NAMM 2018: LR Baggs announces 4 new Align Series acoustic guitar preamp pedals By Michael Astley-Brown published 12 January 18 Session, Equalizer, Reverb and Active DI stompboxes launched
NAMM 2018: Mad Professor reveals its “most amp-like pedal ever”, the Little Tweedy Drive By Michael Astley-Brown published 12 January 18 Tweed Deluxe-inspired stompbox incoming
NAMM 2018: Martin makes most significant update to flagship line in its 185-year history with 21 reimagined Standard Series acoustic guitars By Michael Astley-Brown published 11 January 18 Updates include high-performance neck, vintage appointments and internal bracing
NAMM 2018: Alexander Pedals unveils Quadrant Audio Mirror delay By Michael Astley-Brown published 11 January 18 Feature-rich echo packs multiple types, presets, MIDI and expression
NAMM 2018: Lollar lifts the lid on “harder, heavier, more aggressive” dB Humbucker guitar pickup By Michael Astley-Brown published 11 January 18 Full frequency response and “three-dimensional” distortion sounds promised
NAMM 2018: Cort extends Artisan Series with new open-pore six-string bass By MusicRadar published 10 January 18 B6 Plus AS joins premium range
Behringer finally unveils its version of the Roland VP-330, the VC340 By Simon Arblaster published 10 January 18 Vocoder and string synth enters the fray
NAMM 2018: EarthQuaker Devices introduces Westwood Translucent Drive Manipulator and 5 V2 pedals By Michael Astley-Brown published 10 January 18 Avalanche Run, Spatial Delivery, Hoof Reaper, The Depths and Rainbow Machine hit V2
NAMM 2018: Highly flexible, super-desirable Friedman Amps BE-50 Deluxe 50-watt All-Tube Head announced By MusicRadar published 10 January 18 Dave Friedman dubs it "the best amp I’ve ever made"
NAMM 2018: PRS debuts 6 all-new SE Acoustic guitars By Michael Astley-Brown published 9 January 18 Electro-acoustics boast Hybrid bracing and Fishman GT1 electronics