Skip to main content
Music Radar MusicRadar The No.1 website for musicians
Sign in
  • View Profile
  • Sign out
  • Guitar Amps
  • Guitar Pedals
  • Synths
  • Guitars
  • Artist news
  • Keyboards & Pianos
  • Controllers
  • Software & Apps
  • Drums
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About Us
More
  • You Oughta Know
  • Fake AI band
  • 95k+ free music samples
  • Wrecking Crew
Recommended reading
Whitesnake in 1990
Artists “We needed the right person to join the family”: How Steve Vai put the sizzle into the last big hair metal album
Billy Cobham performs at Blue Note on February 23, 2024 in Milan, Italy
Drummers “He runs into the studio and shouts ‘hit the record button'”: Billy Cobham on Miles Davis’s agile recording
Aaron Comess of the Spin Doctors
Artists “I used the snare I played on Two Princes”: Why the Spin Doctors are still rocking with the gear they used in the ’90s
Rudy Sarzo
Artists “I’d done way worse than just licking the bass!”: The raunchy video that powered a hair metal anthem all the way to No.1
Scott Thunes and Frank Zappa
Artists “If you’re a bass player you are by definition a moron”: Frank Zappa’s bassist, Scott Thunes speaks out
Adrian Smith on stage in 2025
Artists “He said, ‘Your upstrokes are weak!’ I’m like, ‘You effin’ what?’”: Iron Maiden's Adrian Smith never stops learning
Stevens with Idol
Artists “The last thing we wanted to do was say, ‘Hey, let’s do another Rebel Yell’”: Steve Stevens on the new Billy Idol album
  1. Artists
  2. Singles And Albums

Classic albums featuring Aynsley Dunbar

News
By Chris Burke published 12 June 2015

From Zappa to Whitesnake, the jazz schooled chops of one of rock's finest

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Aynsley Dunbar

Aynsley Dunbar

Aynsley Dunbar grew up in the Liverpool jazz scene, having begun playing drums at the age of 11. Aynsley was also part of the blossoming rock and R&B movement in Liverpool in 1963, playing for such groups as Derry Wilkie And The Pressmen, Freddie Starr And The Flamingos, The Excheckers and Stu James And The Mojos.

Throughout the ’60s, Aynsley played with Peter Green and John McVie in John Mayall’s Bluesbreakers and drummed in the Jeff Beck Group with Rod Stewart and Ron Wood. He also led his own group, The Aynsley Dunbar Retaliation in 1967 and later put together the progressive jam band, Blue Whale.

But curiously, at least on record, Aynsley’s career had not yet taken off. It was Frank Zappa who, recognising not only Aynsley’s vast experience but his serious jazz chops, who asked Aynsley to move to America and join his new band. After playing and recording with Zappa in the early ’70s, Aynsley continued his stellar track record playing and recording with David Bowie and Lou Reed. Then, Infinity. Aynsley continued his hit-making run into the 1980s with Jefferson Starship, playing on three of their releases and drumming on Whitesnake’s hit self-titled album.

Throughout the 1990s, Aynsley continued his association with guitar-orientated rock, playing and recording with Pat Travers, UFO, John Lee Hooker and Michael Schenker. The new millennium has seen Aynsley continue to tour with The World Classic Rockers. It could easily be argued that no drummer has played with a more diverse group of successful acts.

Page 1 of 6
Page 1 of 6
Waka/Jawaka (1972)

Waka/Jawaka (1972)

At this time, Zappa’s music was going through a decidedly jazz influenced phase and Aynsley’s drumming was the perfect ingredient. There are just four tracks on the album, with the first side taken up with just one, ‘Big Swifty’.

It’s jazz fusion, big, brassy and shifting in time signatures – an improvisational playground for Zappa and his carefully assembled musicians. Check out the solo in the title track (from around the 7:20 mark); and elsewhere Aynsley proves he’s equal to anything Zappa could throw at him.

Key track: ‘Waka/Jawaka’

Page 2 of 6
Page 2 of 6
Pin Ups (1974)

Pin Ups (1974)

Aynsley was fresh from the always-impressive Frank Zappa gig when the call came to drum for David Bowie. Bowie’s covers album, Pin-Ups, was first, featuring most of the Spiders From Mars band minus Mick Woodmansey, followed by 1974's Diamond Dogs.

Aynsley moved from the intricacies of Zappa’s music to Bowie’s more pop-directed style with ease, as the Thin White Duke put his stamp on covers of tracks by The Merseys (‘Sorrow’), Yardbirds (‘I Wish You Would’), Pink Floyd (‘See Emily Play’), The Pretty Things (‘Rosalyn’, ‘Don’t Bring Me Down’) and The Who (‘I Can’t Explain’, ‘Anyway, ‘Anyhow’, ‘Anywhere’).

Key track: ‘Sorrow’

Page 3 of 6
Page 3 of 6
Infinity (1978)

Infinity (1978)

Aynsley, seeking to join a rock fusion group, became a member of Journey, recording and co-writing the band’s first four albums, including the group’s breakthrough release, and fourth album, Infinity.

This was the band’s smash breakthrough album containing the blues ballad ‘Lights’, proto-Soft Rock anthem ‘Anytime’, big-rockin’ ‘Feeling That Way’ and ‘Wheel In The Sky’, with Aynsley switching between a solid rock shuffle and some big, big fills. This album blends commercial appeal while showcasing excellent musicianship.

Key track: ‘Wheel In The Sky’

Page 4 of 6
Page 4 of 6
Freedom At Point Zero (1979)

Freedom At Point Zero (1979)

After Journey, Aynsley joined Jefferson Starship, who experienced a resurgence of popularity with new singer Mickey Thomas. The band who had started life as as Jefferson Airplane – counter-culture psychedelic rockers – began to evolve, like so many progressive rock acts, into MOR money-spinners with a huge sound that would prolong their careers well into the big-haired ’80s.

Best known of the hits from this album is ‘Jane’, with Aynsley providing solid and tasteful beats to drive the big tune. And just listen to Aynsley’s tasteful 16-bar intro to the title track for proof that he could power stadium-sized bands.

Key track: ‘Freedom At Point Zero’

Page 5 of 6
Page 5 of 6
Whitesnake (1987)

Whitesnake (1987)

Although most people associate drummer Tommy Aldridge with this era of Whitesnake, it was Aynsley who laid down all those massive rock grooves on this multi million- selling disc.

When Cozy Powell left the band to join Emerson, Lake and Powell, David Coverdale and co brought in Rainbow’s Don Airey on keys and Aynsley on drums. This album has it all. Aggressive double bass to soft ballad playing, all tempered with dynamics and just the right fill at the right time. ‘Crying In The Rain’ kicks things off in bluesy style, with Aynsley setting the pace with humungous sounding drums that build to a monster fill as the track takes off. ‘Still Of The Night’ is truly epic, with Aynsley helping build the tension with tightness, flair and no shortage of big rock fills.

Key track: ‘Still Of The Night’

Page 6 of 6
Page 6 of 6
Chris Burke
Read more
Whitesnake in 1990
“We needed the right person to join the family”: How Steve Vai put the sizzle into the last big hair metal album
Billy Cobham performs at Blue Note on February 23, 2024 in Milan, Italy
“He runs into the studio and shouts ‘hit the record button'”: Billy Cobham on Miles Davis’s agile recording
Aaron Comess of the Spin Doctors
“I used the snare I played on Two Princes”: Why the Spin Doctors are still rocking with the gear they used in the ’90s
Rudy Sarzo
“I’d done way worse than just licking the bass!”: The raunchy video that powered a hair metal anthem all the way to No.1
Scott Thunes and Frank Zappa
“If you’re a bass player you are by definition a moron”: Frank Zappa’s bassist, Scott Thunes speaks out
Adrian Smith on stage in 2025
“He said, ‘Your upstrokes are weak!’ I’m like, ‘You effin’ what?’”: Iron Maiden's Adrian Smith never stops learning
Latest in Singles And Albums
Singer and mastermind Brian Wilson of the rock and roll band "The Beach Boys" directs from the control room while recording the album "Pet Sounds" in 1966 in Los Angeles, California
“One of the few songs that reduces me to tears every time I hear it”
Raye and Amy Winehouse
Raye on her decision to work with Amy Winehouse producer Mark Ronson, and those inevitable comparisons
Singer Joey Ramone (1951 - 2001), of American punk group The Ramones, backstage at the Paradise Theater (now the Paradise Rock Club) in Boston, Massachusetts, 22nd March 1978. In the background are bassist Dee Dee Ramone (1951 - 2002, centre) and drummer Tommy Ramone (1949 - 2014).
"At first the tension was unbelievable. Johnny was really cold, Dee Dee was OK but Joey was a sweetheart": The story of the Ramones' recording of Baby I Love You
Bob Marley and the Wailers
"Reggae is more freeform than the blues": Bob Marley and the Wailers' Catch a Fire, track-by-track
Joe Bonamassa [left] plays his Epiphone 1955 Les Paul Standard and wears a bright blue suit and polka-dot; Sammy Hagar [right] wears shades, a black Cabo Wabo T-shirt and plays his red Gibson Explorer with white pickguard.
“The track is a monster!”: Joe Bonamassa and Sammy Hagar have got the Fortune Teller Blues
beyonce album cover
“Part of a beautiful American tradition”: A music theory expert explains the country roots of Beyoncé’s Texas Hold ‘Em, and why it also owes a debt to the blues
Latest in News
IK Multimedia Tonex One Brown Sound Anthology Limited Edition: these special run mini pedals offer the Tonex One in red, yellow and white, each presenting a specific era of EVH's classic tone.
“The anthology fully captures an artist’s tonal journey as he changed rock guitar forever”: Eddie Van Halen’s holy grail tone from a Tonex One mini pedal? IK Multimedia unveils the Brown Sound Anthology
Billy Joel
“Once you’ve seen this film, you’ll never hear Vienna the same way again," says Billy Joel doc director
Costumed members and singer Tobias Forge of the Swedish rock band Ghost perform at Uber Arena on May 7, 2025 in Berlin, Germany. The concert is part of the Skeletour World Tour 2025
“A life-changer for the existence of the band”: Tobias Forge says Ghost’s gig phone ban has been a success
Charvel Angel Vivaldi Signature Pro-Mod Nova-7 NAT: The new S-style is eight years in the making and in some of the promo pictures it looks like Angel Vivaldi has been on horseback for much of that time.
Angel Vivaldi and Charvel unveil state-of-the-art 7-string for levelling up your shred game
Boss RT-2 Rotary Ensemble: the rotating speaker emulator has a visual reference on front, three modes, mono/stereo outputs and a metallic gold paintjob.
Boss puts Hendrix and Gilmour rotating speaker sounds on the menu with the RT-2 Rotary Ensemble
a fire at the festival site of the Tomorrowland electronic music festival, Wednesday 16 July 2025
Massive fire breaks out at Tomorrowland EDM festival in Belgium

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...