Sugar Bytes Unique review

  • €139
  • $149
Unique's GUI is misleadingly plain

MusicRadar Verdict

It's not the flashiest synth around, but once you get a taste for it, Unique is highly usable and can even be inspiring.


  • +

    Unusual Vowel Filter. Cool sequencer. Loads of modulation control. Better-than-average arpeggiator. Definable LFO waveforms.


  • -

    Many presets are buried by overdrive. A bit pricey.

MusicRadar's got your back Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. Find out more about how we test.

We're the first to admit that we sometimes get our fill of the seemingly endless buffet of virtual analogue synths and run-of-the-mill ROMplers. It's nice when a developer delivers something with a slightly exotic flavour.

Unique didn't have our mouths watering when we first installed it - it looks a bit bland. However, like some cream-filled confection, Unique hides something tasty beneath that plain exterior.


Unique is a dual-oscillator synthesizer plug-in available in VST and AU formats. Each oscillator offers a selection of five waveforms.

The obligatory sawtooth and pulse waves are here, along with noise, triple saw and triple FM waves.

The latter pair offer extra fodder for your filters. The triple saw is a sort of stacked sawtooth generator with a spread control, which is useful for those ever-popular trance stabs.

The triple FM waveform gives you the ability to craft metallic, frequency-modulated timbres.

Each oscillator section has an independent ADSR-style envelope for independent control over the level, and there's a mix section where you can blend the oscillators and perform some nifty polyphonic panning tricks.

There's also an additional sub-oscillator strapped into the master section for added oomph.

While the oscillators aren't terribly exciting when taken on their own, the sound of the instrument springs to life when it hits the filter section.

Needless to say, analogue high-pass, low-pass and band-pass varieties are in place, along with a comb filter.

These all sound fairly convincing and ensure that you won't run out of classic analogue sounds any time soon.

Unique filter

This is all well and good but, again, nothing we haven't heard before. It's only when you activate the Vowel Filter mode that Unique begins to earn the right to its name.

The Vowel Filter allows you to string together two or four vowel formants and play them back in a multitude of ways.

You can use an envelope, LFO or mod wheel to scan through them, or the dedicated four-step sequencer. Such acrobatics are great fun and often inspiring.

Beyond the filter, Unique offers a couple of effects processors with the usual phaser, delay, reverb, lo-fi processor and another filter.

Oddly, the filter is only available in the first slot, while a chorus takes its place in the second effects generator.

The delay offers a built-in filter with cutoff and resonance controls for those old-school echoes.

In addition to these effects, you'll find a dedicated vibrato function with controls for rate and fade time in the Master section.

Unique is a bit of a sleeper. It didn't blow us away out of the box, and the included presets make far too much use of the filter's overdrive function.

Yet once we started diving into the controllers and Vowel Filter, we found new and interesting timbres, some of which inspired some serious jamming. And that gets it the thumbs-up.

Computer Music

Computer Music magazine is the world’s best selling publication dedicated solely to making great music with your Mac or PC computer. Each issue it brings its lucky readers the best in cutting-edge tutorials, need-to-know, expert software reviews and even all the tools you actually need to make great music today, courtesy of our legendary CM Plugin Suite.