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Led Zeppelin in 1975
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Jimmy Page: how to buy his early Led Zep tones

News
By Guitarist ( Guitarist ) published 22 July 2014

All the modern gear you need to emulate Page's pomp

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Gibson Custom 1959 Les Paul Standard Reissue VOS

Gibson Custom 1959 Les Paul Standard Reissue VOS

Gibson’s 2014 R9s are the company’s most slavish reissues yet, and although they’re wallet-cripplingly expensive, there’s simply no substitute if you want to nail the tones Jimmy squeezed out of his #1 Les Paul from April 1969, when he purchased it from Joe Walsh for $500.

Page 1 of 8
Page 1 of 8
Fender American Vintage '58 Telecaster

Fender American Vintage '58 Telecaster

Page’s main guitar throughout his time in The Yardbirds was the ’59 Telecaster, given its legendary ‘Dragon’ paintjob in 1967 and used both live and in the studio with Zeppelin until mid-1969 – resurfacing later on Stairway.

The ’58 American Vintage reissue is the closest production instrument in the current Fender catalogue, and every inch a killer choice for those exhilarating, white-knuckle early Page tones.

Page 2 of 8
Page 2 of 8
Supro Amplifiers

Supro Amplifiers

Page’s amp of choice during the first-album sessions was likely either a 1624T Dual-Tone or a modified 1690T Coronado.

Both models from the newly-revived amplifier brand will soon be available again via JHS in the UK.

Page 3 of 8
Page 3 of 8
Gibson SJ-200 Standard

Gibson SJ-200 Standard

When it came to recording the acoustic guitar tracks on Led Zep’s debut – Babe I’m Gonna Leave You, Black Mountain Side and Your Time Is Gonna Come – ‘Little Jim’ borrowed an acoustic from his namesake on the London session scene, Big Jim Sullivan.

Page said Sullivan’s ’63 J-200, “Was a beautiful guitar, really great. I could play so easily on it, get a really thick sound; it had heavy-gauge strings on it, but it just didn't seem to feel like it.”

Page 4 of 8
Page 4 of 8
Lumpy's Tone Shop Lemon Drop

Lumpy's Tone Shop Lemon Drop

Jimmy Page was a fan of the Vox 4 and 7 Series amplifiers, also used by The Beatles during the Revolver era, and it’s likely that a UL4120 head featured on Led Zeppelin II, most notably on Whole Lotta Love and What Is And What Should Never Be.

The solid-state transistor preamps in these Voxes gives them an abrasive, fuzz-like overdriven quality, captured perfectly by the Lemon Drop stompbox. Whole Lotta Love in a box. Check out the full range at www.lumpystoneshop.com for more Zep and Beatles-inspired pedals.

Page 5 of 8
Page 5 of 8
Dunlop Cry Baby

Dunlop Cry Baby

Page used various wahs during the early years, but the GCB95 is arguably the best choice for replicating the sweep of the 1966 Thomas Organ design.

Listen to How Many More Times to hear Page’s creative wah work in action.

Page 6 of 8
Page 6 of 8
Xotic EP Booster

Xotic EP Booster

Maestro EP-2 and EP-3 Echoplexunits featured in Page’s backline throughout his Zeppelin career, and were used as much for a preamp boost as they were for tape echo effects.

The Xotic has fast become a must-have pedal on pro ’boards, and is great for giving riffs and solos that certain extra something. Also check out Dunlop’s new EP101 Echoplex Preamp (£115/$171).

Page 7 of 8
Page 7 of 8
Tone Bender fuzz

Tone Bender fuzz

The Sola Sound MK II Tone Benderfuzz was an important part of Page’searly sound – listen to Dazed And Confused for kick-off – and the DAM version (£390) is an authentic, if expensive, recreation.

Numerous boutique versions of the original Hurst design are available, while the Rotosound RFB1 (£249) recreates another Hurst fuzzbox used onstage by Page in 1969.

Page 8 of 8
Page 8 of 8
Guitarist
Guitarist
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Led Zeppelin in 1975
“Whole Lotta Love was clearly the track that everybody would go to”: A classic interview with Jimmy Page
A bare-chested Robert Plant of Led Zeppelin performs at Earl's Court, London, in 1975. Guitarist Jimmy Page plays his Gibson Les Paul Standard in the background.
Robert Plant is selling gear for charity, including totally unique John Birch-modded ‘62 Stratocaster
Joe Bonamassa plays a Guild DE-500 Duane Eddy signature guitar at a Nashville show celebrating Eddy's life. Bonamassa wears a dark blazer embroidered with bright musical notation.
Joe Bonamassa on how to choose the right amp for a gig
JHS Pedals NOTADÜMBLË: the new DIY pedal kit from the Kansas stompbox company requires no soldering, is keenly priced, and promises two channels of tone inspired by the holy grail tube amps favoured by the likes of Joe Bonamassa.
Nail the sound of a holy grail tube amp with a pedal you made yourself
MXR Rockman X100
“Perfect for that '80s arena-rock vibe”: MXR Rockman X100 pedal review
Jackson Pro Series Lee Malia LM-87: The Bring Me The Horizon guitarist's new signature model is inspired by the Surfcaster and debuts a hunbucker/P-90 combo.
“I feel like that song had everything we needed to come back with”: Bring Me The Horizon’s Lee Malia on Shadow Moses, its riff and the secrets behind its tone, and why it was the right anthem at the right time
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