Jackson RR24

Another variant 'V' in honour of the legendary shredder

One of the last things Randy Rhoads did before that plane crash was collaborate with Grover Jackson on a radical new 'V'. With eight variants now on Jackson's books, we hope he's getting the royalties up there.


While not strictly a V, the RR24 sneaks into the group by virtue of being arguably the most iconic metal axe ever.

Spec'ed somewhere between the US and entry-level models, there's plenty going on beneath the surface here, from the offset alder body and two-octave maple thru-neck, to the double-locked Floyd Rose trem and active EMG81 humbucker.

Don't like the colour scheme? Well don't panic, there's a white version available too.

Hands on

Jacksons are rightly revered for their speed, and the RR24 won't do that reputation any harm thanks to a compound 14 to 16-inch radius board that flattens as you climb the frets.

Physically, you'll get far more out of the RR24 when you throw shred techniques at it; this baby excels at neo-classical finger-twisting riffs and tapped solos.

The RR24's configuration of one pickup and no tone control means it ain't exactly adaptable. The EMG81 is a stellar pickup, but it doesn't really do mellow and you'll find yourself doodling with the amp dials if you want anything approaching warmth.

But stop complaining, hit the gain and start soloing - you'll soon realise that you can't beat the 81 for pin-sharp clarity under serious filth.

This is a shred guitar. Use it for shredding and you can't go wrong.

MusicRadar Rating

4 / 5 stars

Iconic styling and seething tone.


Limited tweaking potential.


Randy would be proud.

Country of Origin


Available Finish

Black w/yellow bevels; Black w/blood red bevels; snow white w/black bevels

Bolt-on Neck


Review Policy
All MusicRadar's reviews are by independent product specialists, who are not aligned to any gear manufacturer or retailer. Our experts also write for renowned magazines such as Guitarist, Total Guitar, Computer Music, Future Music and Rhythm. All are part of Future PLC, the biggest publisher of music making magazines in the world.

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