Skip to main content
MusicRadar MusicRadar The No.1 website for musicians
UK EditionUK US EditionUS AU EditionAustralia SG EditionSingapore
Sign in
  • View Profile
  • Sign out
  • Artist news
  • Guitars
  • Controllers
  • Drums
  • Keyboards & Pianos
  • Guitar Amps
  • Music Gear Reviews
  • Synths
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About us
More
  • Tiny Dancer
  • Browser DAWs
  • 95k+ free music samples
  • Restring your guitar
  1. Artists

Me in my studio: The Toxic Avenger

News
By Simon Arblaster
Published 4 January 2018

A tour of the French house producer’s lair

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

One of the most influential artists on the French electro scene, Simon Delacroix, aka The Toxic Avenger has dropped the final part of his Globe trilogy.

To see some of the tools used to create Globe vol.3, we popped into his studio to have a gander at the collection of vintage synths, reboots of retro classics and a growing modular system.

The Globe vol. 3 EP features eight tracks, each with its own distinct style and mood. Sometimes wide open and gloriously spacious, other times narrow-focused and claustrophobic, the new album is perhaps some of the French producer’s most honest work.

Click through the gallery for some of the highlights from Simon’s studio.

The Toxic Avenger – Globe vol. 3 is out now

YouTube YouTube
Watch On
Page 1 of 6
Page 1 of 6
Roland Juno 106

Roland Juno 106

“Juno 106 is on top of all the synths I’ve got, as it's so versatile, yet so recognisable. It has been used on so many records; Daft Punk use it a lot, for example.

“I love it's filter, but the gem on this synth is surely its built in chorus. It fattens up any sound possible.”

Page 2 of 6
Page 2 of 6
Roland SH-01A

Roland SH-01A

“I just got this recreation of the SH-101 last month. I was dreaming of an SH-101 for a long time because of the snappy fat bass sound it was capable of doing.

“This recreation, even though it's digital and SH-101 was analogue, is really super true to the original model. It still has the CV and Gate out, the superb sequencer and it has the possibility to run the synth on poly mode - a nice new feature, in my opinion.”

Page 3 of 6
Page 3 of 6
Dave Smith Instruments OB-6

Dave Smith Instruments OB-6

“I was dreaming about an Oberheim Synth for years, OB-X and OB-8 and even the Matrix were way too pricey for me, so when the OB-6 was released, even though is was still a bit pricey, it was affordable.

“Some people will say it doesn't sound like a good old one, but seriously, when you get your hands on it, you understand that you got the Oberheim sound... creamy brasses and fat pad.” 

Page 4 of 6
Page 4 of 6
Eurorack modular

Eurorack modular

“I heard that when you go modular it's hard to go back. True, even though mine is not totally finished yet. The possibilities are endless, everyday I'm discovering something new.

“I'm particularly impressed by the modules by Mutable instruments. The Element one delivers something so new! Clouds turns anything into a super ethereal pad.”

Page 5 of 6
Page 5 of 6
Korg MS20 mini

Korg MS20 mini

“Last but not least, my MS20 mini. It's the synth that introduce me to modular synths as this one is semi modular. 

“The first time I used it I was disappointed,  I thought I would never do something good with it, but wow, the possibilities are huge! Nowadays, I use it mostly for weird fx stuff and dirty leads.”

Page 6 of 6
Page 6 of 6
Simon Arblaster
Simon Arblaster
Social Links Navigation
Video Producer & Reviews Editor

I take care of the reviews on MusicRadar and Future Music magazine, though can sometimes be spotted in front of a camera talking little sense in the presence of real musicians. For the past 30 years, I have been unable to decide on which instrument to master, so haven't bothered. Currently, a lover of all things high-gain in the guitar stakes and never one to resist churning out sub-standard funky breaks, the likes of which you'll never hear.

Read more
Ital Tek in the studio making Mind Abandon
Artists "I collect instruments I can't play": Ital Tek on creating ‘sonic worlds’ and new album Mind Abandon
 
 
British New Wave & Pop musician Howard Jones plays keyboards as he performs onstage at Forest Hills Stadium, Queens, New York, August 3, 1984. (Photo by Gary Gershoff/Getty Images)
Artists "It will always be my favourite”: Howard Jones takes you on a tour of the synth he’s owned since 1983
 
 
olof dreijer
Artists Olof Dreijer on mixing vintage synths and modular gear and why Ableton Live is essential to his workflow
 
 
Vince Clarke
Artists “I bought one in 1984 – I'm looking at it now": Vince Clarke reveals his favourite synth of all time
 
 
Johnny Jewel
Artists Johnny Jewel on his relationship with synths and working with David Lynch
 
 
reverb
Tech Mike Dean shows off his "crazy rare" wavetable synth that everyone wanted in the '80s
 
 
Latest in Artists
Sophie Lloyd shreds on her signature Kiesel
Artists Sophie Lloyd pays tribute to the late Ozzy Osbourne with a shred cover of Black Sabbath’s Paranoid
 
 
Razorlight perform at STEREO Covent Garden to celebrate 20 years.COPYRIGHT 2026PhotographicGenius.com
Artists Razorlight’s biggest song was originally intended for another artist, says Johnny Borrell
 
 
charli xcx
Artists How Charli XCX's producers ran a jam session through an AI sampling plugin to make No One Lasts Forever
 
 
New York Dolls
Artists “They weren’t the best band in the world, but they were stars”: The doomed rivals of Kiss
 
 
Jay Weinberg and Bruce Springsteen
Artists Jay Weinberg on the Bruce Springsteen test that left him “deathly afraid” when sitting in with the E Street Band
 
 
Wham in China
Artists We speak to director Mike Christie about bringing Wham!’s groundbreaking 1985 China trip back to life in a captivating new film
 
 
Latest in News
Sophie Lloyd shreds on her signature Kiesel
Artists Sophie Lloyd pays tribute to the late Ozzy Osbourne with a shred cover of Black Sabbath’s Paranoid
 
 
Razorlight perform at STEREO Covent Garden to celebrate 20 years.COPYRIGHT 2026PhotographicGenius.com
Artists Razorlight’s biggest song was originally intended for another artist, says Johnny Borrell
 
 
Moog Minimoog Model D 2022
Samples SampleRadar: 493 free Moog synth samples
 
 
charli xcx
Artists How Charli XCX's producers ran a jam session through an AI sampling plugin to make No One Lasts Forever
 
 
Jay Weinberg and Bruce Springsteen
Artists Jay Weinberg on the Bruce Springsteen test that left him “deathly afraid” when sitting in with the E Street Band
 
 
Ray Davies (left) and his brother Dave Davies, of The Kinks, at a soundcheck before a session for the BBC at the Playhouse Theatre, London, 7th September 1964.
Guitarists “I don’t know, but never say never": Dave Davies isn't ruling out a Kinks reunion
 
 

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

Add as a preferred source on Google Add as a preferred source on Google
  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...