MusicRadar Verdict
Another superb set from Spitfire.
Pros
- +
Excellent sound.
Cons
- -
No manual!
MusicRadar's got your back
Four multisampled classic electric pianos (21,860 samples, 25GB uncompressed) for Kontakt and Kontakt Player, are here presented in Sptifire's supercharged dual-layer eDNA engine, as previously seen in Albion One and eDNA Earth.
The instruments themselves comprise a Rhodes Stage 73, a Clavichord, a Wurlitzer and a 1962 Rhodes Piano Bass, all sampled via DI as well as through a range of amps.
The eDNA scripted engine might look like an odd choice, with its decidedly un-vintage, un-'keyboardy' GUI, but it's certainly powerful, and the three folders of presets created using its deeper functionality showcase its potential very well.
North 7 Vintage Keys is another stellar release from Spitfire, combining knock-out sounds - the Bass Piano, in particular - with excellent playability and an engine that is, if anything, more powerful than it needs to be.
However, this doesn't quite get a 5/5 score due to the fact that there's no included manual, which, at this price, beggars belief - particularly given that the inclusion of one is trumpeted on the web page!
Computer Music magazine is the world’s best selling publication dedicated solely to making great music with your Mac or PC computer. Each issue it brings its lucky readers the best in cutting-edge tutorials, need-to-know, expert software reviews and even all the tools you actually need to make great music today, courtesy of our legendary CM Plugin Suite.
“Its provides the mix ‘glue’ that makes everything sound cohesive and finished”: Here's how to compress your mix bus for sonic punch
“I remember thinking: ‘Wouldn’t it be great if I could ask Sting to sing that line?’ Suddenly someone said: ‘Sting’s here on holiday! He’s on the beach!’” How Mark Knopfler got lucky with Money For Nothing
“I got to jam with Stevie Wonder. Just me and him, one afternoon. We each had a keyboard and we were just trading riffs and jamming together and it was like, ‘Wow’”: Howard Jones talks vintage gear, his new piano album and that 1985 Grammys synth medley