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“One of the most unique, stylish and feature-packed workhorses available”: Spectrasonics Omnisphere 3 review
By Roland Schmidt published
The flagship synth from Spectrasonics gets a major upgrade, but does it continue its omnipresent status?

Classic Interview: Soft Cell’s Dave Ball – “To my mind, Kraftwerk are as influential as The Beatles”
By Danny Scott published
The late synth-pop veteran on synths, production and keeping things simple

“The stunningly impressive sonic and visual attributes immediately inspire, at a price which is affordable to all”: Cherry Audio Crumar Spirit review
By Roland Schmidt published
Cherry Audio captures the Spirit of an Italian Mini, with a meticulous recreation of a unique classic

“A tantalising and cost-effective entry point to one of the great synthesizers of our time”: Groove Synthesis 3rd Wave 8M review
By Andy Jones published
Groove Synthesis’ latest module has much of the power and sound of its expensive siblings for half the price

“Each of our albums had a synth that really excited us. The first was a Prophet ‘08, the second was the MS-20, and this time the Moog Matriarch is on every track”: Maribou State on Hallucinating Love
By Danny Turner published
On their third LP, Hallucinating Love, Maribou State return with a revitalized sound after battling mental health issues

Yamaha's MODX M synth squeezes the power of the Montage M into a more affordable package
By Matt Mullen published
MODX M brings the AN-X analogue modelling engine from its high-end sibling to a new workstation synth and successor to the MODX+

“There’s a reason that the Juno-106 is still the greatest”: Kid Harpoon on vintage synths and studio secrets
By Daniel Griffiths published
We talk making hits and studio tricks with the Grammy-winning co-creator that everyone wants on their team

“It could be easy to think that the strings and brass sections are somehow weaker than their synthesizer counterpart, but this would be an enormous mistake”: Cherry Audio Trident mkIII review
By Roland Schmidt published
Cherry Audio’s new mythological synth provides a three-pronged attack on an early '80s and underexploited classic

“We wanted to make the barrier as low as we could": Sequential on designing the Fourm and continuing Dave Smith's legacy
By Clovis McEvoy published
With premium features and an entry-level price, Fourm is about to bring a whole new demographic into the Sequential family. We sit down with the company's CEO and Product Designer to find out more

Steve Porcaro on the rise, fall and resurgence of Toto, working with Michael Jackson and his new solo album
By Danny Scott published
"Yacht Rock! When I first heard that phrase, I groaned. But then I thought, ‘Who cares what it’s called? If it keeps people listening to some great music, I’m happy!'"
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