
Head, Korn

Head, Korn

“I hate getting writer's block; that's the biggest frustration for me. Writer's block makes me cringe. I can't stand getting into a room with other musicians and you can't come up with anything good. I hate it as well when I'm at home on my own trying to write and nothing will come up.

“I've had times where I just say, 'This is not working right now; I'm going to walk away.' I'll come back and the ideas will flow out like a river.”

Page 3 of 22
Page 3 of 22
Joe Satriani

Joe Satriani

“Man, I hate changing strings. There should be some sort of iPhone app. I only ever do it when I have to.

“Very often, my engineers will go, 'What the hell guitar was that and why does it sound so funny?' And I'm like, 'Well, the strings are four months old, and I didn't bother changing them before I played that solo!'”

Page 4 of 22
Page 4 of 22
Mårten Hagström, Meshuggah

Mårten Hagström, Meshuggah

“That’s easy: I would say the biggest thing that sucks about playing guitar is… me! Hands down. I would prefer to be better at my instrument than I am right now.

“Out of all the things I complain about, like a G-string that’s been incorrectly packaged by the manufacturer or my nickel allergy which means my hand can start bleeding on some tours, it’s my own shortcomings that I get most frustrated about. I can get close, but sometimes I can’t get exactly where I need to be in order to deliver what I want. I don’t have time to practise one single lick, there’s so much going on and shit needs to get done!

“For all our rhythms, it's all about the right hand… Everything you do as a guitar player needs to be driven by the right hand. You can do all the legato shit, learn how to move your fingers like that, but it won’t drive the rhythm all the fucking time, every note. If your right hand is down with it all and you’re perfectly on time, then the left can follow. Let the right hand lead and it will be easier to get your head around our rhythms.”

Page 5 of 22
Page 5 of 22
Anders Nyström, Katatonia

Anders Nyström, Katatonia

“To be extremely honest, I’d have to say there have been some times I regret I didn’t use those eight hours a day or whatever as a kid to fulfil myself and get to a point where technique would always be in my luggage, so to speak.

“There are still things for me to learn that I could probably have learned back in the day… but I cheated! So this better be the last time I ever say that, because now I’m going to shred and practice the hell out of this thing, haha!

“The thing is, with Katatonia, there’s no need for it. There’s never been a need for it, there will probably never be a need for it in that regard, but personally… yeah, it would be a cool thing to say, ‘Been there, done that!’ with all the shred guitar stuff.”

Page 6 of 22
Page 6 of 22
John 5

John 5

“The guitar is such a great thing to me… but I’d have to say travelling and flying with your instrument. Sometimes they won’t let you bring it with you on the flight and you have to put it in the hold or whatever.

“I love being a guitarist and I don’t really have any issues at all… it’s my love and I enjoy it. So making sure my equipment gets everywhere when I need it and in good condition is the only really annoying thing for me!”

Page 7 of 22
Page 7 of 22
Björn Gelotte, In Flames

Björn Gelotte, In Flames

“There’s a bunch of things that annoy me about playing guitar! First of all, I’m way too lazy and probably not talented enough to be a shredder like Malmsteen, Petrucci or Vai.

“Those guys spent a lot of time practising and they also have the talent for it. I’m not that kinda guy! I always need to play for a couple of hours before I hit the stage to get up to speed and warm up or look over anything I missed the night before…

“Then finding out I had a nickel allergy really sucked, being a guitar player that uses nickel-wound strings. My fingertips would pop - it wasn’t so much the pain, but more the blood getting sticky that would put me off and make it hard to play. So that was very annoying, but now Dunlop have created these coated strings for me, which I’m super-grateful for…

One time our lighting guy brought the lights down right where my guitar rack was sitting

“And finally there’s all the damages. One time we were playing in Europe somewhere and our lighting guy brought the lights down right where my guitar rack was sitting. The rig cracked the neck of one guitar, then dented two others. That’s three Gibson Les Paul Customs!

“The one that broke was this beautiful white one, which I’d only use for a couple of songs, and my number one was dented. The tour manager at the time actually told everyone not to mention it to me and they’d try to exchange it so I wouldn’t notice. Err, yeah, as if I wouldn’t notice… the dumb shit. Of course I noticed. That almost annoyed me more than the guitars getting damaged! I wasn’t pissed, but more sad.”

Page 8 of 22
Page 8 of 22
Zakk Wylde

Zakk Wylde

“I would have to say the worst thing about playing guitar is all the catching herpes, venereal diseases, crabs and even syphilis. All of that kinda stuff is a big problem for us; it can get pretty rough and damn expensive to get fixed up.

“Forget about how impressive your guitar equipment is for a second and let’s start talking medical bills, bro! It’s like you go and play a keg party, you hook up with Julie the Town Whore, and the next thing you know, you’ve caught gonorrhoea and syphilis. It’s terrible, man… terrible!”

Page 9 of 22
Page 9 of 22
Rick Nielsen, Cheap Trick

Rick Nielsen, Cheap Trick

“I hate it when I can't get the right guitar sound for a particular song. But now that I've been doing this for a few years I'm usually right with the sound, thankfully. Usually, if the sound isn't right, I can make it right with my playing now.”

Page 10 of 22
Page 10 of 22
Joe Duplantier, Gojira

Joe Duplantier, Gojira

“I don’t know much about the gear that’s out there, I’m not able to explain the technical specs of any guitar like the pickups or wood. Just give me the guitar and I’ll beat the shit out of it!

“I’m not a nerd that tries to understand that stuff. It’s very primitive. I don’t even really consider myself as a guitar player, but more of a producer. I see guitar players that go into a studio and are obsessed with their gear. For me, when it’s time to record, I just run around, try to find my guitar, quickly get it all working and wrestle it into submission.

“We’ve always been very minimalist, mainly because of my lack of knowledge. I have my signature guitar and my Tele. That’s enough for me.”

Page 11 of 22
Page 11 of 22
Olavi Mikkonen, Amon Amarth

Olavi Mikkonen, Amon Amarth

“My biggest issue with playing guitar is that if I have two pints, I can’t play any more… I completely lose it! That could be a good thing, though, because now I know I can’t drink before the show. [singer] Johan and [bassist] Ted can get away with it, but I can’t! Maybe two pints, but no way could I have four pints. So it doesn’t have to be a bad thing, maybe it’s good that I’m not drunk all the time, haha!

“Overall, there’s nothing negative to being a guitar player; we don’t have much to carry around. Drummers have so much more, so in that sense it’s cooler to be a guitar player. And if you get sick or lose your voice, you can still play the show… the singer can’t! So I would say, personally speaking, being the guitar player is easily the best gig in the band.”

Page 12 of 22
Page 12 of 22
Parkway Drive

Parkway Drive

Luke Kilpatrick: “If we still changed our own strings, that would be the worst! I guess my least favourite thing about guitar is the fact that I’m not passionate about it. I’d love to spend time and be passionate about it… but I’m not. So that’s something I don’t like about guitar, haha!”

Jeff Ling: “You can’t help what you feel and force shit to happen. The thing about Luke is he’s a really good guitarist and can pick things up super-quick, but he just doesn’t care about it that much... He can fully get the job done though, haha!”

Page 13 of 22
Page 13 of 22
Steve Von Till, Neurosis

Steve Von Till, Neurosis

“Mine would definitely be not having enough time to play! Time runs out, absolutely. I run our record label out of the barn on my property, and 15 feet away from that is the home studio. It’s torture to sit in there paying bills and filtering through emails, putting out fires while the equipment is right over there, calling me...

“I’ve found my new witching hour to be creative and that’s around 5.30am, when my family is asleep and it’s before I get busy. So I’ve been heading to the studio first thing - I just turn on amplifiers and synthesizers and trance out, recording whatever happens. 5.30am is a great time for that as it turns out!”

Page 14 of 22
Page 14 of 22
Nuno Bettencourt, Extreme

Nuno Bettencourt, Extreme

“There is nothing wrong about being a rock ’n’ roll guitar player. If someone tells you there is, then they are fucked. The truth is, until you become a singer, you don’t realise how lucky you are to play guitar. Singers have an instrument that can’t be completely controlled. You don’t sleep, then you’re fucked!

“Guitar players can get drunk before they go on and still look cool trying not to fall over. It’s hard not to be when you're the guitar player! As for all the travelling and doing all the other stuff… who cares?! That’s just part of getting somewhere. I can’t find much wrong with it. Being a singer is hell, and I’ve done it on my solo tours; it’s absolute hell.”

Page 15 of 22
Page 15 of 22
Newton Faulkner

Newton Faulkner

“My stupid little finger... it doesn't play well with others. I've been teaching some friends recently and it's really highlighted quite how stupid and little my stupid little finger really is.”

Page 16 of 22
Page 16 of 22
Ben Bruce, Asking Alexandria

Ben Bruce, Asking Alexandria

“If I’m completely honest, it’s all down to the live aspect. We probably play over 300 shows a year; we’ll be on a solid run and 25 shows in with everything running smoothly. And then all of a sudden, during that 26th show everything decides to take a shit. The guitars get all sorts of interference, the tone has changed and everything’s cutting out.

“I’m always amazed at how it decides to happen to me… it’s never the bass or the drum mic or the backing tracks, it’s always the fucking guitar. And it really, really does my tits in! To the point where it happens and I look at my guitar tech, who tries to quickly sort it, but then it will happen again, so I always end up throwing my guitar across the stage, like, ‘Fuck you, guitar!’ It’s almost as if it does it on purpose, just to piss me off!”

“Recording a guitar is a particular pain in the arse to me, too. That’s just because guitar is not a perfect instrument. That wasn’t a big deal in the '50s, '60s and '70s, but now everything is expected to be perfect. Playing a perfect chord that's perfectly in tune is damn near-impossible, especially that annoying G - it’s always slightly sharp or slightly flat. That can be a real nightmare.”

Page 17 of 22
Page 17 of 22
Scott Middleton, Cancer Bats

Scott Middleton, Cancer Bats

“My biggest pet peeve with guitars is definitely something that relates to a touring musician more than anything, and it has to be… guitar straps!

“Now, when you’re at home jamming, most of us don’t need a strap, or we get a cheap $15 strap that barely gets used. But when you’re performing live constantly, you’ve got a whole mess of problems coming to you that are all symptoms of guitar straps!

“First off, they absorb your sweat, and stink worse than an old pair of underpants! They collect all the spit, blood, beer that gets thrown around the stage at a gig and have more germs and bacteria than the six-week-old prawn vindaloo sitting in the back of your fridge! And, let’s be honest, you can’t actually wash them. I’ve probably got a wanted poster with my name on it at every other Laundromat across North America and Europe for nearly destroying washing machines with my filthy straps, and the rusted-on strap locks that are permanently cemented to them!

“Secondly, I’m sure I could probably have started my own blood bank with the amount of plasma I’ve lost due to straps constantly slicing and cutting into the side of my neck!”

Page 18 of 22
Page 18 of 22
Matt Heafy, Trivium

Matt Heafy, Trivium

“Currently, it's how much time I've been putting into trying to learn classical guitar. The fingerpicking and reading music and everything else. I put so much time into guitar that when I can't pick something up quickly I get frustrated.

“Maybe I just need more patience. Classical guitar is something I've always wanted to learn, and I've been working on it, taking lessons and practising on the road but I need to work more on it, and my slow progress frustrates me.”

Page 19 of 22
Page 19 of 22
Dustin Kensrue, Thrice

Dustin Kensrue, Thrice

“I hate changing strings and I hate lugging gear. When we have techs with us on tour, that’s a beautiful thing.”

Page 20 of 22
Page 20 of 22
DJ Ashba, Sixx:AM

DJ Ashba, Sixx:AM

“The one thing that really irritates me is rehearsing for a tour. Playing to a brick wall really irritates me.

“I’m an entertainer and I love being in front of a crowd. I love to perform and I feed off a crowd. Rehearsing for tours is just annoying to me and it always has been, although it is incredibly important, of course.”

Page 21 of 22
Page 21 of 22
And, on the bright side, Billy Gibbons, ZZ Top

And, on the bright side, Billy Gibbons, ZZ Top

“I find all aspects of playing the guitar enjoyable, especially since finding light-gauge strings, which are easier to bend and hard to break. It is all a delight these days. Just turn it up loud and all problems are solved.”

Don't Miss

10 reasons why you suck at playing guitar

10 guitar heroes who cheated death

10 things your guitar teacher never told you

Page 22 of 22
Page 22 of 22
CATEGORIES
Guitars
MusicRadar
MusicRadar
Social Links Navigation

MusicRadar is the number one website for music-makers of all kinds, be they guitarists, drummers, keyboard players, DJs or producers...

  • GEAR: We help musicians find the best gear with top-ranking gear round-ups and high-quality, authoritative reviews by a wide team of highly experienced experts.
  • TIPS: We also provide tuition, from bite-sized tips to advanced work-outs and guidance from recognised musicians and stars.
  • STARS: We talk to musicians and stars about their creative processes, and the nuts and bolts of their gear and technique. We give fans an insight into the craft of music-making that no other music website can.
Read more
Craig 'Goonzi' Gowans and Steven Jones from Scottish metalcore heavyweights Bleed From Within pose with their weapons of choice: Goonzi [left] has an ESP LTD M1000, while Jones has a Caparison TAT Special
Bleed From Within’s Craig ‘Goonzi’ Gowans and Steven Jones on the high-performance shred machines behind their heavyweight metalcore sound 
 
 
Paul Gilbert
Four big-name guitarists spill their recording secrets
 
 
Orbit Culture's guitarists
Orbit Culture show us their ESP guitars – and tell us why the EverTune bridge is a game-changer
 
 
Dusty Hill and Billy Gibbons tear it up as ZZ Top play the Aragon Ballroom at Chicago in 1980, with Gibbons playing his legendary Les Paul Standard, Pearly Gates
“"There is something magic in that instrument”: Billy Gibbons on why Pearly Gates is one of the greatest Les Pauls ever
 
 
Wolfgang Van Halen
“Sometimes it sounds like Liam thinks he’s in The Beatles, too!”: Wolfgang Van Halen talks Oasis and killer guitar tones
 
 
Jimi and Billy in 1968
“I was playing the Fender Strat that Jimi Hendrix gave me”: Billy Gibbons on the making of ZZ Top's greatest blues song
 
 
Latest in Guitarists
Alex Skolnick of Testament shows off his signature ESP singlecut as he performs at Belgium's Alcatraz Festival in 2024. On the right, Kiko Loureiro and Dave Mustaine of Megadeth photographed in the corridors backstage at Wembley Arena in 2015.
Alex Skolnick on the time he was on standby for Megadeth – and what to do when you can’t match a player lick for lick
 
 
Pete Townshend tosses his electric guitar in mid-air as he performs onstage at Atwood Stadium on August 23, 1967 in Flint Michigan. This is the same night that Keith had his 21st (actually his 20th) birthday party and was arrested and banned for life from the Holiday Inn chain of hotels
“I was just making sure I left my mark”: Pete Townshend smashed a guitar at every show of The Who’s first US tour
 
 
 (L-R): Fher Olvera (Mana), Cesar Gueikian (Gibson CEO) playing the Gibson Flying V Custom CEO#8, and Sergio Vallin (Mana), performing onstage with Mana at Bridgestone Arena.
Cesar Gueikian on building the SG Kirk Hammett played to honour Black Sabbath and how his designs might shape future Gibson releases
 
 
Third Man Hardware x JHS Pedals Troika: the new collab from Jack White's gear brand is a "studio-grade" delay designed for vocals, guitars and other instruments, for the stage or studio, and is available in yellow or black.
Jack White used the prototype on No Name and now you can buy it – meet the JHS Pedals x Third Man Hardware Troika delay
 
 
Wolfgang Van Halen
“They’re the absolute pioneers”: Why Wolfgang Van Halen is in awe of a “super heavy” cult band
 
 
Johnny Marr demoes his new signature Jaguar Special with its trio of custom-wound lipstick pickups.
Fender and Johnny Marr reimagine the Jaguar with signature stunner featuring three custom-wound lipstick single-coils
 
 
Latest in News
An Alesis Strata Core electronic drum set on a yellow background
I’ve seen a lot of Black Friday sales, but this one’s next level - Sweetwater just dropped thousands of discounts of up to 80% off guitars, drums, keys, and more
 
 
David Bowie and Damon Albarn sing together
“I nearly made a record with Ray Davies and David Bowie”: Damon Albarn on the dream collab that never happened
 
 
Coldplay Music of the Spheres tour
Coldplay’s live engineers reveal the lengths they go to to record every show on the band’s Music of the Spheres tour
 
 
Electro-Harmonix Pico Atomic Cluster: the new glitch/synth mini-pedal from the storied NYC pedal brand
EHX expands its Pico series with the Atomic Cluster Spectral Decomposer – a mini-pedal that sounds so wrong its right
 
 
LOS ANGELES, CALIFORNIA - OCTOBER 28: Charli XCX attends the Los Angeles Red Carpet Premiere of HBO Original Comedy Series "I Love LA" at Paramount Theatre on October 28, 2025 in Los Angeles, California. (Photo by Phillip Faraone/Getty Images for HBO)
"I sort of felt like I was squeezing blood from a stone”: Charli XCX reveals her post-Brat creative comedown
 
 
Guitar Center Black Friday sale
Guitar Center just dropped its biggest sale of the year, with thousands of discounts and up to 40% off for Black Friday
 
 

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

Add as a preferred source on Google
  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...