When putting together this buyer's guide of the best budget acoustic and electro-acoustic guitars, there were three key factors to consider: how does it sound, how does it look and how much does it cost?
Undoubtedly one of the most congested areas of the six-string market is the affordable acoustic guitars sector, where there are literally thousands of models and manufacturers to choose from.
This gallery contains the most popular and best-reviewed guitars we found, including the best guitars for beginners and experts alike.
Whether you're looking for your first guitar, or another for your collection, there are some truly spectacular guitars on offer - acoustics that punch way above their weight and prove that affordable needn't mean cheap and nasty.
Not only do they all sound great, most - if not all - are easy on the eye, and best of all, they all retail at under $/£500.
Some of these guitars will make great first instruments, and some will prove to be trusted partners for life.
1. Taylor GS Mini
The travel guitar that you'll use at home
Launch price: $678 / £499 / €499 | Type: Mini Grand Symphony | Top: Sitka Spruce | Back & sides: Laminated sapele | Neck: Sapele | Scale: 23.5" | Fingerboard: West African Ebony | Frets: 20 | Tuners: Die-Cast Chrome | Left-handed: Yes | Finish: Varnish
The Mexican-made Mini is equally functional as both a travel-sized acoustic and "modern day parlour guitar". Despite its small footprint, the GS Mini is no toy instrument: there's a solid Sitka spruce top, a faultless build quality and the setup is immaculate. Rather like a good parlour-size guitar, the GS Mini outputs a sound that belies its compactness. We'd lay a considerable sum to suggest it'd be a fine recording guitar, that tight low end giving space to a bass guitar (or bassier six-string) while the mids aren't overly honky, as some parlours can be, and the silky, sparkly highs are pure Taylor fidelity. Far from a gimmick, this is a guitar with its own vibe and voice - and both are very appealing.
Read the full review: Taylor GS Mini
2. Martin LX1E Little Martin
Ideal songwriter's plug-in companion
Launch price: $439 / £449 | Type: Modified 0-14 Fret | Top: Sitka spruce | Back & sides: High Pressure Laminate | Neck: Stratabond | Scale: 23" | Fingerboard: FSC Certified Richlite | Frets: 20 | Tuners: Gotoh nickel | Electronics: Fishman Sonitone | Left-handed: Yes | Finish: Hand Rubbed
The Little Martin does feel a little industrial, but from the first strum its more conventional spruce-top voice has us captivated. If you're a classic Martin fan, this is just miniaturised with a lovely crisp-edged voice. Its conventional sound perhaps leads us to traditional 'American' fingerstyle, and its pushy voice would certainly be heard above bigger guitars, both in an ensemble or a recording. Serious fun. The material may be man-made, but the fingerboard and bridge look like dense ebony, while the dark-hued HPL back and sides ape a dark, rich mahogany with the back's central core material giving a dark binding line, which evokes a classy feel. Our Martin has only pre-set EQ, and without that engaged things are a little middly and boxy: it definitely sounds more conventional with the contour switch, which cleans up the mids a little and adds some crispness. Like its acoustic voice, the Martin sounds very 'conventional' plugged in and that's no bad thing. It's really easy to dial in: we scooped a little lower midrange and that was about it. Open-mic ready, we'd say!
Read the full review: Martin LX1E Little Martin
3. Fender CD-60S All-Mahogany
One of the best guitars for beginners, with a low, low price tag
Launch price: $199 / £160 | Type: Dreadnought | Top: Solid Mahogany | Back & sides: Laminated Mahogany | Neck: Mahogany | Scale: 25.3" | Fingerboard: Rosewood | Frets: 20 | Tuners: Chrome Die-Cast | Electronics: N/A | Left-handed: Yes | Finish: Gloss
The entry model of the Classic Design Series is a good reminder of just how much guitar you can get for your money at the more affordable end of the market. We've come far since the days of high-action, poor tuning stability and shoddy construction that used to mark out lower-priced models. Instead, we're offered a solid-wood mahogany top, laminated mahogany back/sides and an inviting rolled fretboard edge. The CD-60S' intonation is great out of the box, too, though not too low to make us wary of alternate tunings. The mid-character of mahogany is certainly here, bringing some meat to a brightness usually associated with spruce tops. The result is something that’s genuinely inspiring to play and chimes in chord work. Why should new players settle for just okay when they need to be comfortable and inspired?
Read the full review: Fender CD-60S All-Mahogany
4. Art & Lutherie Roadhouse Tennessee Red
Earthy blues and country tones on a tight budget
Launch price: $449 / £369 | Type: Parlour | Top: Solid Spruce | Back & sides: Laminated Wild Cherry | Neck: Silver Leaf Maple | Scale: 24.84" | Fingerboard: Rosewood | Frets: 20 | Tuners: Open-gear 18:1 antique brass | Electronics: Fishman Sonitone A/E built-in electronics (optional) | Left-handed: No | Finish: Semi-Gloss Patina
Made by Art & Lutherie, a sub-brand of Godin Guitars (known mostly for its electric guitars) this parlour model cuts straight to the chase - it’s clean, it’s earthy, it’s got attack and its design takes you back in time to the rural deep south where all you might have needed were the clothes on your back and this instrument for company. Playing this Roadhouse Tennessee Red is an absolute joy. The middle and upper ranges of the guitar are very strong. When we try some alternative tuning, dropping the bottom E to a D opens up the bass no end. Blues and country come to the fore. There’s clarity too, combined with an understated subtle warmth. A pocket-sized bag of country rock ‘n’ roll - compact and ready to go at a moment’s notice.
Read the full review: Art & Lutherie Roadhouse Tennessee Red
5. Sigma SDM-15
Stunningly affordable solid mahogany all-rounder
Launch price: $760 / £499 | Type: Dreadnought | Top: Solid mahogany | Back & sides: Solid mahogany | Neck: Mahogany | Scale: 25.4" | Fingerboard: Ebony | Frets: | Tuners: Chrome-plated Grover, sealed tuners | Electronics: Fishman Sonitone | Left-handed: No | Finish: Matt
In a timeless classic Dreadnought design it appears to offer something to satisfy the needs of many a blues, folk or bluegrass picker or strummer. Open chords and 1st-position licks fall deftly under the fingers, while moving up the neck for barre chords and other musings requires no huge effort. The compensated bone saddle means intonation is as good as it gets on an acoustic. Whether it's used as a basher of chords, for the odd solo or with a capo for fingerpicked accompaniments, the SDM-15 passes muster on all counts. While it doesn't exactly brim with sophistication, it's a wholesome voice that matches the guitar's appearance - earthy, rich and dark. Should you be looking for a bluesy belter or general all-round acoustic, then the SDM-15 is the no-brainer of all no-brainers, even if it does push the budget a little!
Read the full review: Sigma SDM-15
6. Gretsch G9511 Style 1 Single-0 Parlour
A parlour guitar with plenty of ‘30s charm
Launch price: $299 / £290 / €318 | Type: Parlor | Top: Solid Sitka Spruce | Back & sides: Laminated Mahogany | Neck: Mahogany | Scale: 24.75" | Fingerboard: Rosewood | Frets: 19 | Tuners: Vintage style open back | Electronics: N/A | Left-handed: No | Finish: Thin Gloss Polyester
The G9511 looks as though it’s lived inside a sepia-toned photograph and, as if by magic, we were able to pull it out and play it. Tone wise the G9511 is wonderful; airy, bright and sparkling, without any of the harshness you might expect from a spruce and laminate combination. Make no mistake, this is a relatively trebly guitar and the low E string in particular is positively quiet, but that’s no bad thing. It would be easy to act snobbish about the laminate back and sides and the Asian origin, but don’t be. Instead, try this guitar for yourself and you’ll find it better than many more expensive rivals, even some of those with all-solid woods.
Read the full review: Gretsch G9511 Style 1 Single-0 Parlour
7. Yamaha LJ6 ARE
Quite possibly the best acoustic guitar under $500
Launch price: $499 / £469 | Type: Medium Jumbo | Top: Solid Engelmann spruce | Back & sides: Mahogany laminate | Neck: Mahogany/rosewood 5-ply | Scale: 25.6" | Fingerboard: Rosewood | Frets: 20 | Tuners: Yamaha enclosed, gold tuners | Electronics: Yamaha SRT Zero Impact pickup | Left-handed: | Finish: Gloss
The Chinese-built 6 L Series guitars represent an auspicious meeting of Yamaha's ultra-credible heritage with distinctly mid-level pricing. As ever with Yamaha, the standard of finishing is superb. With a heavier set of phosphor bronze strings, and that sweetness is all there, punching far above its price point with a tone that suits rhythm strumming very well; beginners and acoustic newbies might find the sound more forgiving and pleasing than the LS16M, for example. Plugged in, the 'Zero Impact' passive pickups are instantly likeable. More important is the timeless approach that makes those guitars just as relevant now as they would have been at almost any point in the 40 years since the L Series first appeared.
Read the full review: Yamaha LJ6 ARE
8. Faith Nomad Mini-Neptune
A pristine build makes this one of the best travel guitars
Launch price: £469 | Type: Small Jumbo | Top: Solid mahogany | Back & sides: Solid mahogany | Neck: Mahogany | Scale: 23.22" | Fingerboard: Indonesian Ebony | Frets: 18 | Tuners: Faith Precision | Electronics: Faith CnR-3 Pickup System. | Left-handed: No | Finish: Satin
Faith has built an enviable reputation based on incredible value for money thanks to all-solid construction and designs by renowned luthier Patrick James Eggle. The all-mahogany construction of the Neptune works wonders with this relatively small-bodied instrument. The mids bring an unexpected but pleasant depth and presence to the tone that is well balanced across the strings and belies the size of the body. It’s ‘woody’ sounding, with lots of plummy mids making fingerpicked chords and lead passages leap off the fingerboard. The Nomad series stands tall with the very best in its class. Faith has gone to more effort than any other maker we can think of, to make sure that its smallest instrument is every bit as wonderful as its most expensive - and that’s nothing short of remarkable.
Read the full review: Faith Nomad Mini-Neptune
9. Washburn Woodline 10 Series WLO12SE
Sparkling, fingerstyle-friendly orchestra model
Launch price: $369 / £329 | Type: Orchestra | Top: Solid Mahogany | Back & sides: Solid Mahogany | Neck: Satin Mahogany | Scale: 25.5" | Fingerboard: | Frets: 20 | Tuners: Chrome die-cast | Electronics: Fishman Presys II 301T | Left-handed: | Finish: Gloss
While a dreadnought generally offers a solid blend of bass, mid and treble, the orchestra is more about the sparkling highs and tight bottom-end. Handling the WLO12SE is a joy. The action is low - something that will appeal to electric players looking for a stress-free transition to an acoustic. The frets are beautifully finished, and the slim neck allows you to noodle away for hours without cramping up. The Fishman provides a good representation of the guitar's acoustic qualities through an amp. The electro-acoustic market is so swamped these days, it can be tempting to just grab the first decent dread you see and scuttle off home. The WLO12SE is a beautifully realised reminder that you should take the time to narrow your search and find a playing experience and tone that suits your needs.
Read the full review: Washburn Woodline 10 Series WLO12SE
10. Taylor Big Baby Taylor-e
The quintessential Baby electro
Launch price: $648 / £514 / €499 | Type: | Top: Spruce | Back & sides: Layered sapele (sapele/poplar/sapele) | Neck: Mahogany | Scale: 25.5" | Fingerboard: Ebony | Frets: 20 | Tuners: Die-Cast Chrome | Electronics: Taylor ES-B pickup & preamp | Left-handed: Yes | Finish: Varnish
For many, the Big Baby remains a near bomb-proof working guitar, perfectly fit for purpose. Acoustically, yes, it has quite a hallmark Taylor tonality: strong, clean and quite brightly voiced with a condensed bass end. On the one hand it lacks the complexity and subtltey of a higher end all-solid wood Taylor, but, conversely, its strident projection and trim-for-a-dreadnought low end make it sit very well in a mix, both in the studio and live. If you appreciate quality but don't like or can't afford a 'posh' guitar, then you should try this Big Baby electro.
Read the full review: Taylor Big Baby Taylor-e