Skip to main content
MusicRadar MusicRadar The No.1 website for musicians
Sign in
  • View Profile
  • Sign out
  • Artist news
  • Guitars
  • Guitar Pedals
  • Synths
  • Keyboards & Pianos
  • Controllers
  • Guitar Amps
  • Drums
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About Us
More
  • Radiohead theory
  • Steely Dan's drum machine
  • Deep Purple in the dungeon
  • Prince's drummers
  • 95k+ free music samples
Don't miss these
John McLaughlin
Artists “I don’t have many guitar players’ albums on my iPhone, but Jeff is there”: John McLaughlin on the magic of Jeff Beck
Zach Myers of Shinedown plays a hunter green PRS NF53 live onstage at Download Festival 2025.
Artists Zach Myers on Shinedown’s secret weapon, the limits of shred guitar, and getting schooled by BB King
Yungblud
Artists Yungblud reveals his secret to making acoustics sound massive – and hints at future signature model
Dickey Betts [left] and Warren Haynes trade licks onstage with the Allman Brothers Band at the 1993 New Orleans Jazz & Heritage Festival. Haynes's Strat would soon be stolen in New York.
Artists How Warren Haynes turned to Les Pauls after his favourite Strat was stolen
Brent Smith [left] performs in a blazer and white T-shirt as flames from pyro light the stage behind him. On the right, Rick Beato is photographed in a denim overshirt at NAMM 2022.
Artists Shinedown frontman Brent Smith on what makes Rick Beato a great producer
Mark Knopfler
Artists "I did everything wrong, but I think they’re perfect notes”: Mark Knopfler's favourite guitar solo
Mark Knopfler
Artists Mark Knopfler on the Dire Straits song he's come to accept that he has to start in the same way every time
A composite image of Steve Vai [left] playing his green PIA Ibanez signature guitar onstage with the Satch/Vai band, and right, the late, great Allan Holdsworth playing an S-style with a cigarette smoking wedged on the strings.
Artists Steve Vai on why Allan Holdsworth – the fusion virtuoso who wrote his own rules – was the GOAT
A Fender Player II Stratocaster and Telecaster on a white piece of wood with lots of holes in it
Electric Guitars Best electric guitars under $1,000/£1,000 in 2025: My top picks for players of all styles
Brent Smith of Shinedown performs during the US rockers' Dance, Kid, Dance Tour 2025.
Artists Shinedown’s Brent Smith on finding inspiration in a hurricane and why you don’t need to be play guitar to write a great song
John McLaughlin
Artists “I’m not a collector. I get guitars, but I give them away”: Why John McLaughlin regrets gifting a '67 Strat to Jeff Beck
Carlos Santana and Jeff Beck
Artists Carlos Santana on what made Jeff Beck a guitar great, and getting into character to cover Michael Jackson
Orbit Culture's guitarists
Electric Guitars Orbit Culture show us their ESP guitars – and tell us why the EverTune bridge is a game-changer
Brent Hinds plays a bespoke ESP offset live in Mexico as he performs with Mastodon in 2022.
Artists “My mind’s the most cosmic place I could ever visit. All I have to do is zone out and play the guitar, and before you know it, I’ve visited places unheard of”: Remembering Brent Hinds, the maverick who trampled metal guitar underfoot with Mastodon
The Fender Richie Kotzen Stratocaster is made in Japan and features a contoured ash body with a stunning figured maple top, and comes with DiMarzio pickups and Gotoh tuners.
Artists Fender gives Richie Kotzen’s figured-maple topped MIJ signature Strat a global release
  1. Artists
  2. Singles And Albums

Matchbox Twenty's Kyle Cook picks 10 essential guitar albums

News
By Joe Bosso published 6 June 2013

"I listen for players who aren't 'sound-alike' guys. Who's doing something original?"

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Matchbox Twenty's Kyle Cook picks 10 essential guitar albums

Matchbox Twenty's Kyle Cook picks 10 essential guitar albums

Anybody who has been near a radio since 1996 has heard Kyle Cook's wildly creative and versatile guitar playing on a cavalcade of Matchbox Twenty hits. With over 30 million albums sold (including 12 million alone for their debut, Yourself Or Someone Like You), the band's music has become part of people's DNA.

Gauging his own time frame as a listener, Cook says that grew up just as a seismic shift was about to take place. "I started getting really into music right when albums were becoming not as important as they once were," he says. "They weren’t seen as complete artistic statements. And nowadays, it’s all about the single – people don’t listen to albums; they have ‘playlists.’ But I’ve caught up over the years and listened to the classics, and of course, they've influenced my guitar playing."

Asked to compile his list of 10 essential guitar albums, Cook explains that he zeroed in on records that feature the instrument being used in non-traditional ways. "I like it when somebody shakes things up," he says. "Take the blues, for example: You have a ton of virtuosic guitarists who play in very standard forms, but I listen for players who aren’t ‘sound-alike’ guys. It’s like with most things: Who’s doing something original?”

Even so, whittling down his choices of groundbreakers and rules-crunchers to an even 10 was something of a tall order for Cook. "I could easily come up with 20 or even 30," he says. "Picking just 10 is touch. There’s so many records that have inspired me over the years, and my iTunes collection is quite massive. So, if we look at this as sort of like ‘desert-island discs,’ these are the albums I'd want to take with me."

On the following pages, Cook runs down what he considers to be 10 essential guitar albums (listed alphabetically by artist). And assuming you're not stranded on a desert island this summer, Matchbox Twenty will be on tour in the US with the Goo Goo Dolls. Click here for dates and ticket info.

Page 1 of 11
Page 1 of 11
Bad Company - Bad Company (1974)

Bad Company - Bad Company (1974)

“One of the staples of teenage rock. This is some of the stuff that really inspired me to pick up the guitar. Can’t Get Enough, Ready For Love and the title cut – those are awesome hard rock songs with powerful riffs and hot solos.

“These songs are so good and solid, they’ll never go away. You’ll walk into a smoky bar in 20 years, and there’ll be a band on stage, the guitar player with have a Les Paul, and they’ll be playing Ready For Love. That’s just the way it’s gonna be.

“The sound is big, crunchy and timeless. It takes you right back to being a kid and dreaming of playing the guitar.”

Page 2 of 11
Page 2 of 11
The Beatles - Rubber Soul (1965)

The Beatles - Rubber Soul (1965)

“I have to have a Beatles album on a list like this, so I’m going with Rubber Soul. Drive My Car is such a great song with really cool guitar hooks in it – the solo is way out in front, very energetic. There’s a nice acoustic-folk element in Norwegian Wood, and Nowhere Man has those electrics that still sound incredible.

“The level of song craftsmanship is impeccable, of course, but the way The Beatles blended rhythm and lead guitars isn’t talked about nearly enough. Their arrangements from a guitar standpoint are so interesting; one part works beautifully with the next. As great as the songs are, what they did with their instruments is just as important.

“The song Girl is touching, infectious, dark, wistful, strange – and I just love the way the acoustic guitar sounds.”

Page 3 of 11
Page 3 of 11
Booker T & The MG's - Green Onions (1962)

Booker T & The MG's - Green Onions (1962)

“I go back to this album a lot. It's great music if you're hanging out or sitting by the pool. It holds up beautifully – nothing about it sounds dated.

“There’s no vocals, but the arrangements, the grooves and the guitar work are so solid and infectious, you don’t need singing. Each song holds your interest from start to finish. The music was very influential and brought a lot of attention to the whole Stax sound.

“It’s simple, too. You don’t have to be a virtuoso to appreciate this stuff and to play it. It’s one of those examples of songs that have meaningful parts played well, really tight and in the pocket, and everything fits together the way it should.”

Page 4 of 11
Page 4 of 11
The Eagles - Hotel California (1976)

The Eagles - Hotel California (1976)

“The song Hotel California is part of the ether. It’s a masterpiece of songwriting, but it also features a masterful guitar arrangement. You remember each and every lick – everything is so beautifully composed – and, of course, there's the solos.

Anybody who picks up the guitar, regardless of what genre they might love, has to learn to play Hotel California. It’s played a role in the development of probably every guitarist since it came out.

“There’s a lot of great stuff on this album – New Kid In Town, Victim Of Love, Life In The Fast Lane – and every song has brilliant and memorable guitar parts. These are rock staples, all of them.”

Page 5 of 11
Page 5 of 11
The Jimi Hendrix Experience - Electric Ladyland (1968)

The Jimi Hendrix Experience - Electric Ladyland (1968)

“A pivotal moment in record production and guitar playing. Jimi Hendrix was an amazing soloist, of course, but being a great guitar player isn’t always based on your leads – it’s about the bigger picture. Jimi was a visionary.

“The arrangements and the sonics on this album are groundbreaking. I learned a lot about how to layer sounds from Electric Ladyland. There are times when Jimi even made the guitar sound like something else, and that’s pretty impressive, especially given the technology he was dealing with at the time. He had such a unique approach, and he was so versatile. An amazing album.”

Page 6 of 11
Page 6 of 11
Metallica - ...And Justice For All (1988)

Metallica - ...And Justice For All (1988)

“I started playing violin when I was 11. Once I got into rock ‘n’ roll, though, the violin wasn’t so cool anymore. I got a guitar, the half-stack amp, and I listened to records that would piss of my parents. All of a sudden, it was [in his best Nigel Tufnel voice], ‘Do you hear the sustain?’ Check out that sustain!’

“Metallica were always such a cool, unapologetic guitar band. They were kind of the Led Zeppelin of my generation. I remember learning the licks, getting the guitar tablature for One, Blackened, Eye Of The Beholder – it was a real goal of mine to be able to play those songs.

“There were always these very interesting guitar arrangements, and they seemed to have a classical feel to them. At the same time, James and Kirk would break into some bluesy things, as well. There wasn’t just one sound or style going on.

“James is pretty impressive – the speed of those downstrokes, the percussiveness. He’s a very underrated rhythm guitar player but one who’s totally unique."

Page 7 of 11
Page 7 of 11
The Rolling Stones - Let It Bleed (1969)

The Rolling Stones - Let It Bleed (1969)

“You’ve got Gimme Shelter, Midnight Rambler, You Can’t Always Get What You Want, Let It Bleed – so many great songs, and Keith Richards is unbelievable on all of them.

“I love the way he recorded his acoustics sometimes to make them sound like electrics. You listen to these songs, and you just can’t tell what’s electric and what’s acoustic. Plus he was exploring different tunings, which gave some of the songs interesting textures. He doesn’t just give you one sound or one style; he’s always changing it up.

“It’s more of a rock album than what they did before, but the blues element is really strong – that's what Keith came up playing, of course. His guitar work on Love In Vain is incredibly lyrical.”

Page 8 of 11
Page 8 of 11
Steely Dan - The Best Of Steely Dan: Then And Now (1993)

Steely Dan - The Best Of Steely Dan: Then And Now (1993)

“This was a big part of my musical life. Steely Dan had their pick of the best session dudes around – they were like a revolving door of hot players – and they made the most of it.

“Hey Nineteen, Bodhisattva, Deacon Blues – the songs are so hooky. They were pop, they were jazzy, they had a rock edge – no matter what you were into, there were sides to Steely Dan that would appeal to you. Do It Again had that really cool atonal moment with the sitar; it kind of drops out of key and then slides back. Brilliant.

“Like a lot of people, I thought it was just one core group of musicians. Becker was always in there, but I didn’t know they were using all of these amazing session dudes. I was like, ‘How does that one guy play so many incredible guitar parts? When’s he going to get to the bottom of his bag of tricks?’

“It wasn’t till later, when I found out it was many players, that I was like, ‘Ohhh, now I get it.’ But it was a great move on their part, though, because it gave each song and each solo a unique identity.”

Page 9 of 11
Page 9 of 11
U2 - Achtung Baby (1991)

U2 - Achtung Baby (1991)

“Mysterious Ways, Even Better Than The Real Thing, One – these songs harken back to Electric Ladyland, the way a guitar can be used in so many non-traditional ways. The Edge has always been creative, but he takes it to yet another level here.

“This record came kind of midway through U2’s career, and it really made an impression on me. Everything that The Edge was doing made me look at the guitar in a new way and think harder about what you could do with it. The songs are strong, too – you’ll hear them for years and years to come.”

Page 10 of 11
Page 10 of 11
Howlin' Wolf - His Best (Chess 50t Anniversary Collection)

Howlin' Wolf - His Best (Chess 50t Anniversary Collection)

“Looking over my list, I realize that I don’t have any Led Zeppelin, but in a way, citing this album is an homage to Zeppelin because they took so much from this music. I discovered people like Howlin’ Wolf through Led Zeppelin.

“Smokestack Lightnin’, How Many More Years, Evil, Moanin’ At Midnight – right from the top, you’ve got some real classics. Some of it’s surprising, too. Sitting On Top Of The World doesn’t have that standard blues rhythm – there’s some samba-like grooves going on. And then there’s Spoonful, which of course, Eric Clapton covered with Cream.

“Howlin’ Wolf’s style was very understated, but it really worked. And, of course, you had his other guitar player, Hubert Sumlin, who was very young at the time but absolutely incredible. There weren’t a lot of guitar breaks – the parts were more fills and little moments – but they were really raw and powerful. This music still sounds very fresh to me.”

Page 11 of 11
Page 11 of 11
Joe Bosso
Joe Bosso

Joe is a freelance journalist who has, over the past few decades, interviewed hundreds of guitarists for Guitar World, Guitar Player, MusicRadar and Classic Rock. He is also a former editor of Guitar World, contributing writer for Guitar Aficionado and VP of A&R for Island Records. He’s an enthusiastic guitarist, but he’s nowhere near the likes of the people he interviews. Surprisingly, his skills are more suited to the drums. If you need a drummer for your Beatles tribute band, look him up.

Read more
John McLaughlin
“I don’t have many guitar players’ albums on my iPhone, but Jeff is there”: John McLaughlin on the magic of Jeff Beck
 
 
Zach Myers of Shinedown plays a hunter green PRS NF53 live onstage at Download Festival 2025.
Zach Myers on Shinedown’s secret weapon, the limits of shred guitar, and getting schooled by BB King
 
 
Yungblud
Yungblud reveals his secret to making acoustics sound massive – and hints at future signature model
 
 
Dickey Betts [left] and Warren Haynes trade licks onstage with the Allman Brothers Band at the 1993 New Orleans Jazz & Heritage Festival. Haynes's Strat would soon be stolen in New York.
How Warren Haynes turned to Les Pauls after his favourite Strat was stolen
 
 
Brent Smith [left] performs in a blazer and white T-shirt as flames from pyro light the stage behind him. On the right, Rick Beato is photographed in a denim overshirt at NAMM 2022.
Shinedown frontman Brent Smith on what makes Rick Beato a great producer
 
 
Mark Knopfler
"I did everything wrong, but I think they’re perfect notes”: Mark Knopfler's favourite guitar solo
 
 
Latest in Singles And Albums
Graham Smyth
“I wanted to save my sister the torment of listening to songs about coconuts and infant fish”: Meet the DJ who’s made a babies' rave album
 
 
Bruce Springsteen, circa 1982
“It was kinda like punk rockabilly”: Springsteen to release electric versions of Nebraska tracks
 
 
Fred Durst of Limp Bizkit performs onstage during Leeds Festival at Bramham Park on August 24, 2025 in Leeds, Englan
"Please don't put it on the internet": Limp Bizkit tease new song with the help of a young social media drummer
 
 
Biran May and friends
"It's a classic... one of the best rock songs ever”: Which 2013 track could Brian May be talking about?
 
 
Damon Albarn in 2001
“A crazy amount of falsetto… definitely related to the drugs I was taking”: Damon Albarn let slips secret about debut Gorillaz album
 
 
Paul Mccartney Smoking A Cigarette At London In England On June 19Th 1967
“We decided that our audiences would come along with us”: Paul McCartney on how the avant garde influenced the Beatles
 
 
Latest in News
TORONTO, ON - AUGUST 04: (EDITORIAL USE ONLY. NO STANDALONE PUBLICATION USE (NO SPECIAL INTEREST OR SINGLE ARTIST PUBLICATION USE; NO BOOK USE)) Taylor Swift, Swift and Bryan Adams rehearse onstage during the Taylor Swift reputation Stadium Tour at Rogers Centre on August 4, 2018 in Toronto, Canada. (Photo by Jason Kempin/TAS18/Getty Images for TAS)
Bryan Adams explains why the only person to do justice to Summer of '69 was Taylor Swift
 
 
Stu Mackenzie of King Gizzard & the Lizard Wizard Rock band performs in a concert at Alcatraz in Milan
King Gizzard albums dominate the Bandcamp album chart after bold ‘name your price’ move
 
 
PRS S2 Mira 594: lined up against a PRS head and cab, the relaunched and refreshed Mira 594 is presented in blue, Matcha Green, red and Antique White
“I don’t think it found its true voice until now”: Revived, refreshed, PRS adds the Mira 594 to the S2 range
 
 
Walrus Audio Canvas Power USB: The compact pedalboard power supply can be charged via USB.
Walrus Audio’s Canvas Power USB is the super-compact device for powering your rig with a laptop charger
 
 
Lizzo speaks onstage during the 66th GRAMMY Awards at Crypto.com Arena on February 04, 2024 in Los Angeles, California
“No one can serve the masses anymore”: Lizzo puts out TikTok blaming social media for absence of crossover hits
 
 
Derek Trucks and Susan Tedeschi perform live in 2023, with Trucks playing his Dickey Betts Artist Series SG, Tedeschi playing her Les Paul Standard.
Derek Trucks says Tedeschi Trucks Band have completed new album and have been sneaking in some of the tracks live
 
 

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...