Skip to main content
Music Radar MusicRadar The No.1 website for musicians
Sign in
  • View Profile
  • Sign out
  • Drums Week 25
  • Synths
  • Guitars
  • Guitar Pedals
  • Guitar Amps
  • Keyboards & Pianos
  • Controllers
  • Artist news
  • Drums
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About Us
More
  • Santana on Beck
  • Friday, I'm in Love
  • Knopfler's 4-note secret
  • 95k+ free music samples
Recommended reading
Nadia Struiwigh
Artists Tresor resident Nadia Struiwigh on why she avoids tutorials and keeps things 'loose' in the studio
maria somerville
Artists “Ableton's more creatively fulfilling than Logic”: Maria Somerville on the DAWs, uilleann pipes and vintage gear behind Luster
rival
Artists “You end up doing different things with a plugin versus a hardware synth”: Rival Consoles on why he still uses a Prophet emulation – even though he owns the real thing
lyra pramuk
Artists “It’s about reconfiguring what a human voice is so it’s not just aesthetic, but political”: Lyra Pramuk turns vocal processing into protest on new project Hymnal
disiniblud
Artists “It creates a tone that you can't find in Guitar Center”: Disiniblud on the self-built instruments behind their debut LP
sophie
Artists “She thought anything could be pop“: Sophie’s brother and studio engineer Ben Long on the release of her final album
adam beyer
Artists "It feels like there’s a blueprint for electronic music - it's boring”: Adam Beyer on the evolution of modern dance music
  1. Artists

Me in my studio: Anneka

News
By Simon Arblaster ( Future Music ) published 9 May 2017

Electronic artist on the tech that is the heart and soul of her latest EP

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Welcome

Welcome

Having previously collaborated with Forest Swords, Ital Tek and Falty DL, Anneka has now put out her debut Life Force EP on Anti Ghost Moon Ray Records (Gazelle Twin’s label). 

Her music mixes electronic elements with guitars, field recordings and her own vocals which is the focal point of her sound. Anneka’s voice is regularly used as an instrument, often with improvised vocals layered on top of each other or sampled through effects pedals.

The Brighton native is also a visual artist, so we asked her to take us on a tour of her studio and take a look at all the gear amongst the ornaments, books and artwork.

Page 1 of 12
Page 1 of 12
UAD Apollo Twin Solo

UAD Apollo Twin Solo

“My UAD Apollo Twin Solo is an essential part of my studio. It sounds incredible, is powerful, and comes with some awesome UAD plugins which I use on nearly every track. 

“It came highly recommended when I was asking around about getting a new sound card and now I know why. The mic preamps sound lush on vocals which is important for me as my voice is my main instrument.”

Page 2 of 12
Page 2 of 12
Rode NT1000

Rode NT1000

“I’ve had this robust Rode NT1000 for about eight years and recorded every vocal feature with it as well as my solo material. 

“The diaphragm has gone on it a couple of times but has a 10 year warranty - and Rode’s support team are great at getting it fixed in a quick turn around. 

“It’s got full frequency response and captures all the nuances of my vocals which is key for me.”

Page 3 of 12
Page 3 of 12
Gibson Les Paul Studio

Gibson Les Paul Studio

“My first and only electric guitar I saved up to buy as a teen - a Gibson Les Paul Studio. 

“I now tend to use it for subtle swathes of atmospherics rather than the focus of my tracks. 

“It’s a beautiful guitar that sounds great plugged into the Apollo Twin before I put it through Native Instrument’s Guitar Rig.”

Page 4 of 12
Page 4 of 12
Novation SL 25 MkII

Novation SL 25 MkII

“This Novation SL 25 MkII has proved incredibly handy to gig with. It’s packs neatly into a suitcase with my other live gear. 

“I assign the knobs and faders in Ableton so that I don’t have to touch my MacBook while performing. I then lay the AKAI LPD8 on top of it for more knob controls and trigger pads.”

Page 5 of 12
Page 5 of 12
Roland SPD-SX

Roland SPD-SX

“I love this Roland SPD-SX and have used it a lot for live performances. 

“It’s quite fun to improvise beats and rhythmic ideas on when you want to get away from looking at a computer screen.”

Page 6 of 12
Page 6 of 12

“My favourite guitar pedal I have is the Electro Harmonix Memory Man. 

“I sample my voice while experimenting with the parameters before chopping up the best bits and layering them in Logic Pro X. 

“It’s a really diverse delay pedal with a lot of warmth and features heavily in my more ambient tracks. 

“It loses a bit of high end and punch so it’s not suitable for front up vocals - but I love it on backing vocals. It’s also great on guitar of course.”

Page 7 of 12
Page 7 of 12
TC Helicon Voicelive 3

TC Helicon Voicelive 3

“TC Helicon’s Voicelive 3 is really fun to jam vocals with. I usually sing every layer I harmonise in a track, so this is pedal provides a way of mixing it up by creating extra harmonies for you. 

“You can make it sound very natural but I quite like pushing it in a strange, unnatural direction - like I did in the choruses of my track ‘Life Force’.”

Page 8 of 12
Page 8 of 12
Olympus LS-5

Olympus LS-5

“I was recommended the Olympus LS-5 as a best-on-a-low-budget field recorder by a sound designer I know. He was right, it sounds brilliant considering the cost. 

“I used it while travelling around Japan and was really happy with the quality of recordings when I got back. 

“A recording I made on the Tokyo subway runs throughout the bed of my song ‘A Strange and Distant Town’. Field recordings can really add to the atmosphere of a track even when used in subtle way. 

“As for the notebook, have loads of notebooks to write down ideas, lyrics and production notes. There’s something about writing stuff down by hand that makes it sink in.”

Page 9 of 12
Page 9 of 12
LG 25-inch Ultrawide monitor

LG 25-inch Ultrawide monitor

“I recently bought LG’s 25-inch Ultrawide screen and I don’t know how I did without it before. 

“I’d been using the 13 inch screen of my MacBook which not only meant a lot of scrolling around but frequent neck ache from looking down. 

“My workflow in Logic Pro X is a lot quicker now and it’s also a dream to edit video on. I just wish I’d bought one sooner!”

Page 10 of 12
Page 10 of 12
Cactus

Cactus

“Cacti are the perfect studio plants as they are pretty indestructible. It’s nice to have some other life around when you’re recording or producing for hours at a time on your own.”

Page 11 of 12
Page 11 of 12
Acoustic treatment

Acoustic treatment

“Acoustic tiles are pretty dull to look at so I like to add artwork and all sorts of ephemera. 

“A lot of time in the studio is spent staring at grey grids on the monitor so I like to be surrounded by some visual inspiration and colour.”

Anneka’s debut ‘Life Force’ EP is out now via Anti-Ghost Moon Ray Records and available on Bandcamp, Spotify and iTunes.

Page 12 of 12
Page 12 of 12
Simon Arblaster
Simon Arblaster
Social Links Navigation
Video Producer & Reviews Editor

I take care of the reviews on MusicRadar and Future Music magazine, though can sometimes be spotted in front of a camera talking little sense in the presence of real musicians. For the past 30 years, I have been unable to decide on which instrument to master, so haven't bothered. Currently, a lover of all things high-gain in the guitar stakes and never one to resist churning out sub-standard funky breaks, the likes of which you'll never hear.

All-access artist interviews, in-depth gear reviews, essential production tutorials and much more. image
All-access artist interviews, in-depth gear reviews, essential production tutorials and much more.
Get the latest issue now!
More Info
Read more
Nadia Struiwigh
Tresor resident Nadia Struiwigh on why she avoids tutorials and keeps things 'loose' in the studio
maria somerville
“Ableton's more creatively fulfilling than Logic”: Maria Somerville on the DAWs, uilleann pipes and vintage gear behind Luster
rival
“You end up doing different things with a plugin versus a hardware synth”: Rival Consoles on why he still uses a Prophet emulation – even though he owns the real thing
lyra pramuk
“It’s about reconfiguring what a human voice is so it’s not just aesthetic, but political”: Lyra Pramuk turns vocal processing into protest on new project Hymnal
disiniblud
“It creates a tone that you can't find in Guitar Center”: Disiniblud on the self-built instruments behind their debut LP
sophie
“She thought anything could be pop“: Sophie’s brother and studio engineer Ben Long on the release of her final album
Latest in Artists
Bruce Springsteen in 1975
"I wanted to make the greatest rock record that I'd ever heard": How Bruce Springsteen saved his career with Born To Run
Bruce Springsteen
“There’s a lot of good music left”: Springsteen releases Born To Run out-take onto streaming platforms
Beatie Wolfe and Brian Eno
“A strange new land with a human living and feeling its way through its mysterious spaces”: Welcome to Brian Eno and Beatie Wolfe’s new album
Josh Homme
What’s on Josh Homme’s to-do list when Queens Of The Stone Age play Sheffield next week?
Led Zeppelin
The genius behind John Bonham’s towering When The Levee Breaks drum sound
Pino Palladino and Miley Cyrus
How Pino Palladino turned the demo bassline in Miley Cyrus’s End of the World into something "so much better"
Latest in News
Bruce Springsteen
“There’s a lot of good music left”: Springsteen releases Born To Run out-take onto streaming platforms
Beatie Wolfe and Brian Eno
“A strange new land with a human living and feeling its way through its mysterious spaces”: Welcome to Brian Eno and Beatie Wolfe’s new album
Josh Homme
What’s on Josh Homme’s to-do list when Queens Of The Stone Age play Sheffield next week?
Pino Palladino and Miley Cyrus
How Pino Palladino turned the demo bassline in Miley Cyrus’s End of the World into something "so much better"
Paul Mccartney Smoking A Cigarette At London In England On June 19Th 1967
“We decided that our audiences would come along with us”: Paul McCartney on how the avant garde influenced the Beatles
Roger Daltrey and Pete Townshend of The Who perform at Parco Della Musica on July 22, 2025 in Milan, Italy
The Who are forced to postpone Philly date on final US tour due to “illness”

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...