Skip to main content
MusicRadar MusicRadar The No.1 website for musicians
UK EditionUK US EditionUS AU EditionAustralia SG EditionSingapore
Sign in
  • View Profile
  • Sign out
  • Artist news
  • Music Gear Reviews
  • Synths
  • Guitars
  • Controllers
  • Drums
  • Keyboards & Pianos
  • Guitar Amps
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About us
Don't miss these
More
  • "The most expensive bit of drumming in history”
  • JoBo x Fuchs
  • Radiohead Daydreaming
  • Vanilla Fudge
  • 95k+ free music samples
  1. Artists

Of Mice & Men: the 10 records that changed our lives

News
By Amit Sharma published 10 October 2016

Alan Ashby and Phil Manansala share their game-changing guitar albums

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Tour story

Tour story

It’s been a rollercoaster few years for Orange County metalcore quintet Of Mice & Men. From decimating the largest European venues with Linkin Park in 2014 to their more recent ventures with Slipknot and Marilyn Manson on home soil, their touring schedule has read like what most metal groups can only dream about.

They’ve emerged as frontrunners in the next wave of bands to shape heavy music, and if you’re lucky enough to catch them on their current European tour, you’ll see exactly why.

Guitarists Alan Ashby and Phil Manansala check in with MusicRadar…

We just came off the most metal tour of all time with Slipknot and Marilyn Manson

“Before we arrived, we just came off the most metal tour of all time with Slipknot and Marilyn Manson,” beams Alan.

“All of the Slipknot guys were super-nice. There was a huge family-orientated vibe because a lot of the guys are married, they take their wives and kids on tour. It’s a lot more of a relaxed atmosphere than the crazy backstage shit you’d expect from us and those bands!”

“Slipknot is a machine,” agrees Phil.

“They have a jam room where they are continuously playing – they’ll run through things a few times before the set. The dedication they have is insane, learning how to nail all those parts without a click – most metal bands use one. You literally don’t know how fast some parts are going to be night after night.

“What I love about them is that the show goes on no matter what. Behind the masks, they’re probably yelling a lot of vulgar words, but the show always comes first. And that doesn’t go unnoticed.

“Nobody is perfect in this world; we need to practise as much as we possibly could to be at a level where we could play with these… there’s a lot of learning. If you’re not willing to learn and change your ways, you’ll get left in the dust, because there are other people that want it more than you.”

On the current Euro run, both guitarists are favouring their signature guitars – Alan’s ESP AA-600 and Phil’s custom Ibanez, which is set for official release in the near-future.

As for amps, Alan highlights an incident that resulted in the pair turning their backs on analogue for digital technology…

“I have my guitars going into a Fractal Axe-Fx, with a Marshall preamp. I had a bad experience once while we were touring South America with A Day To Remember,” he explains.

I had to rent a tube head, which blew up during the show!

“I had to rent a tube head, I think it was Mesa/Boogie, which blew up during the show! And I had to play the rest of the show with it making weird noises… so in the end I got an Axe-Fx.

“Now I can just take it on the plane as a carry-on; it’s really easy, and most importantly, sounds good. From massive arenas we’ve done with Linkin Park to the 3,000-capacity academies, it’s just always been so reliable.”

Here, the guitarists talk us through the 10 albums that changed their lives…

Of Mice & Men tour Europe in October:

11 October - Trabendo Paris
12 October - Ronda Utrecht
13 October - Live Music Hall Cologne
15 October - Batschkapp Frankfurt
16 October - Kesselhaus Munich
17 October - LKA Longhorn LKA Longhorn
19 October - Kofmehl Solothurn
20 October - Arena Vienna
21 October - Taubchenthal Leipzig
23 October - Columbia Theater Berlin
24 October - Grosse Freiheit 36 Hamburg
25 October - Trix Antwerp

Don't Miss

Of Mice & Men talk Restoring Force

Page 1 of 11
Page 1 of 11
1. Guns N' Roses - Appetite For Destruction (1987)

1. Guns N' Roses - Appetite For Destruction (1987)

Alan Ashby: “The most important album of all time for me has got to be Appetite For Destruction. I must have been about 12 years old, and my best friend who I played video games with had this metal chick mom. She gave me that album, and I loved it immediately.

“It felt like Slash was the coolest guy on the planet: with the hair, the hat and the glasses… he was just rockin’! At one point, I could play his parts for the entire album from back to front.

“I love Nightrain because of that opening guitar riff; it’s probably my favourite song on there… but to be honest, every song is amazing.”

Page 2 of 11
Page 2 of 11
2. Linkin Park - Hybrid Theory (2000)

2. Linkin Park - Hybrid Theory (2000)

Alan: “This felt so heavy the first time I heard it, especially with all the hip-hop influences and all the electronic noises. It blew my mind… I’d never heard nu-metal like that before. Hybrid Theory was actually the first album I went out to a store and bought with my own money as a kid.

“Playing with them at London’s O2 Arena has got to be one of the highlights of my entire life… it was just nuts. We’ve played a lot of shows and I don’t really get nervous, but that night I felt fuckin’ nervous like crazy!

“At one point, we played a slower song and got everyone to put their lighters in the air. I remember looking out and it felt like we were in outer space.”

Page 3 of 11
Page 3 of 11
3. Papa Roach - Infest (2000)

3. Papa Roach - Infest (2000)

Alan: “Around the same time as Linkin Park, I discovered Papa Roach. And they were from Vacaville, which was really near San Jose where I was from in the Bay Area. It felt great to see a north-Cal band breaking through and doing something cool.

“I actually bought this record three times because my mom kept taking it away. She said that the lyrics were too angry and she didn’t want me listening to it. So every time she took it away, I’d go to the record store and get another one, haha!”

Page 4 of 11
Page 4 of 11
4. Green Day - International Superhits! (2001)

4. Green Day - International Superhits! (2001)

Alan: “I went through a huge pop-punk phase. International Superhits! was the first CD of theirs I got when I was about 14 – it was a bunch of choice tracks and all the hits like Good Riddance (Time Of Your Life), Waiting and Warning.

“I learned how to play all their songs, and at one point I started a Green Day/Blink-182 covers band which had an acronym that spelled out ‘AIDS’, and I thought I was super-cool because I was in a band called that.

“Longview is a great song, with that bass intro. I was all about that… I had the Green Day wristband and everything when I was a kid.”

Page 5 of 11
Page 5 of 11
5. The Eagles - Hotel California (1976)

5. The Eagles - Hotel California (1976)

Alan: “Oh my God, the amazing guitar work on these amazing songs… I heard them all the time growing up, because my dad was a superfan. In fact, the first concert I ever went to was to see the Eagles with him.

“I remember standing up there and being blown away by the sounds Joe Walsh was making with his guitar. He had all these cool pedals, wah-wahs and talkboxes… it just sounded incredible.”

Page 6 of 11
Page 6 of 11
6. Rage Against The Machine - The Battle Of Los Angeles (1999)

6. Rage Against The Machine - The Battle Of Los Angeles (1999)

Phil Manansala: “I’m a huge Tom Morello fan… those riffs felt huge to me when I first heard them.

“The sounds he made through his guitar on that album have always stuck with me. I spent a lot of time trying to figure out how he made those noises and tried to mimic them myself. It never sounded as good!

“While admittedly I don’t think we’ve written too many songs with that RATM influence, their riffs showed me how heavy simplicity can feel like when done right. Tom is the master of that.”

Page 7 of 11
Page 7 of 11
7. Blink-182 - Enema Of The State (1999)

7. Blink-182 - Enema Of The State (1999)

Phil: “Like The Battle Of Los Angeles, this is another album that I learned to play the entire way through.

“Tom DeLonge is a So-Cal legend for that pop-punk sound, and growing up in that part of California, a lot of my earlier bands had Blink-182 references. We’d actually cover a lot of their songs.

“It might not be the craziest riffage ever, but it’s all about how much fun you’re having playing those songs. And you could see it when they played live, they were having a blast while making it all look effortless.”

Page 8 of 11
Page 8 of 11
8. Metallica - Metallica (1991)

8. Metallica - Metallica (1991)

Phil: “The first Metallica riff I heard was Enter Sandman, and I probably played that song for a year straight because I didn’t really have any formal lessons and it was the only thing I could figure out from the Black album, haha!

“Then I started practising more, learning more and more parts by both James Hetfield and Kirk Hammett.

“They were my first influences when it came to metal guitar. After hearing RATM and Blink-182, this album definitely talked to me more as a guitar player - I think it must have been because there were more complicated guitar parts.”

Page 9 of 11
Page 9 of 11
9. Incubus - Morning View (2001)

9. Incubus - Morning View (2001)

Phil: “Mike Einziger is another guitarist that has had a huge effect on me. He’s a player that has this really ambient and atmospheric sound, with loads of dynamics from super-clean to heavy-as-can-be. He knew how to bridge all those gaps, and that’s what always made Incubus so unique.

“Make Yourself turned me into a huge Incubus fan, but this was the one where he really started to experiment on songs like Are You In?. Those songs have this cool, laid-back beach dynamic…

“And it’s because the album was recorded at Morning View studio on the cliff side of Malibu. If you put yourself in their shoes making that album, I feel like it’s the only place they could have created those recordings. There are actually songs on the album that sound like the band members are looking over a cliff and just going with the wind and water.”

Page 10 of 11
Page 10 of 11
10. As I Lay Dying - Shadows Are Security (2005)

10. As I Lay Dying - Shadows Are Security (2005)

Phil: “One of the other bands that really stuck out to me when I got into music was As I Lay Dying… and what an album this was.

“It’s unfortunate what happened with that band [they went on an indefinite hiatus in 2014 when Tim Lambesis was sentenced to six years in prison], but you can’t hate on the riffs. The music was very true and raw, unlike anything else that came out around then.

“Their balance of riffs and hooks definitely changed me. I’d never heard anything that heavy before, and especially not with choruses like that. They kept getting better and better on those early albums. It’s what made me want to be in a metalcore band myself.”

Don't Miss

Of Mice & Men talk Restoring Force

Page 11 of 11
Page 11 of 11
Amit Sharma
Amit Sharma

Amit has been writing for titles like Total Guitar, MusicRadar and Guitar World for over a decade and counts Richie Kotzen, Guthrie Govan and Jeff Beck among his primary influences. He's interviewed everyone from Ozzy Osbourne and Lemmy to Slash and Jimmy Page, and once even traded solos with a member of Slayer on a track released internationally. As a session guitarist, he's played alongside members of Judas Priest and Uriah Heep in London ensemble Metalworks, as well as handling lead guitars for legends like Glen Matlock (Sex Pistols, The Faces) and Stu Hamm (Steve Vai, Joe Satriani, G3).

Latest in Artists
Purple Rain vinyl side B
How Prince's When Doves Cry and Purple Rain ended up in the Stranger Things finale
 
 
moog
“He feels it should be in the hands of people who will put it to good use”: John Paul Jones’ studio gear goes up for auction – including a rare £24,000 Moog Model 15
 
 
DETROIT, MICHIGAN - SEPTEMBER 29: Peter Gabriel performs at Little Caesars Arena on September 29, 2023 in Detroit, Michigan. (Photo by Scott Legato/Getty Images)
“We are sliding into a period of transition like no other”: Peter Gabriel to release follow up to i/o this year
 
 
LOS ANGELES, CALIFORNIA - FEBRUARY 02: Shawn "Clown" Crahan attends the ASCAP GRAMMY Brunch in the Garden at Four Seasons Hotel Los Angeles at Beverly Hills on February 02, 2024 in Los Angeles, California. (Photo by Rodin Eckenroth/Getty Images)
“A professor in my pocket”: Slipknot’s Shawn Crahan says he’s been using AI “my whole life”
 
 
LAS VEGAS, NEVADA - NOVEMBER 09: Billy Joel performs at Allegiant Stadium on November 09, 2024 in Las Vegas, Nevada. (Photo by Ethan Miller/Getty Images)
“I wasn’t planning on working tonight”: Billy Joel makes surprise return to live performance
 
 
Jack and Meg White in 2003
“It was a challenge to myself: ‘I’m not gonna have a chorus in this song’”: How Jack White created the riff of the century
 
 
Latest in News
Splice CEO Kakul Srivastava
Splice partners with UMG on the development of AI-powered tools and virtual instruments
 
 
Lady Gaga performs during her 'JAZZ & PIANO' residency at Park MGM on August 31, 2023 in Las Vegas, Nevada
“Being a human being isn’t going to go out of style anytime soon”: Why Lady Gaga is unafraid of AI
 
 
LONDON, ENGLAND - JULY 27: (EDITORIAL USE ONLY) Alanis Morrisette performs live on stage at The O2 Arena on July 27, 2025 in London, England. (Photo by Samir Hussein/WireImage for ABA)
Alanis Morissette reveals what she thinks is “the real irony” of the fuss caused by the lyrics in her 1996 hit
 
 
 Morrissey performs at The SSE Arena, Wembley on March 14, 2020 in London, England
Back To The Old House: Morrissey signs again to Warners subsidiary Sire
 
 
Artist Paul Simon arrives for the Polar Music Prize at Konserthuset on August 28, 2012 in Stockholm, Sweden
“One of music’s great storytellers”: Paul Simon among artists to be given Lifetime Achievement award at 2026 Grammys
 
 
The Beatles
This deep dive into a classic Beatles song reveals 4 synth parts that we’d never even noticed before
 
 

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

Add as a preferred source on Google
  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...