Skip to main content
Music Radar MusicRadar The No.1 website for musicians
Sign in
  • View Profile
  • Sign out
  • Artist news
  • Guitar Amps
  • Guitar Pedals
  • Synths
  • Guitars
  • Drums
  • Keyboards & Pianos
  • Controllers
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About Us
More
  • EVH trance state
  • Antonoff on Please Please Please
  • “Mick looked peeved. The Beatles had upstaged him”
  • 95k+ free music samples

Recommended reading

Riva Starr
Artists “I have an original 909 – every time I use it I feel like I’m ruining it”: Riva Starr's studio essentials
Lawrence Hart
Artists Watch UK electronic artist Lawrence Hart build a track from scratch in his hardware-stuffed studio
eats everything in his studio
Tech “Entrance Song is a massive 808 sub and a 909 kick. Those two shouldn’t work together - I’m not sure they were even in key”: Eats Everything on his ever-changing approach to production and DJing
lone
Computers Lone on how he creates his technicolour, rave-adjacent electronica
Djrum
Artists "I have a very emotional relationship with my machines”: How Djrum made one of 2025’s best electronic albums
Djrum
Artists “I'm always starting sessions and not finishing them, I don't see that as unproductive”: Djrum talks creativity
Vaughn Oliver
Producers & Engineers “I probably have that on more records than anything else”: Take a peek inside Vaughn Oliver’s studio
  1. Artists

Me in my studio: The Toxic Avenger

News
By Simon Arblaster published 4 January 2018

A tour of the French house producer’s lair

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

One of the most influential artists on the French electro scene, Simon Delacroix, aka The Toxic Avenger has dropped the final part of his Globe trilogy.

To see some of the tools used to create Globe vol.3, we popped into his studio to have a gander at the collection of vintage synths, reboots of retro classics and a growing modular system.

The Globe vol. 3 EP features eight tracks, each with its own distinct style and mood. Sometimes wide open and gloriously spacious, other times narrow-focused and claustrophobic, the new album is perhaps some of the French producer’s most honest work.

Click through the gallery for some of the highlights from Simon’s studio.

The Toxic Avenger – Globe vol. 3 is out now

Page 1 of 6
Page 1 of 6
Roland Juno 106

Roland Juno 106

“Juno 106 is on top of all the synths I’ve got, as it's so versatile, yet so recognisable. It has been used on so many records; Daft Punk use it a lot, for example.

“I love it's filter, but the gem on this synth is surely its built in chorus. It fattens up any sound possible.”

Page 2 of 6
Page 2 of 6
Roland SH-01A

Roland SH-01A

“I just got this recreation of the SH-101 last month. I was dreaming of an SH-101 for a long time because of the snappy fat bass sound it was capable of doing.

“This recreation, even though it's digital and SH-101 was analogue, is really super true to the original model. It still has the CV and Gate out, the superb sequencer and it has the possibility to run the synth on poly mode - a nice new feature, in my opinion.”

Page 3 of 6
Page 3 of 6
Dave Smith Instruments OB-6

Dave Smith Instruments OB-6

“I was dreaming about an Oberheim Synth for years, OB-X and OB-8 and even the Matrix were way too pricey for me, so when the OB-6 was released, even though is was still a bit pricey, it was affordable.

“Some people will say it doesn't sound like a good old one, but seriously, when you get your hands on it, you understand that you got the Oberheim sound... creamy brasses and fat pad.” 

Page 4 of 6
Page 4 of 6
Eurorack modular

Eurorack modular

“I heard that when you go modular it's hard to go back. True, even though mine is not totally finished yet. The possibilities are endless, everyday I'm discovering something new.

“I'm particularly impressed by the modules by Mutable instruments. The Element one delivers something so new! Clouds turns anything into a super ethereal pad.”

Page 5 of 6
Page 5 of 6
Korg MS20 mini

Korg MS20 mini

“Last but not least, my MS20 mini. It's the synth that introduce me to modular synths as this one is semi modular. 

“The first time I used it I was disappointed,  I thought I would never do something good with it, but wow, the possibilities are huge! Nowadays, I use it mostly for weird fx stuff and dirty leads.”

Page 6 of 6
Page 6 of 6
Simon Arblaster
Simon Arblaster
Social Links Navigation
Video Producer & Reviews Editor

I take care of the reviews on MusicRadar and Future Music magazine, though can sometimes be spotted in front of a camera talking little sense in the presence of real musicians. For the past 30 years, I have been unable to decide on which instrument to master, so haven't bothered. Currently, a lover of all things high-gain in the guitar stakes and never one to resist churning out sub-standard funky breaks, the likes of which you'll never hear.

Read more
Riva Starr
“I have an original 909 – every time I use it I feel like I’m ruining it”: Riva Starr's studio essentials
Lawrence Hart
Watch UK electronic artist Lawrence Hart build a track from scratch in his hardware-stuffed studio
eats everything in his studio
“Entrance Song is a massive 808 sub and a 909 kick. Those two shouldn’t work together - I’m not sure they were even in key”: Eats Everything on his ever-changing approach to production and DJing
lone
Lone on how he creates his technicolour, rave-adjacent electronica
Djrum
"I have a very emotional relationship with my machines”: How Djrum made one of 2025’s best electronic albums
Djrum
“I'm always starting sessions and not finishing them, I don't see that as unproductive”: Djrum talks creativity
Latest in Artists
Beach Boys
Unpicking the Beach Boys’ classic that confirmed Brian Wilson’s creative genius
Ed Sheeran, Bob Dylan and Jimi Hendrix
How Ed Sheeran generated royalties for Bob Dylan by borrowing from Jimi Hendrix
Richie Hawtin
“All my equipment kind of glowed and then shut down”: The weather event that shaped a Richie Hawtin classic
Rockette Morton
“You’re the only one who made it to the end of the song — you’re hired!”: The madness of Captain Beefheart's masterpiece
lyra pramuk
“It’s about reconfiguring what a human voice is so it’s not just aesthetic, but political”: Lyra Pramuk turns vocal processing into protest on new project Hymnal
Bono black and white in glasses
“Our band is...three musicians. And a salesman”: Bono suggests next U2 album will have a looser feel
Latest in News
Home studio
You don't need to be a music theory expert to make electronic music, but it helps - here's our guide to the basics
Ed Sheeran, Bob Dylan and Jimi Hendrix
How Ed Sheeran generated royalties for Bob Dylan by borrowing from Jimi Hendrix
Richie Hawtin
“All my equipment kind of glowed and then shut down”: The weather event that shaped a Richie Hawtin classic
Bono black and white in glasses
“Our band is...three musicians. And a salesman”: Bono suggests next U2 album will have a looser feel
Apple's new Automix
Sack The DJ: Apple launches its new feature that can mix tracks using AI
Deals of the week
MusicRadar deals of the week: My pick of Father's Day deals for musicians include $400 off the Polyend Play+, $200 off a Martin acoustic and so much more

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...