MusicRadar Verdict
A smart looper with plenty of power and a small footprint.
Pros
- +
Powerful looping. Loads of storage.
Cons
- -
You'll need the extra footswitch for gigs.
MusicRadar's got your back
We've all seen that guy down at the local open mic night. The ever-so-slightly introverted singer-songwriter who woos onlookers by tapping out a beat on his electro acoustic, wows them by overdubbing some heartfelt chords over the top, and before you know it, this smart-arse has built an entire backing track out of nothing. How does he do it? He uses a looper pedal.
Alongside the more expensive JamMan Stereo, DigiTech's JamMan Solo is the latest addition to its line of loopers. It scales most of the features of the original JamMan (minus the mic input) into a single-sized pedal with added extra memory and USB connectivity, allowing you to record the signal from your guitar (or iPod, CD player or other line-level devices using aux in) to create loops for jamming along with.
You can record your loop as a 'one shot' phrase in Single mode or a repeating phrase in Loop mode, the latter of which allows you to overdub extra parts on top. The loops are then stored in its internal memory (35 minutes, up to 99 loops) or you can use the new SD card slot for up to 32GB of additional storage (about 16 hours).
In use
Operation is easy enough: stomp on the pedal to put it in record, playback or overdub mode, and its LED indicator changes colour to correspond to your selection. You can access DigiTech's free JamManager software via the USB port, and arrange the order of your loops in the memory slots.
If you've created audio files using a computer you can drag-and-drop them into the pedal too. The Loop Up/Down switch lets you move seamlessly between a verse/chorus section of your song, and it only cycles to the next loop when the current one ends, thus avoiding timing errors.
The concept sounds great, but it's actually where the Solo falls down slightly. To flick through your loops without taking your hands off your guitar, you'll need the FS3X footswitch (a built-in feature of the JamMan Stereo) at an additional cost of £47.
Looper pedals can be used as tools for writing extra guitar parts, building textures and harmonising with yourself. It's an addictive process; both singer-songwriters tired of simplistic strumming and sole guitarists in bands can benefit from the extra depth it offers.
Sure, the JamMan Stereo provides greater usability and a reverse playback mode, but with it comes a £335 price tag. So if you want to be that guy at the open mic night without spending too much, there's a lot to be said for the JamMan Solo.
I'm a freelance member of the MusicRadar team, specialising in drum news, interviews and reviews. I formerly edited Rhythm and Total Guitar here in the UK and have been playing drums for more than 25 years (my arms are very tired). When I'm not working on the site, I can be found on my electronic kit at home, or gigging and depping in function bands and the odd original project.
“I wondered if I was insane for wanting to do this”: How Def Leppard drummer Rick Allen learned to play again after losing his left arm
“A unique octave bass fuzz with a built-in, 2-voice ring modulator”: The Maestro BB-1 Brassmaster is a super-rare bass octave fuzz from the ‘70s that sounds great on guitar, sells for $2,000+, and Behringer just made a $69 clone of it
"Coated with analogue warmth, and many a chunky nugget for the keen and avid listener to find": Röyksopp get even more Mysterious with new surprise reworking